People From Moscow

"Witold Doroszewski treated the culture of language as a significant part of linguistics. He believed that popularising correct Polish and knowledge of language is more important than pointing out and analysing linguistic errors since promoting positive models is the basis of work on language. He defined language as one of the forms of the human activity in the society. Apart from numerous specific solutions, radio advice, collected in 3 volumes of O kulturę słowa (About the culture of the word), he also formulated several general principles of the culture of language. He presented the first set of criteria for linguistic correctness, developed theoretical assumptions of the dictionary of correct Polish, defined the notion of linguistic norm and linguistic error. Many findings and observations contained in his studies have been valid to date, his way of treating prescriptive linguistics has been continued by his students."

"[ Semantics can be defined as] the science of the meanings of words, [the central issue of which is] the problem of the relationship between words and designata."

"Not only the tools of manual labour, but also the tools of human thought — words — are subject to the laws of historical development. The history of the meanings of words is outside the area of interest of formal logic, and could not be fruitfully studied by the methods of that discipline."

"The potential conflict inherent in every word, and finding expression in the fact that the use of every word is an individual embodiment of a general concept, is the focal point of semantics understood as a part of linguistics — that is as a science of the meanings of words and the history of such meanings"

"For Witold Doroszewski, at the root of semantic analysis lies the philosophical issue of the relationship between the general and the particular, the starting point being the analysis of the function of the copula "is". Doroszewski analyses the problem of meaning as closely linked with denotation. It is in that question that he sees the focal point of semantics."

"In a certain sense may be considered a superior discipline to lexicology, for results are more important than intentions and the value of theoretical principles must be estimated according to results."

"One of the most winning characteristics of Prokofiev’s music is its indomitable energy. In expressing this quality, stability of tempo is particularly important."

"Prokofiev was especially active as a pianist during his years in the United States. The titles of numerous reviews seem to refer as much to his compositions as to his performances: “A titan of a pianist,” “Volcanic eruption at the keyboard,” “Russian chaos in music,” among others."

"Prokofiev’s playing of lyrical music is especially noteworthy. His phrasing can be exquisitely beautiful in its dynamic molding (second theme of the Andante assaifrom Sonata No. 4; the middle section of Vision fugitive,op. 22, no. 11), and his polyphonic voicing can be clear and expressive (Sonatina pastorale, op. 59, no. 3)."

"The piano plays a central role in Prokofiev’s oeuvre. Not only are his works for piano solo or piano with orchestra numerous, but they also rank among his more important compositions. The piano was the first instrument Prokofiev heard and the only one he mastered."

"Examining the musical language of Prokofiev in a more detailed way, we must acknowledge that for him melody was always the most important element of music, one that determined the quality of the composition"

"Prokofiev’s music is usually based on a firm sense of tonality. Whatever tonal uncertainty and ambiguity one experiences, mainly in developmental passages, they are mostly short-lived."

"The playing of Soviet pianists of the younger generation differed significantly from the composer’s performing style, as discussed above. (Here I am referring to the generation of Richter and Gilels or younger, as opposed to Prokofiev’s coevals such as Neuhaus and Samuil Feinberg, who also had Prokofiev’s works in their repertoires.) Since we know that Prokofiev appreciated their playing, does it mean that he accepted their approach? Should we regard the new generation’s playing as a distortion of the composer’s intentions or as a natural evolution of interpretive style? I believe that Prokofiev, having been exposed to the new performing style of the Soviet pianists, accepted at least some of its qualities. We can mention assertive muscular playing, open expressivity, and a gripping commitment to the music among those traits that brought recognition to Soviet pianists and assured their success in the international arena. These characteristics were concordant with the evolving compositional style of Prokofiev, whose later works became both more virile (often heroic) and expressive in a warmer and more open way."

"Prokofiev had a lifelong love of the sonata form. Ever since learning the basic rules during his childhood years, he strove to master them; … In 1941, describing his Sonatinas op. 54 (1931), he remarked, “I liked the idea of writing a simple work in such a superior form as sonata.” One can learn a lot about the composer’s growth by tracing his progress from the early sonatas, which cautiously dare to bend the textbook rules, to the masterful treatment of the form in his late works."

"In spite of the many valuable books available today, the state of Prokofiev scholarship cannot be considered adequate: suffice it to say that the detailed catalogue of his works has not been updated since it was published in 1961. At present, there is no edition of the Prokofiev sonatas free of errors. I have tried to do my best in pointing out some obvious mistakes, as well as certain doubtful readings. Many questions cannot be answered with certainty, as the manuscripts for some of the sonatas have been lost; those that have survived are not easily available for inspection. To get to some of them, I was fortunate to have the help of Russian colleagues in overcoming the restrictions of the current gatekeepers in Russia."

"Prokofiev’s creative path traversed many countries and was affected by wars and revolutions. Life brought him into contact with some of the most prominent and influential artistic figures of his time. Observing the magnificent panorama of Prokofiev’s oeuvre, one sees that the composer’s musical style evolved significantly over the course of his creative life. The reasons for the changes of direction have been much discussed and debated."

"Within the vast, virtually limitless piano repertoire, the piano sonatas of Sergei Prokofiev occupy a special place. Apart from Alexander Scriabin early in the century, Prokofiev was the only major twentieth-century composer to pay such consistent attention to the form, … They are a constant presence in concert programs and are considered an indispensable part of the repertoire by almost every serious concert pianist."

"Prokofiev was not alone among the leading composers of the twentieth century in changing his style repeatedly in the course of his career: Stravinsky, Schoenberg, Bartók, and others modified their musical language drastically at various stages of their creative lives. In Prokofiev’s case, he always maintained certain stylistic facets throughout the transformations of his musical language."

"It is essential that a pianist meticulously observe the composer’s indications regarding tempo, dynamics, and articulation. These are all crucial in creating full characterizations of individual themes and passages. Far too often one hears unidiomatic performances of Prokofiev’s music in which speed and loudness seem to be the only parameters that matter to the pianist."

"Young Prokofiev was attentive to new musical trends. We can find traces of various influences in his early compositions. Some of the piano works from the set Visions fugitives,op. 22 (1915–17), are reminiscent of Debussy; the Andante assai section of the First Piano Concerto, op. 10 (1911–12), sounds like Rachmaninov; and the harmonies of the symphonic poem Osen neye(Autumnor Autumnal Sketch), op. 8 (1910), harken back to Scriabin. These, however, were rather passing influences. Others proved to be more enduring. One of them was the fairy-tale streak in Russian music. Russians have always been fond of fairy tales, which to this day continue to be an important part of every child’s upbringing. ... Another significant influence was the Classical style."

"Prokofiev had a particular talent for creating a fully identifiable mood within the first notes of a piece, passage, or theme."

"Many pages of Prokofiev’s oeuvre continue the important tradition of Russian music based on fairy tale–inspired imagery."

"There's something deeper than making money off stuff. Being part of creating stuff for the universe is awesome."

"Try to honor this innovator's creed. As we head into the holiday season's trite cheer and do-gooding that barely manages anymore to glitter through the crass commercialism, remember that there is always more than having more. Try to make the universe more awesome, pro bono if you can."

"Prokofiev’s piano music has always played an important role in my own work as both a performer and a teacher. While a student at the Moscow Tchaikovsky Conservatory, I had the privilege of studying with Lev Oborin. This remarkable pianist premiered both of Prokofiev’s sonatas for violin and piano with David Oistrakh, preparing them under the composer’s guidance. Prokofiev’s works were heard very often in Oborin’s studio, as well as in his own concerts."

"Minister Lavrov said that clearly said we cannot sit with the American to define what Syrian wants to do, this is Syrian's issue, only the Syrian people can define the future of their country and how to solve their problems."

"Unfortunately, it is a classical step, when an occupant state is trying to make legitimate its unlawful decision. It is an attempt, which will remain unsuccessful."

"On Monday, Russian Foreign Minister Sergey Lavrov said that any U.S. presence in a CSTO country would need the approval of the alliance, which the Kremlin will veto. One might suggest that there is mistrust about the reliability of Joe Biden and company as a strategic partner, even though there is widespread concern that Afghanistan might become a rogue state. Nevertheless, Washington’s bullying in Iraq, Syria and also against Iran has failed to convince anyone that the U.S. Air Force would make a good neighbor...."

"The war, which we are trying to stop, which was launched against us using Ukrainian people, of course, influenced the policy of Russia, including energy policy."

"When we speak about what is happening in Ukraine - it is a war, not a hybrid one, almost a real war, that the West has been plotting for a long time against Russia."

"The political goal of the United States is directed against the friendship of Moscow and Kyiv."

"In 18 years, he went from a professional and educated intellectual, whom many my colleagues held in such high esteem [sic], to a person who constantly … threatens the world (that is, Russia too) with nuclear weapons!"

"Zelenskyy smokes or injects himself or snorts so much stuff that it is impossible to comment on his words."

"If the West delivers long-range weapons to Kyiv, the geographic goals of the special operation in Ukraine will expand even more."

"We are determined to help the people of eastern Ukraine to liberate themselves from the burden of this absolutely unacceptable regime."

"We will certainly help the Ukrainian people to get rid of the regime, which is absolutely anti-people and anti-historical."

"We cannot allow the part of Ukraine that Zelenskyy, or whoever replaces him, will control to have weapons that will pose a direct threat to our territory and the territory of those republics that have declared their independence, those who want to determine their future on their own."

"This war is being controlled by the Anglo-Saxons."

"As for some UN experts conducting some kind of research about the alleged crimes of the Wagner private military company, I am not aware of any UN experts being empowered to consider any aspect of war crimes, no matter who committed them."

"We have absolutely no intention of — or interest in — crossing Ukraine's borders."

"We see that our colleagues from the NATO countries are pursuing a policy of containing Russia, increasing their military activity on our borders, creating a military infrastructure on the “eastern front”, as they say, and resorting to unsubstantiated accusations instead of diplomatic methods..."

"A new reality is being formed: the unipolar world is irrevocably becoming a thing of the past, a multipolar one is taking shape. It’s an objective process. It’s unstoppable. In this reality, more than one power will “rule” – it will be necessary to negotiate between all the key states that today have a decisive influence on the world economy and politics. At the same time, realizing their special situation, these countries ensure compliance with the basic principles of the UN Charter, including the fundamental one – the sovereign equality of states. No one on this Earth should be seen as a minor player. Everyone is equal and sovereign."

"Absolutely no evidence."

"We discussed this issue. We welcome steps Pakistan and India have taken on confidence-building measures. Both countries are capable of settling their issues on their own without any foreign assistance"

"Congress is a very special group of people. More than 80 percent of them [have] never left the United States. They live in their own walls. So I’m not amazed about this Russophobia which is being displayed by the Congress at the moment."

"It is also alarming that our Western colleagues use the term “international law” less and less often. Instead, they talk more about a rules-based order... something they can invent themselves... We urge our colleagues to comply with the agreements reached within the framework of international law."

"It is no accident that the Office of UN High Commissioner on Human Rights stated today that all circumstances of his (Gaddafi's) death must be investigated and I fully agree that such an investigation will be conducted."

"If something goes wrong in Syria, many countries of the region will feel a negative impact. We can’t support isolation because of the lesson we drew from Libya."

"We believe this would be a huge mistake and we hope that this would never happen."

"Members of the international community, first of all our Western partners, have chosen the path of supporting one of the sides in the civil war – probably the party that represented the Libyan people's legitimate aspirations, but this still increased the number of casualties among the civilian population."