People From Havana

"Disarmament for Development is a win-win strategy for States and Peoples. It is time to reduce the spiral of military expenditures and to invest in research into the root causes of conflicts and in the development of strategies of conflict-prevention and resolution."

"The cost in human lives of every armed conflict is staggering, but the economic cost of wars can continue for generations."

"Even a cursory review of the situation worldwide reveals that, in many countries, accurate and understandable information on military expenditures is not available. In some countries, military activities are concealed by placing them under different rubrics such as energy, research or homeland security."

"Participation by the public in decision-making, which requires full information, transparency and accountability, is essential to the democratic order. Parliaments have a special responsibility to oversee the adoption of national budgets and to monitor the actual use of appropriations so as to ferret out corruption."

"Excessive military expenditures have their own logic and their own dynamic. The profit-driven character of the armaments industry may well undermine the otherwise legitimate aim of protecting the population from outside threats."

"As Ban Ki-moon has repeatedly said, ‘the world is over-armed and peace is under-funded’. A major shift in priorities is vital for both States and peoples."

"Since a democratic and equitable international order requires peace, States must engage in good faith negotiations for disarmament and significantly reduce military expenditure and the arms trade."

"Every democracy must involve civil society in the process of establishing budgets, and all sectors of society must be consulted to determine what the real priorities of the population are. Lobbies, including military contractors and other representatives of the military-industrial complex, must not be allowed to hijack these priorities to the detriment of the population’s real needs."

"Global military spending levels constitute an unconscionable use of resources and remain at an all-time high, reaching a total of USD 1.75 trillion in 2012, according to the Stockholm International Peace Research Institute."

"In a world where millions of human beings live in extreme poverty, die of malnutrition and lack medical care, where pandemics continue to kill, it is imperative to pursue good faith disarmament negotiations and to shift budgets away from weapons production, war-mongering, surveillance of private persons and devote available resources to address global challenges including humanitarian relief, environmental protection, climate change mitigation and adaptation, prevention of pandemics, and the development of a green economy."

"I urge Governments to considerably reduce funds allocated to the military, not only as a disarmament issue, but also as a potential contributor to social and environmental protection and call for the holding of referenda on this issue worldwide."

"A ten per cent reduction in military expenditures per year would be reasonable, coupled with a programme of retraining the workforce and redirecting the resources in a manner that creates employment and advances social welfare. I also encourage all States to contribute to the UN’s annual Report on Military Expenditures by submitting complete data on national defence budgets."

"Transnational Corporations must be legally accountable for the negative human rights impacts of their activities."

"This new declaration which emphasizes the necessity of global disarmament is based on the purposes and principles of the United Nations, in particular the prohibition of the threat and use of force, and on the obligation to negotiate disputes in conformity with the UN Charter. It is a strong and positive example for the entire world."

"Its effects will be even broader than the establishment 45 years ago of Latin America and the Caribbean as a nuclear-free zone by the Treaty of Tlatelolco."

"This reduction implies the release of funds for development and a shift of the labour force previously dedicated to military industries toward peaceful activities, protection of human rights, conservation of the environment, the eradication of illiteracy, promotion of education and scientific research together with enhanced efforts to reach the Millennium Development Goals and implement the agenda for the post-2015 period."

"The CELAC Declaration is a positive sign towards the advancement of an international order which can and should be more democratic and equitable, based on the principles of the sovereignty of States and peoples and on international solidarity."

"Participation is a hallmark of democratic governance."

"As far as domestic democracy, all here present know that democracy means government of the people by the people. While we agree that consultation and participation are essential to every democracy, this is seldom achieved in practice."

"A World Parliamentary Assembly functioning outside the United Nations, or a United Nations Parliamentary Assembly set up as a subsidiary body of the General Assembly pursuant to article 22 of the UN Charter, could start initially as a consultative body and gradually develop into a legislative assembly."

"We don’t want a dystopian future in which corporations and not democratically elected governments call the shots. We don’t want an international order akin to post-democracy or post-law."

"The bottom line is that these agreements must be revised, modified or terminated."

"Most worrisome are the ISDS arbitrations, which constitute an attempt to escape the jurisdiction of national courts and bypass the obligation of all states to ensure that all legal cases are tried before independent tribunals that are public, transparent, accountable and appealable."

"I am always reminded of the case of a noted American journalist, an excellent fellow, well educated, and, at the time I have in mind, chess champion of the state in which he resided. My friend devoted a great deal of time and energy to the study of the openings. Whenever I passed through his city he always came to the station for me and put me up at his house. We would have frequent conversations during which he would ask me about this or that variation; to his great surprise I would almost always answer, "I don't know it" Then he would say: "What will you do when somebody plays it against you?" And I would reply, "Ninety percent of the book variations have no great value, because either they contain mistakes or they are based on fallacious assumptions; just forget about the openings and spend all that time on the endings. In the long run you will get much better results that way.""

"Morphy's principal strength does not rest upon his power of combination but in his position play and his general style....Beginning with la Bourdonnais to the present, and including Lasker, we find that the greatest stylist has been Morphy. Whence the reason, although it might not be the only one, why he is generally considered the greatest of all."

"In order to improve your game you must study the endgame before anything else; for, whereas the endings can be studied and mastered by themselves, the middlegame and the opening must be studied in relation to the endgame."

"It's done a lot of players a lot of good. And obviously, this drug is a drug where it's dose-related. Anything in overdose will destroy your liver. I mean, look at cigarettes and look at liquor. Cigarettes says on the packet, this will kill you; it will cause cancer; and you're still smoking it."

"I am and will always be just simply a baseball [sic] player, my tomb stone will just say. Baseball."

"It took us two years to write, produce and arrange the new album [90 Millas]. Aside from that, I wrote the two children's books based on Noelle, my bulldog, and I was fortunate enough that they ended up on the New York Times bestseller list. By now, we've got seven restaurants and two hotels, which we're very hands-on with, and we're building a third one in Vero Beach, Florida, And I took a vacation for once, because ever since Emilio and I got married in'78, every trip we've take has been for work. So last year, we went to Egypt, Panama, the Bahamas and Greece. It was fantastic!"

"Emilio and I like projects to breathe and grow. We started with a concept -- write songs, make demos, then let the guest stars listen to them and then affect the writing process. For Jose Feliciano, I had written a chorus and a bit of a melody. He started playing the chorus and ad-libbing. I went, "This is the [stuff]! Forget my melody!" Carlos Santana worked just the other way. He wanted me to record a polished take singing first, so his playing could recreate my emotion. I got goose bumps [writing "90 Millas"]. Like in "Esperando," which is addressed to Cubans on the island. Those of us in America, we're like the bogeyman, but I wanted Cubans at home to know: Whatever happened doesn't matter. The future is for us to heal. And also: because we're here, we latched onto any part of our culture. Yes and no [this is a political record]. Politics is life, so yes. but it's not specific. Saying that 90 miles haven't divided us sends a message about freedom for Cuba -- and for everyone."

"It is so important for me to keep authentic Cuban sounds alive. All of these great artists have changed the landscape of Latin music and it's an honor to have them on this album ["90 Millas," released in September of 2007]. I believe this album will expose a new generation to the richness of Cuban music."

"I'm very excited about this wonderful opportunity to take part in the evolution of a company that is integral to the Hispanic community and a powerful force in all areas of the media."

"The most beautiful things in this country have the flavor of other places. Chinese food. Pizza came from the Italians, but it's an American experience. French fries. There's always some other cultures involved. You don't have to be a hyphenated American, but you can certainly be an American who doesn't forget where they came from."

"All of us know the true meaning of freedom. Some of us appreciate it more than those who have been here for many generations."

"I'm singing the hardest song [the national anthem] you could possibly sing at this hour of the morning [8 a.m.]. [I came from Cuba] when I was sixteen months old, although I didn't become a citizen until I was actually about 9 or 10 years old [1966-67]. I had to leave the country to become a citizen, because we had to go to Canada -- and I'll never forget that trip as long as I live. But it was very important for me then, and for them [new citizens] today, What more special day can you have: July 4th in the American Mecca. It doesn't get better than that for them. Well, I'll tell you this -- and I can base it on my own feelings. The beauty of this country is that you can become a citizen of this wonderful nation, and still keep who you are: your culture, your lifestyle. It's a melting pot that allows you not to melt if you don't want to. And it's a wonderful place. I love this country. I really admire it: its ideals, the freedom, the things it stands for. As an immigrant that came from a country that doesn't have those freedoms and still doesn't have them -- which is Cuba -- it's much more special to me: To be able to live here and to be able to have the life that I do in this country."

"My family was musical on both sides. My father's family had a famous flautist and a classical pianist. My mother won a contest to be Shirley Temple's double -- she was the diva of the family. At 8, I learned how to play guitar. I used to play songs from the '20s, '30s and '40s in the kitchen for my grandmother. After my dad was a prisoner in Cuba for two years, we moved to Texas, where I was the only Hispanic in the class. I remember hearing "Ferry Cross the Mersey," by Gerry and the Pacemakers, and thinking, "that had bongos and maracas -- that was really a bolero." And the Beatles song, "Till There was You" . . . also Latin. I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band -- just for fun -- when I 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish. And as you know, we did that and we broke through. But we waited until 1993 to release "Mi Tierra" -- we wanted my fans to be ready for the traditional Cuban music. And then we kept adding: more Cuban influences, more Latin America. And, underneath it all, African drums and rhythm. The concept of "90 Millas" starts with the songs of the '40s. We invited 25 masters of Latin music -- giants on the cutting edge of creativity, musicians who pushed it out to the world, young Cuban artists and Puerto Ricans who are huge -- so we could blend cultures and generations. So it is like coming home, but not exactly to the old Cuba."

"The music is one of the beautiful things that has survived the Castro regime. I have played for audiences all over the world but I've never played for a Cuban audience. For [husband] Emilio and me, the music is the one tie to our homeland."

"There is still a Castro in [Cuba]. And I think the status quo will not change until [Fidel] moves to the great beyond. [However,] Raul Castro [recently installed as president of Cuba] is a more open-minded guy [than Fidel]. [Raul] lives a more capitalistic lifestyle. And he has been somewhat more open with the press and allowing the students to speak up. But the reality is that he won't do much until Fidel is gone."

"I was a straight-A student, baby!"

"The most beautiful thing about music is that it transcends most anything."

"Ever since I was a little girl, I felt that I wanted to be of service here on the earth: I felt that was my job somehow. And whatever I was going to do, I was going to find a way to do that. And so, as I got a larger audience -- a broader audience worldwide, and more and more people were listening to me -- it became important for me to share that thought. And the song "Get on Your Feet" -- which I didn't write, it was written actually by my guitar player, bass player and keyboardist . . . They knew how I felt. [They knew] what my thoughts were . . . So although it was written before my accident, it was thrown back at me so many times . . . But that really is my motto. I look always forward. I look ahead. And that's why I chose to record that song, because I really loved the message. Then "Coming Out of the Dark," which came on the heals of that accident and my rehab, and the incredible love that I felt from everyone worldwide that helped me through that difficult moment when I broke my back in 1990, is a big thank you to my fans -- and an expression of how ultimately we are here for each other to help one another. And the strength of prayer . . . That's why I say I know the love that saved me, you're sharing with me. We do have the power to save one another . . . And I wanted to thank everyone for being there for me."

"Who is Gloria Estefan today? I'm very fulfilled as a woman. I've been able to have a wonderful family life, a fantastic career. I have a lot of good friends around me. My family has been my grounding point, and rooted me deeply to the earth. . . I'm very happy. I've done everything I ever wanted to do. The key to me was -- I told my husband when we were in our 20s -- I'm going to work really hard, so one day I won't have to work so hard. And to me what that was, was having choices. And I do have choices now -- and I have take full advantage of that. It's important for me now to be here for my little girl [Emily, age 12]. My son is full grown -- and I know have quickly that goes. So, I'm balancing being a mother -- which to me is the most important role I have on this earth -- and still being creative, writing -- which is what I love to do. So, I've been able to branch out into not just writing songs like you have heard through the years -- but writing children's books, writing a screenplay. But at my core that's what I am: a writer. And that's what I enjoy doing behind the scenes: writing the songs for albums, recording it. And that's why you have seen me take more of a back seat to being the center of attention, and being out on tour and doing that kind of thing. I've stepped up a lot of my charity work. This year, the five concerts I did were all for charity: different ones and my own foundation. So, that's becoming a bigger and bigger part of my life -- as I wanted it to be. And [I keep] just growing and evolving."

"Well, if you compare my album even as late as two years ago, I think as a writer I am much more at the forefront. I wrote all the lyrics and lots of the music on that album. It shows humor of the writer side of me. But I have evolved since then."

"Oh, that's a good question because what I would consider essential may be different than what my record company and the fans might have in mind. But when you do a retrospective of 20 years like this (album) and realize that you had so many hit singles, it's really an honor. There's a couple of songs that I wrote, one is called "Along Came You" for my daughter Emily; and the other, "Nayib's Song (I Am Here for Your) for my son. Both are in the 'slow disc.' I put them in even if they were not singles or hits because for me my being a mother is an essential part of who I am.""

"[I've] written all original music [for the forthcoming Spanish-language CD], as was [1993's] "Mi tierra" -- years back. It's very organic. It's really down to the roots. I'm in love with that record. It's very rhythmic. It's a very passionate record, and I'm thrilled. It should come out next [2007] summer. And a single probably early on in the summer. The album probably will be [out] around September [2007]."

"Then [after Castro dies and her triumphal return to Havana], at last, I could sing for my people."

"More than anything I want to be able to go back to Cuba, to have a house to visit there, to know my roots. I lost my father as a little girl, and I want to be able to find him again in my heritage."

"[After a poor prognosis for recovery from her doctor following her 1990 bus accident] I said if it is up to me, I'm going to be OK."

"I received an award for 25 million in [album] sales the night before the bus accident [in 1990]."

"I have had a life in which I have had to face every big fear, and it has not been pleasant."