"House arrest, travel restrictions, surveillance, stopping phone service, cutting the Internet connection. What we can still do is greet the crazy motherland once again."

"One of the reasons religions are widely accepted is spiritual laziness and its resulting fear."

"In an environment without public platform nor protection, the individual is the most powerful and most responsible."

"This is a decadent era. Its main characteristic is that it’s dependent on lies and cheating. Once it loses this characteristic, it can’t survive for even a day."

"During the days in detention, I thought most about the moon."

"Freedom of speech implies the world isn’t defined. It is meaningful when people are allowed to see the world their way."

"I don’t see myself as a dissident artist. I see them as a dissident government!"

"Three years after the CCTV headquarters fire [in Beijing in February 2009], human skeletons lie forgotten. Is anyone accountable?"

"When the mayor of Nagoya denies the Nanjing Massacre, he gets blacklisted by the city of Nanjing. When the government of Sichuan denies “tofu dregs” construction [which caused the collapse of several schools], they get blacklisted by me."

"China [is a] society which forbids any flow of the information and freedom of speech. This is on record, so everybody should know this."

"I think China is in a chaos now and it could be more chaos. It’s an orderly chaos. It’s a party that ruthlessly violates every human’s basic rights to serve its own purpose.""

"They just don’t trust people. They don’t trust individuals, they don’t trust any change that should serve and benefit people, and they try to stop it."

"[With] 140 words in Chinese, you really can write a novel. Most of Confucius’s sentences [are] only four words, so 140 words [might] take his whole life to write. And you can discuss the most profound ideas related to democracy, freedom, poetry."

"Nothing can silence me as long as I am alive. I don’t give any kind of excuse. If I cannot come out [of China] or I cannot go in [to China] this is not going to change my belief. But when I am there, I am in this condition: I see it, I see people who need help. Then you know, I just want to offer my possibility to help them."

"I also have to speak out for people around me who are afraid, who think it is not worth it or who have totally given up hope. So I want to set an example: you can do it and this is okay, to speak out."

"The state is taking action against people who have peacefully demonstrated their ideas. They are writers—all they did is to express their minds through the Internet. So the pattern is very clear. The state tries to maintain stability by crushing any thought of making change. It could happen to me, because I did the same thing and in many cases I went much further and deeper. But I always think the government can learn from their mistakes—they should learn and understand; they should be just as intelligent as anyone else."

"Life is never guaranteed to be safe, so we better use it while we are still in good condition."

"People often say I started to become too outspoken after a certain period. It’s all because of the Internet. If we didn’t have this technology I would be same as everybody else. I couldn’t really amplify my voice."

"You can see China still cannot offer any real value to the world except as cheap labor, manufacturer, and its own so-called stability. Besides that, I don’t see any creative values and creative mind or thinking [that] can be announced from China. So this is the struggle China has to face in the next decades."

"People have said, if you leave, you may never come back. Or they may not even let you leave. So this is always a cost you may have to pay. But I don’t want to restrict myself: When it happens, it happens. I have to deal with it, but not to prepare for it, because it is a kind of stupidity. If you prepare for it too much, you become a part of it."

"I loved New York—every inch of it. It was a little bit scary at that time, but still, the excitement was so strong—visually and intellectually. It was like a monster."

"They all ask: Why? Why is it that this man’s name [Ai Weiwei] can never be typed on a Chinese computer or the whole sentence will disappear?"

"Myself, I try to search for the new way, always trying to set up a new possibility and to find the new tools to express myself. To reach a broader audience."

"I think by shattering it we can create a new form, a new way to look at what is valuable—how we decide what is valuable."

"I am always trying to find how to get the message through. [In Munich] we custom-made five thousand backpacks like the ones of those students [who died in Sichuan] to construct a simple sentence [spoken by the] mother of a dead student. It was: 'She has been happily living in this world for seven years.'"

"You see a Party system that crushes down anybody who [has] different opinions, who has different ideas in their mind. Simply to have different opinions can cost someone their life. They can be put in jail, they can be silenced, and they can [disappear]. And the other people would take it, not giving support."

"I try to encourage people to look at our past in a critical way because as our education, we have a great, great history. But in reality we are poorest in ethics and philosophy, so I try to raise people’s consciousness on how we deal with our past."

"The people who control culture in China have no culture."

"The officials want China to be seen as a cultured, creative nation, but in this anti-liberal political society everything outside the direct control of the state is seen as a potential threat."

"Police in China can do whatever they want; after 81 days in arbitrary detention you clearly realise that they don’t have to obey their own laws."

"They have to have an enemy. They have to create you as their enemy in order for them to continue their existence. It’s very ironic."

"Writers, artists, and commentators on websites are detained or thrown into jail when they reflect on democracy, opening up, reform and reason. This is the reality of China."

"I lost all connection with the outside world and was immersed in a world of darkness. I was scared that my existence would fade silently. No one knew where I was, and no one would ever know. I was just like a small soybean—once fallen to the ground, it rolls into a crack in the corner. Being unable to make any sounds, it will forever be forgotten."

"Today, the West feels very shy about human rights and the political situation. They’re in need of money. But every penny they borrowed or made from China has really come as a result of how this nation sacrificed everybody’s rights. With globalization and the Internet, we all know it. Don’t pretend you don’t know it. The Western politicians—shame on them if they say they’re not responsible for this. It’s getting worse, and it will keep getting worse."

"If there is no freedom of expression, then the beauty of life is lost. Participation in a society is not an artistic choice, it’s a human need."

"I think restrictions are an essential condition in the fight for freedom of expression. It’s also a source for any kind of creativity."

"Art is always about overcoming obstacles between the inner condition and the skill for expression."

"It’s never about me. [My supporters] use me as a mark for themselves to recognize their own form of life: I become their medium. I am always very clear about that."

"I spend very little time just doing '“art as art.'"

"A city is a place that can offer maximum freedom. Otherwise it’s incomplete."

"Cities really are mental conditions. Beijing is a nightmare. A constant nightmare."