People From Apulia

"If we base coexistence on human rights, then we all have the same rights. The Middle East belongs to everyone because of its ancient culture and civilization. We are indebted to it. Also, from the Christian point of view, here took place Jesus’ life, that of the prophets, of the primitive Church that had great vitality for centuries. The Christian presence, even in its multiform expressions, is important. The logic of making these communities disappear is like making life disappear and preparing a desert, an impoverished environment. For millennia, the presence of so many religious, ethnic and cultural expressions has enriched this region. Of course, it is not like persecution never got the better of civil coexistence there in the past — far from it! But we ask ourselves: Must we continue with that logic? Have we learned nothing from history and from the suffering of millions of people? Is it still necessary to resort to the logic of oppression? Why should the riches of that region make envy, jealousy, oppression prevail instead of development, sharing and peaceful coexistence?"

"(About the 2003 invasion of Iraq) Saddam Hussein was a Sunni, and the Sunni Islamic minority – a significant minority – effectively held power. The Shiites did not; on the contrary, they had been oppressed, especially in the centre and south. So when Saddam's regime fell, the first thing that happened was that the Shiites took power. As a result, between the allies who were advancing and bringing down the regime and the others who did not know how they would react, anarchy reigned. Every day there were attacks, not military ones, but by those seeking to seize power or take advantage of the situation to steal. It was a period of huge fires and casualties: just because someone was driving by, they would steal their car... There was chaos, no one knew who was in charge, the military and the police had disappeared, there was no authority of any kind to control the situation. Everyone remembers the looting of the ministries, except for one that was immediately guarded: the oil ministry. I remember well how one of the most terrible things was the looting of the museums, where thousands of works of art disappeared. Even the American military took them away, and in fact they were later found in their backpacks. The burning of the immense Library of Baghdad was also terrible. For two or three days, ash rained down on the city. It was an unacceptable destruction: to attack the libraries was to attack history, the life of a people, not to mention the fact that all of humanity was deprived of priceless treasures."

"After the great times of John Paul II, who gave us a vision of a universal Church capable of breaking down walls, and after Benedict XVI, who spoke to us about God in a profound and accessible way, Pope Francis has offered a synthesis of these two visions. I believe that we cannot fail to continue along this line. However, each Pope interprets Peter's mandate in his own original way, listening to his brothers gathered in the Conclave, who bring with them the experiences of their Churches and cultures. [...] The new pontiff will have to strengthen the unity of the Church. He will have to intensify ecumenical relations and interreligious dialogue. And then there is the methodology: the Church has walked on a path of synodality, collegiality and appreciation of episcopal conferences. I believe that this path must be consolidated. The new pope is called to walk among his people, but keeping in mind the realities of those who are ahead, those who are behind, and those who are on the right and on the left."

"(About the 2025 papal conclave) The future nominations? You do that in the media and newspapers. We are not yet at the decision stage, we are still discussing. [Pope Francis] He was a free man who loved people and humanised the Church without desacralising it."

"Fuggite i libri; questi Son la vergogna dell’ umana gente, Son gli assassin! della vita umana. Credete a me : la vera Filosofia è quella d’ingrassare."

"«There are moments when Caterina is Duchampian with the digital medium, as in “UFOp (Unidentified Flying Objects Poetry)” (1999) and in “Poem in Red” (2004). You can think of Davinio’s work as something resembling the imagination without wires and the Words in Freedom, the second phase of the Italian Futurism (from 1909 to 1914), because she retrieves this technique and applies it in the digital realization of her videopoems, net poetry, in the structure of Karenina.it» (Jorge Luiz Antonio about Davinio's video and net-art) In Caterina Davinio, Aspettando la fine del mondo / Waiting for the End of the World, Fermenti, Rome 2012"

"The head tumbles between the legs like a wooden ball you fall, dark night in the eyes, the door a span away inaccessible you are on your knees ..."

"And I go down the stairs again with the screeching of my worn out soul P. G. tunes instruments for his golden arm alchemy in a metropolitan shell The squeak of time was thrown back into the cracks where the plaster has the form of a twisting branch and my veins are sturdy trunks, scaly, for drops of green sap nourishment rising from the bowels of the earth, …"

"I am ashamed of the polished words, so I hide them throwing rough and crude notes like the Rondanini Pietà still raw with matter on the lines of crystal like the soul that sparkles in one’s eyes. ..."

"Destiny was superb it spoke among mountains and gray cumuli like castles in the sky, swollen with heat, with rain, with harvests, with infinite richness. …"

"Day after day I turn on the machines, I dispense their immense memory, every day I fire up the motors, then inside I switch myself off. ..."

"Intelligence is always connective. The biosphere works this way, through continuous contacts, catalysts, neurons which touch and activate other neurons. Today, this all has not only biological and chemical consistency, but a technological and teleinformatics one: it is not just a metaphor, or a "virtual" reality, but a real entity, a kind of emanation of the biosphere."

"A central concept called into question by net-poetry is the relation with reality. Does it make sense to define "virtual" reality as what actually reaches us through the Internet? How the artist relates to it, how he or she perceives and represents it and how a net-poet should "sing" it? The relationship with reality mediated by the Internet is a network of contacts in itself, it is ontologically a "connective" image of reality, which gradually outlines and qualify itself, both as reality and as representation."

"Now that everything is, or may be, "digital" and could contemplate its membership in an e-category, the final product should be always studied, not only in its appearance, but in its process, structure, in its modes of functioning and of presentation / fruition and also in an historical perspective."

"E-literature is certainly a broader concept than e-poetry, but it can also be limiting: like Verlaine in a famous line from his Art Poétique, one might conclude: et tout le reste est e-littérature, to emphasize the imponderable specificity of poetry."

"When I speak of language, I do not only mean poetic or verbal language: I am thinking of the language of mathematics, of physics, et cetera. It is a fascinating topic. Language is an interface between us and the world. Beyond language there is nothing but pure mystical contemplation of the universe."

"Language completes the existence of the world and makes it "usable" for humans."

"If language is a virus from space, even people could be disguised aliens on our planet, because language is inextricably bound to human mental processes, in the forms of our intelligence, to the extent that symbolic language is what makes us different from other living beings."

"Making art means not only using languages, but also creating new ones. To do this, new tools are indispensable. Even returning to more traditional languages such as linear poetry or narration, after being enriched by the experience of hypertext, hypermedia and multimedia, allows us to rethink the older forms of expression and transfer the lessons of the new media into even the more traditional modalities of language, such as narrative, for example."

"The biosphere is now enriched with an other stratum, mid-way between the material and the spiritual, and that is the web of connections, a “virtual” reality made of communication by means of the new media. On a daily basis, we move around in this space with all the content we are capable of. This physically concretizes the concept that all humans can merge in a single moment, where no one is separated from the others and all become a single entity, which is the web."

"«This collection of poems by Caterina Davinio […] rewards the reader with fascinating lines and jarring phrases that bring fresh and dangerous enjoyment to the practice. Be alert, all who enter here» (David W. Seaman about Serial Phenomenologies)In Caterina Davinio, Fenomenologie seriali / Serial Phenomenologies, Campanotto, Pasian di Prato (UD) 2010"

"«Nevertheless it is about themes endowed with depth, rather uncomfortable in a culture that often seeks from poetry almost a consolation or at least a reconciliation with the world. Davinio’s poetry is instead problematic, not at all conciliatory or reconciled. Caterina develops her themes in a vibrant language, dry and almost essential, taut and antirhetorical» (Gianmario Lucini)In Caterina Davinio, Aspettando la fine del mondo / Waiting for the End of the World, Fermenti, Rome 2012"

"«Reading Caterina Davinio’s Waiting for the End of the World, one is reminded of so many writers taking on the task of speaking for a desperate people – Léopold Sédar Senghor, whose conflated “Black Woman” and Africa make his mouth lyrical, Aimé Césaire, in his “Notebook of a Return to the Native Land,” accepting and speaking for his people in all their ugliness and suffering. But Caterina’s poet is not speaking of her own land: in this double poem anchored in Africa and India, she seems to take on the burden of the former British Empire. That is why T.S. Eliot came to mind, if not also Rudyard Kipling and in a sad way, Ernest Hemingway» (David W. Seaman about Waiting for the End of the World)In Caterina Davinio, Aspettando la fine del mondo / Waiting for the End of the World, Fermenti, Rome 2012"

"«“White / tells my story.” In my humble opinion, this is the couplet that “epitomizes” the work, which is miraculously saved from the devil, by the artist Caterina Davinio […] Indeed, the protagonist of the vital scenes is heroin. […] Davinio’s language is fast and cutting, cut by the broken bottles in the street.» (Nunzio Festa about Il libro dell'oppio / The Book of Opium)In Caterina Davinio, Aspettando la fine del mondo / Waiting for the End of the World, Fermenti, Rome 2012"

"«She is able to oscillate between classical allusions to the holy books and the works of great poets like Hölderlin, Baudelaire, Borges, Artaud and Celan, and then she comes to terms with the Beat Generation, with Ferlinghetti, Corso, with the philosophy of the existentialists. With immediate acceptances, repulses, with vast ignitions and immense fires, with echoes of jazz and pop music» (Dante Maffia about Fatti deprecabili/Deprecable Facts) rhizome.org"

"«It is the poetry of Rimbaud removed from the soot of the history of literature» (Paolo Mantioni about Il libro dell'oppio / The Book of Opium)In Caterina Davinio, Aspettando la fine del mondo / Waiting for the End of the World, Fermenti, Rome 2012"

"«Sharp poetry, essential, cutting, between irony and tragedy, with lightning flashes of desperation and piety, of memory and anguish. It has a painful and lost grandeur» (Giorgio Bàrberi Squarotti)In Caterina Davinio, Aspettando la fine del mondo / Waiting for the End of the World, Fermenti, Rome 2012"

"Only our voices and gray strips of palm like shining backs of coleoptera, atrocious and suffering under the infinite sun; …"

"Io devo prendermela con qualcuno per ottenere risultati."

"The inspiring theory for Bretton Woods was suggested by a well known economist, beyond any suspect, John M. Keynes. Lord Keynes - as in the meanwhile he has been appointed by the English Crown - appeared worried about possible troubles in the international system of payments, like those occurred after World War One, which contributed to the new conflict. He has published an article on this subject in 1946. Consequently he gave the blessing of his authority to the agreements. Lord Keynes, as chief of the British delegation, was appointed chairman of the Commission II, charged for the institution of an International Bank for Reconstruction and Development - IBRD (World Bank). The Bretton Woods agreements represented a sort of solemn will for Lord Keynes, since he died out two years later the signature (p. 129)."

"After two years of exploratory discussions, and a conference (1st - 22nd July), the Bretton Woods agreements were initially signed by 44 states; the others followed in the course of time. A co-author of the project was the United Kingdom, under the leadership of Winston Churchill. Since the Atlantic Charter, issued by Roosevelt and Churchill (August 14, 1941), UK shared the US commitment for the postwar dominance, a multilateral payment system, and an international cooperation. The US was then the world biggest creditor country (p. 129)."

"The prevailing trend – from the Atlantic sea to the Ural mountains – seems to move towards a paramount blow up of nationalities. Such a trend – alive in the souls also under the centralized structures of strong multinational states – has been to weaken the Eastern socialistic countries. It appeared in the former Soviet Union, in the Yugoslav republics, and in Czechoslovakia after the fall of the Eastern regimes (p. 11)."

"The area spreading out from Scandinavia and England towards Maghreb and the Nile, from Ireland and Portugal towards Estonia and Iraq, makes up - even with certain internal peculiarities and divisione - the most unitarian system. I mean from the point of view of its breadth, its rich exchanhes, its sophisticated cultures and religions, its advanced social systems, its cohabitation of so many races and cistoms (p.19)."

"Going through the history of economic, cultural and human exchanges in the most cultivated, tumultuous, lively, and cosmopolitan part of the world-Western Europe being its centre-we discover a wide unted universe (p. 19)."

"It is in 1958 that the discussion becomes, I believe, more complex and starts to get really dangerous. This is the time when Mattei begins, in addition to the attack on U.S. oil interests, an attack on traditional Italian foreign policy. He opens up a foreign policy of greater detachment from NATO, greater opening toward the Third World, and potential neu¬tralism. This was the framework of the neo-Atlanticism in which Mattei, Fanfani, and Gronchi were involved, and oddly, also Christian Democratic right-wingers, for their own reasons, namely Guido Gonella and Giuseppe Pella (p. 25)."

"The balance had been upset and the reactions from the American press and intelligence services were enraged. In a secret American report recently found in the archives, we read that Mattei's power must be contained at all costs and his possibilities for influencing the government must be reduced. Mattei is not only a force in industry, oil, and politics by now, but he also has a hold on information, because in 1957, through ENI, he took control of II Giorno, a Milanese daily, which at that time was much more important than it is today. It provided very lively coverage, had the best and brightest writers, it was present in every country in the world, and most of all, it had a policy of true support for the countries which were trying to free themselves from the colonial yoke, a policy of open support toward Algeria, for example, which was at the time a French colony. France was losing this colony, but there was a war, a savage repression from the French to hold onto their colony. Mattei sent Italo Pietra to Algeria, who later became the editor-in-chief of Il Giorno. He was the first, unofficial representative of Mattei who negotiated not with the French, but with the Algerians, the National Liberation Front (p. 25)."

"Mattei was convinced that Italy, a poor and defeated country, nonetheless possessed notable energy deposits of petroleum in its subsoil, and he was also aware that the oil business, even if there were not really resources inside the country, was an important business which one could not stay out of and in which one could not be at the mercy of the big guys. So Mattei's program was to try to use all available means to exploit the country's energy resources, and if this were not possible, to seek international accords with coun¬tries which had these energy resources, so that they could be used by Italy in order to become a partner of the major pow¬ers, and not be at their mercy (p. 23)."

"Mattei pushed hard for a line of detachment, of critical participation in NATO and even of getting out of NATO and into a neutralist position. Mattei therefore not only annoyed the United States with his oil deals in the Middle East, which broke up the balance of the international oil cartel, and broke up the price equilibrium, but it was Mattei who pushed even harder for Italy's entire policy to take its distance from the United States and to open up toward the Third World countries, which were traveling in a certain way along a road similar to the painful and laborious road which Italy had had to travel. Mattei was very sensitive to these problems, because he had been a witness to this difficult road of Italy's and had had great difficulties at the beginning of his career. So he knew what it meant for a country to free itself from the colonial yoke and find its own way, its own balance, and a way of arranging its own economy which would not be an economy of pure exploitation by the great powers (p. 23)."

"Only the American controlled sovereignty of IMF and World Bank are allowed, along with the strong national sovereignty of the US. Little and medium countries have been encouraged to divide themselves - occurred in former Yugoslavia, in Czechoslovakia, and was attempted in Northern Italy - or to dismiss their personality in favour of supranational organizations - in fact directed by the US (p. 141)."

"Keynes’s design was in favour of the liberalization of the economy and the capital’s transfers, for the main purpose of monetary stability. To avoid devaluation of currencies - a practice followed by governments in order to sustain their export - Lord Keynes planned to introduce “Bancor”, a money of account to be accepted by all countries in international exchanges. The international body to be organized would get interests both from debtor and creditor countries, in order to finance the balance of payments system (p. 130)."

"Italy, we know, has been tied since 1949 to the United States in the Atlantic Alliance; and since 1949, there has been some strong resistance inside the Christian Democracy toward such a decisive, entangling, and suffocating involvement of our country with the United States. The most significant resistance to the Atlantic Alliance was perhaps not that of the great parliamentary protest mounted by the Communist and Socialist parties, but the subtler, more decisive, more pregnant, and more enduring resistance of certain sectors of the Christian Democracy who did not want to hitch Italy to the chariot of an unequal alliance, in which the scepter of command remained in the hands of the United States, but rather thought about the possibility of a neutralist policy for Italy (p. 23)."

"The intention of the US found its feature through a clear formulation in the Agreement for the IBRD. The “purposes of the Bank” were defined as follows: “To promote private foreign investment by means of guarantees or participations in loans and other investments made by private investors; and when private capital is not available on reasonable terms, to supplement private investments by providing, on suitable conditions, finance for productive purposes out of its own capital, funds raised by it and its other resources” (p. 130)."