Liberals

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April 10, 2026

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April 10, 2026

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"The discipline of history does not evolve through the abrupt and complete replacement of one type of history by another. Political history, with its emphasis on government and leadership, is alive and well today, and conversely, social history has appeared at various points in the past, most notably in the nineteenth century. In France from the 1820s on, historians inspired by the Revolution, like Adolphe Thiers and Jules Michelet, wrote histories in which groups like “the bourgeoisie” or “the people” were the main movers in an epic struggle against a selfish aristocracy, which led to the nation’s revolutionary birth in 1789. Leading English historians wrote “social history” long before the 1960s: Thomas Babington Macaulay’s 1848 History of England from the Accession of James the Second, a landmark chronicle of the nation’s progress through political emancipation, includes a section on England in 1685 that covers everything from social classes to coffeehouses, street lighting, and newspapers. Nearly a century later, in the midst of World War II, Macaulay’s great-nephew, the Cambridge historian George Macaulay Trevelyan, wrote a highly successful volume entitled English Social History. First published in 1942, Trevelyan’s book is a six-hundred-page account of social conditions in England from the Middle Ages to 1901, which like Macaulay’s covers a breadth of topics, from trade routes and population trends to marriage customs and diets. Leafing through Trevelyan you may come across stories of young girls in the age of Chaucer being beaten into accepting unattractive marriage partners, reports on upper-class drinking and smoking habits in the late seventeenth century, or a vividly imagined account of what life felt like (extremely damp, among other things) in a peasant home around 1750. The type of social history written by Macaulay and Trevelyan, which has equivalents in other national traditions, was clearly subordinate and accessory to political history. In Macaulay’s History of England the lengthy opening section on “the state of England in 1685” serves as a scenic backdrop to the significant action taking place center-stage, the political maneuverings of James II, William of Orange, and their associates. Trevelyan wrote his English Social History as a late-career outtake from his previous works of political history; it was intended to boost wartime morale in the country at large as a sort of Shakespearean paean to the land of thatched cottages and “stout yeomen.” The volume aptly illustrates Trevelyan’s much-quoted, controversial, and pithy description of social history as “the history of a people with the politics left out.” The older “customs and living conditions” tradition of social history epitomized by Trevelyan’s book is indeed notable for the assumption that “politics” is purposeful activity that happens only in the highest realm and is therefore absent from society at large. The poor and middling are presumed not to affect historical change; as a result, a book like English Social History reads like a series of picturesque descriptions rather than an argument or a story."

- Thomas Babington Macaulay

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"[I]t remains true that Macaulay gave a new life and meaning to the historical Essay. He made it a vehicle through which thousands of people, who would never have read history at all, have acquired in a pleasurable way some acquaintance with great characters and events. These essays are probably the best of their kind in Europe. And there can be no doubt that they will live. Only it is much to be desired that, when they are used for purposes of education, students should be warned against the errors which many of them contain. On a higher level than any but the very best of the Essays, stand those five biographies which Macaulay wrote for the ‘Encyclopaedia Britannica,’—those of Atterbury, Bunyan, Goldsmith, Johnson, and the younger Pitt. All these are mature and careful pieces of work, quieter and more restrained in style than the Essays, but hardly less attractive. They show Macaulay as a master of artistic condensation. Taking into account their merits both of matter and of form, we should be safe in affirming that, as a writer of short biographies, Macaulay has not been surpassed, if he has been equalled, by any English writer. The life of the younger Pitt, in particular, calls for unqualified admiration. It was written in the January of 1859, the year of his death; and he never wrote anything better. It is a sample of what he could have done in the History if he had reached that period, and it must enhance our regret that the History remained a fragment."

- Thomas Babington Macaulay

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"I know that to run down Lord Macaulay is the fashion of the day. I have heard some speak against him who have a right to speak; I have heard many more who have none. I at least feel that I have none; I do not see how any man can have the right who has not gone through the same work through which Macaulay went, or at least through some no less thorough work of a kindred sort. I can see Macaulay's great and obvious faults as well as any man; I know as well as any man the cautions with which his brilliant pictures must be studied; but I cannot feel that I have any right to speak lightly of one to whom I owe so much in the matter of actual knowledge, and to whom I owe more than to any man as the master of historical narrative. Read a page of Macaulay; scan well his minute accuracy in every name and phrase and title; contrast his English undefiled with the slipshod jargon which from our newspapers has run over into our books; dwell on the style which finds a fitting phrase in our own tongue to set forth every thought, the style which never uses a single word out of its true and honest meaning; turn the pages of the book in which no man ever read a sentence a second time because he failed to catch its meaning the first time, but in which all of us must have read many sentences a second or a twentieth time for the sheer pleasure of dwelling on the clearness, the combined fulness and terseness, on the just relation of every word to every other, on the happily chosen epithet, or the sharply pointed sarcasm ."

- Thomas Babington Macaulay

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