Journalists From Germany

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April 10, 2026

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April 10, 2026

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"Contemporaneous with the awakening of the interest of the great masses of the German people in Parsifal, a flood of newspaper articles about Parsifal have begun, of which, most have no trace of a hint of the deep deep mystical meaning of the plot and the symbology of the play is lost. The great masses of the Parsifal-critics and Parsifal-commentators, who have not a trace of a hint of the deep mystical meaning of the secret of the graal, are not even the worst enemies of Wagner and the Idea of Parsifal. The real worst, by which I mean here, the dangerous enemies of Wagner's are those people — columnists, critics, interpreters etc. — who surely have no clue of deep mystical meaning of Parsifal — and the idea of the Graal, but go against the recognized meaning, or purposely change the true and only really deep meaning of the Parsifal idea into its exact opposite meaning. The worst of the last category are the sexual-ascetics. For they understand the meaning of the Parsifal-Symbology very well, but they reverse Wagners idea into its exact opposite. They are those, who on the basis of the plot of the play Parsifal and on the false understanding of its underlying mystery, proclaim sexual abstinence to the German people, far and wide as the gospel of renunciation, and they knowingly lay the foundation for the decline of the virulent German people. If it has not yet succeeded,it is high time to pull the carpet out from under the feet of these false prophets."

- Theodor Reuss

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"Individuals did what they could both to preserve memories of their peoples and record the horrors of the present. At the risk of his life, a Muslim librarian in Sarajevo smuggled out a rare illuminated Jewish manuscript from the fourteenth century from the National Museum of Bosnia and Herzegovina to save it from the Nazis. In Vilna Jewish scholars who were forced by the Nazis to catalogue a vast hoard of seized Jewish documents smuggled out what they could and hid them under floorboards and in walls. Photographers defied Nazi rules to take and preserve pictures of ghettos and concentration camps. When the Nazis came to power in Germany in 1933, Victor Klemperer, a professor of Romance languages in Dresden, decided that he would continue writing his diary. He makes frequent reference to his health, repeatedly predicting that he was not long for this world. (He died in 1960 at the age of seventy-nine.) Klemperer said of himself that he was not heroic, but to write a record, as he did, of the growing Nazi control over German society and the regime’s many crimes, including the Second World War and the Holocaust, was an act of great courage. ‘I shall go on writing,’ he recorded in 1942. ‘That is my heroism. I will bear witness, precise witness!’ Although the Nazis counted him as Jewish despite the fact that his family had converted to Christianity, he was spared because he was married to an Aryan woman. As the restrictions tightened around him, she was still allowed to travel freely and bravely smuggled the pages of the diary out of the special house for mixed marriages where they were obliged to live. Equally bravely, a woman doctor friend hid the material until the war ended."

- Victor Klemperer

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