Jews From The United States

"The news leak is a pseudo‑event par excellence. In its origin and growth, the leak illustrates another axiom of the world of pseudo‑events: pseudo‑events produce more pseudo‑events."

"IN THE last half century a larger and larger proportion of our experience, of what we read and see and hear, has come to consist of pseudo‑events. We expect more of them and we are given more of them. They flood our consciousness. Their multiplication has gone on in the United States at a faster rate than elsewhere. Even the rate of increase is increasing every day. This is true of the world of education, of consumption, and of personal relations."

"We suffer primarily not from our vices or our weaknesses, but from our illusions. We are haunted, not by reality, but by those images we have put in their place."

"Since the Creator had made the facts of the after-life inaccessible to man, He must not have required that man understand death in order to live fruitfully."

"Jeffersonian isolationism expressed an essentially cosmopolitan spirit. The Jeffersonian was determined — even at the expense of separating himself from the rest of the globe, and even though he be charged with provincial selfishness — to preserve America as an uncontaminated laboratory."

"Jefferson refused to pin his hopes on the occasional success of honest and unambitious men; on the contrary, the great danger was that philosophers would be lulled into complacence by the accidental rise of a Franklin or a Washington. Any government which made the welfare of men depend on the character of their governors was an illusion."

"The variety of minds served the economy of nature in many ways. The Creator, who designed the human brain for activity, had insured the restlessness of all minds by enabling no single one to envisage all the qualities of the creation. Since no one by himself could aspire to a serene knowledge of the whole truth, all men had been drawn into an active, exploratory and cooperative attitude."

"While the easiest way in metaphysics is to condemn all metaphysics as nonsense, the easiest way in morals is to elevate the common practice of the community into a moral absolute."

"While the Jeffersonian did not flatly deny the Creator's power to perform miracles, he admired His refusal to do so."

"The institutional scene in which American man has developed has lacked that accumulation from intervening stages which has been so dominant a feature of the European landscape."

"Some are born great, some achieve greatness, and some hire public relations officers."

"The history of Western science confirms the aphorism that the great menace to progress is not ignorance but the illusion of knowledge."

"These creators, makers of the new, can never become obsolete, for in the arts there is no correct answer. The story of discoverers could be told in simple chronological order, since the latest science replaces what went before. But the arts are another story — a story of infinite addition. We must find order in the random flexings of the imagination."

"I write to discover what I think. After all, the bars aren't open that early."

"Technology is so much fun but we can drown in our technology. The fog of information can drive out knowledge."

"The great obstacle to discovering the shape of the earth, the continents, and the oceans was not ignorance, but the illusion of knowledge."

"The century after the Civil War was to be an Age of Revolution—of countless, little-noticed revolutions, which occurred not in the halls of legislatures or on battlefields or on the barricades but in homes and farms and factories and schools and stores, across the landscape and in the air—so little noticed because they came so swiftly, because they touched Americans everywhere and every day. Not merely the continent but human experience itself, the very meaning of community, of time and space, of present and future, was being revised again and again, a new democratic world was being invented and was being discovered by Americans wherever they lived."

"Education is learning what you didn't even know you didn't know."

"Our attitude toward our own culture has recently been characterized by two qualities, braggadocio and petulance. Braggadocio —- empty boasting of American power, American virtue, American know-how —- has dominated our foreign relations now for some decades. ... Here at home —- within the family, so to speak —- our attitude to our culture expresses a superficially different spirit, the spirit of petulance. Never before, perhaps, has a culture been so fragmented into groups, each full of its own virtue, each annoyed and irritated at the others."

"As individuals and as a nation, we now suffer from social narcissism. The beloved Echo of our ancestors, the virgin America. has been abandoned. We have fallen in love with our own image, with images of our making, which turn out to be images of ourselves."

"The subject [of Stalin's death] permitted a rare blend of invective and speculation—both Hearst papers, as I recall, ran cartoons of Stalin being rebuffed at the gates of Heaven, where Hearst had no correspondents—and I have seldom enjoyed a week of newspaper reading more."

"Inconsiderate to the last, Josef Stalin, a man who never had to meet a deadline, had the bad taste to die in installments."

"As a result of its generous stand [Robert Maynard Hutchins’ controversial policy of admitting students after their second year of high-school], the University of Chicago’s undergraduate college acts as the greatest magnet for neurotic juveniles since the Children’s Crusade, with Robert Maynard Hutchins…playing the role of Stephen the Shepherd Boy."

"As A. J. Liebling wrote: "Freedom of the press is guaranteed only to those who own one." Today, a handful of multinational corporations own much of the media and control what the American people see, hear, and read. This is a direct threat to American democracy. It is an issue we cannot continue to ignore."

"A man´s taste is formed more by his culture, his profession, and the period in which he is young than by his race or politics."

"You can hope for lucky encounters only if you walk around a lot."

"There is a New Orleans city accent... associated with downtown New Orleans, particularly with the German and Irish Third Ward, that is hard to distinguish from the accent of Hoboken, Jersey City, and Astoria, Long Island, where the Al Smith inflection, extinct in Manhattan, has taken refuge. The reason, as you might expect, is that the same stocks that brought the accent to Manhattan imposed it on New Orleans. “You’re right on that. We’re Mediterranean. I’ve never been to Greece or Italy, but I’m sure I’d be at home there as soon as I landed.” He would, too, I thought. New Orleans resembles Genoa or Marseilles, or Beirut or the Egyptian Alexandria more than it does New York, although all seaports resemble one another more than they can resemble any place in the interior. Like Havana and Port-au-Prince, New Orleans is within the orbit of a Hellenistic world that never touched the North Atlantic. The Mediterranean, Caribbean and Gulf of Mexico form a homogeneous, though interrupted, sea."

"Freedom of the press is guaranteed only to those who own one."

"Show me a poet, and I'll show you a shit."

"People everywhere confuse what they read in newspapers with news."

"[M]ost writers — and I think it’s an unfortunate thing — they try to write something that they think a certain audience might enjoy. I’ve never been able to do that, because I can’t put myself in the mind of other people. I only know what I enjoy. So every time I’ve written a story, I’ve always tried to write the sort of story that I, myself would enjoy reading, a story that would interest me while I’m writing it as I’m waiting to find out what happens next. And I can’t know what other people think, but I can know what I think, and I feel. I’m not that unusual. If there’s a type of story I like, there must be lots of people who like the same type of stories. Therefore, I have always written to please myself, not to please a certain type of audience, because you can’t know the audience as well as you know yourself."

"To me, the human aspect of superheroes has always been, perhaps, the most important part. By that, I mean: Okay, we assume your superhero might be extra-strong, or might be able to fly or run as fast as a comet. But unless you care about the superhero’s personal life, you’re just reading a shallow story. Just because a person has a superpower doesn’t mean he might not have the same personal problems that you or I might have. Maybe he doesn’t have enough money, maybe he has a family problem, maybe the girl he loves doesn’t love him. Or maybe the girl he loves doesn’t want to be involved with a superhero. There are so many things you can think of that round out the character and the personality, so the superhero isn’t just one or two dimensional. You want a three-dimensional superhero who lives and breathes and worries and experiences things just the way you and I do, except for the fact that she or he has a superpower."

"[F]or me, superheroes will always spark the imagination of people around the world regardless of their background, because I think that people are always looking for something that represents the ideal person or the ideal situation. Almost all of us have loved fairy tales when we were young. Just remember stories of giants and witches and wizards and monsters and things that were so colorful and bigger than life. But then, you get a little older and you’re too old to read fairy tales. But you never outgrow your love of that type of story. And if you think about it, superheroes stories today are really like fairy tales for grown-ups. The characters are bigger than life, just like in fairy tales. They have the same type of superpowers: some can fly, some are extra-strong, some can be invisible. It gives the viewer and the reader a chance to relive the excitement he or she had when they were young. They’re really reading fairy tales for grown-ups when they read or when they see superhero stories today, and that’s why I love them so."

"Our faiths are similar — it's merely our religions that may differ. I have faith in the inherent goodness of man and I'm sure you feel the same. ... I have the greatest respect for any discipline that preaches kindness and charity and love for one's fellow man. Most important of all, to me — "Do unto others as you'd have them do unto you" is the greatest phrase ever written. If everyone followed that creed, this world would be a paradise."

"Another definition of a hero is someone who is concerned about other people's well-being, and will go out of his or her way to help them -- even if there is no chance of a reward. That person who helps others simply because it should or must be done, and because it is the right thing to do, is indeed without a doubt, a real superhero."

"We tried to make our characters as human and empathetic as possible. Instead of merely emphasizing their super feats, we attempted to make their personal life and personal problems as realistic and as interesting as possible. We wanted to make them seem like real people whom the reader would like to spend time with and want to know better."

"What did Doctor Doom really want? He wanted to rule the world. Now, think about this. You could walk across the street against a traffic light and get a summons for jaywalking, but you could walk up to a police officer and say "I want to rule the world," and there's nothing he can do about it, that is not a crime. Anybody can want to rule the world. So, even though he was the Fantastic Four's greatest menace, in my mind, he was never a criminal!"

"As comics writers we had to have villains in our stories. And once World War II started, the Nazis gave us the greatest villains in the world to fight against. It was a slam dunk."

"To me you can wrap all of Judaism up in one sentence, and that is, 'Do not do unto others...' All I tried to do in my stories was show that there's some innate goodness in the human condition. And there's always going to be evil; we should always be fighting evil."

"'Nuff Said!"

"They are working on The Fantastic Four, The Silver Surfer, Iron Man, Dr. Strange, The Hulk— they're doing a sequel to Spider-Man, a sequel to X-Men, and probably a third sequel to Blade. They still haven't gotten around to Nick Fury, Agent of S.H.I.E.L.D.— they have to do the Ghost Rider."

"In the early days, I was writing scripts for virtually all the books, and it was very hard to keep all the artists busy; poor little frail me, doing story after story. So I'd be writing a story for Kirby, and Steve Ditko would walk in and say, 'Hey, I need some work now.' And I'd say, 'I can't give it to you now, Steve, I'm finishing Kirby's.' But we couldn't afford to keep Steve waiting, because time is money, so I'd have to say, 'Look Steve, I can't write a script for you now, but here's the plot for the next Spider-Man. Go home and draw anything you want, as long as it's something like this, and I'll put the copy in later.' So I was able to finish Jack's story. Steve in the meantime was drawing another story.....Okay, it started out as a lazy man's device...but we realized this was absolutely the best way to do a comic.....Don't have the writer say, 'Panel one will be a long shot of Spider-Man walking down the street.' The artist may see it differently; maybe he feels it should be a shot of Spider-Man swinging on his web, or climbing upside-down on the ceiling or something."

"Face front, true believer!"

"Reflecting back on some of his co-creations in 1975, Stan Lee dubiously claimed that "Marvel Comics has never been into politics" or beholden to an "official party line" before offering a near-apology for the moral simplicity of the portrait of the Vietnam conflict in 1963's "Iron Man Is Born!" (Son of Origins 47.) A disinterested observer would find much evidence to counter these claims in the pages of Tales of Suspense between 1963 and 1968."

"When my father died, no one from Marvel or Disney reached out to me. From day one, they have commoditized my father's work and never shown him or his legacy any respect or decency. In the end, no one could have treated my father worse than Marvel and Disney's executives."

"Excelsior!"

"WITH GREAT POWER THERE MUST ALSO COME----------GREAT RESPONSIBILITY!"

"The worst advice Stan Lee ever gave me: “Work with the devil himself if he has talent.”"

"“Human nature doesn’t change. It’s the environment. What’s happened to us is, the world has been wildly changing,producing new sets of rules each time you blink your eye.None of us is all that different from each other. We all want essentially the same things out of life. A measure of security, some fun, some romance, friendship, and respect of our contemporaries. That goes for Indians, Chinese, Russians, Jews, Arabs, Catholics, Protestants, Blacks, Browns, Whites, and green-skinned Hulks. So why don't we all stop wasting time hating the other guys? Just look in the mirror, mister - that other guy is you! Excelsior! ” - Dialogue from Marvel's Behind The Mask"

"“You know, I guess one person can make a difference. 'Nuff said...” - Dialogue from Spider-Man 3"