Jews From The United States

"each generation can do no more than add its bit to the endless river of consciousness and change, and that's about as good as it gets."

"He realized how little he knew of this world, but he knew this: If you could love someone, you possessed a soul. (p348)"

"Other people’s judgments were meaningless unless you allowed them to mean something."

"I've always believed there is a very thin line that separates readers and writers. You make a leap over that line when there's a book you want to read and you can't find it and you have to write it yourself. (preface)"

"The most she dared to wish for now was to live long enough to become a woman. (p46)"

"What they held in common was their aloneness, and in time, thrown together, with no world other than their own, they grew close. (p103)"

"I never even believed in happiness. I didn't think it existed. Now look at me. I'm ready to believe in just about anything." (p161)"

"What you dream, you can grow."

"Witches are outsiders, and those among us who have been bullied and ostracized can relate to their plight. Part of our fascination with witches is that they are the only female mythic figures with power. These are women who don't need to be rescued by a prince or a king but, instead, can save"

"I wrote to remind myself that in the darkest hour the roses still bloom, the stars still come out at night (preface)"

"Don't forget books. What would life be without them? Emily Brontë, Edgar Allan Poe, F. Scott Fitzgerald, Toni Morrison, Jane Austen, William Faulkner. Read the greats-they're great for a reason. They know how to chart the human soul. (p 32)"

"I've often wondered if I spent too much time inside of books. If perhaps I ended up getting lost in there. I feared that reading, and later writing, stopped me from living a full life in the real world. I still don't know the answer to this, but I'm not sure I would have gotten past being twelve without Ray Bradbury, and I know that imagining the plot for my novel The River King during a lengthy bone scan helped me get through that test. (p 35)"

"That was how evil spoke. It made its own corrupt sense; it swore that the good were evil, and that evil had come to save mankind. It brought up ancient fears and scattered them on the street like pearls. To fight what was wicked, magic and faith were needed. This was what one must turn to when there was no other option."

"If you are loved, you never lose the person who loved you. You carry them with you all your life."

"He wondered why it was only when you were at the end of your life that it was possible to view it with honesty and truth."

"Many of us know what it's like to try to escape a family legacy of one sort or another, only to discover that in the long run we carry our heritage with us no matter how far we might run."

"Since ancient times, in every place they have ever lived, Jews have represented the frightening prospect of freedom. As long as Jews existed in any society, there was evidence that it in fact wasn’t necessary to believe what everyone else believed, that those who disagreed with their neighbors could survive and even flourish against all odds. The Jews’ continued distinctiveness, despite overwhelming pressure to become like everyone else, demonstrated their enormous effort to cultivate that freedom: devotion to law and story, deep literacy, and an absolute obsessiveness about transmitting those values between generations. The existence of Jews in any society is a reminder that freedom is possible, but only with responsibility — and that freedom without responsibility is no freedom at all. People who hate us know this. You don’t need to read the latest screed by a hater to know that unhinged killers feel entitled to freedom without any obligations to others. The insane conspiracy theories that motivate people who commit anti-Semitic violence reflect a fear of real freedom: a fondness for tyrants, an aversion to ideas unlike their own and most of all, a casting-off of responsibility for complicated problems. None of this is a coincidence. Societies that accept Jews have flourished. Societies that reject us have withered, fading into history’s night. I don’t know what to tell my children about this horror, but I do know what to tell you. The freedoms that we cherish are meaningless without our commitments to each other: to civil discourse, to actively educating the next generation, to welcoming strangers, to loving our neighbors. The beginning of freedom is the beginning of responsibility. Our night of vigil has already begun."

"The only real difference between Webster’s project and YIVO’s is that, for six million devastating reasons, YIVO’s failed and Webster’s succeeded. Its success can be measured by the millions of viewers who watched this year’s national spelling bee — and by the bee’s many gifted contestants, who are too young to appreciate the pain and loss that hides behind so many of the words they get “right.”"

"Judaism is much bigger on commitment than fulfillment."

"[W]hen a young employee at the Anne Frank House in 2017 tried to wear his yarmulke to work, his employers told him to hide it under a baseball cap. The museum's managing director told newspapers that a live Jew in a yarmulke might "interfere"” with the museum's "independent position." The museum finally relented after deliberating for six months, which seems like a rather long time for the Anne Frank House to ponder whether it was a good idea to force a Jew into hiding."

"[M]y question is, what are the ways that we might be erasing ourselves to make other people comfortable?... [W]e are so often asked to erase ourselves too, and to devote ourselves to making other people comfortable. Is there a way that making people uncomfortable could make all of us be more able to flourish?"

"The desire for immortality usually comes from a desire to fulfill one’s ambitions, but women’s lives have traditionally been focused not on ambition, but on obligation. So while immortality might be attractive to a man who sees it as a way to fulfill endless ambitions, an immortal woman in most historical periods would more likely be thinking, “Seriously? I have to do all that AGAIN?”"

"I had mistaken the enormous public interest in past Jewish suffering for a sign of respect for living Jews. I was very wrong. This fact should have been obvious to me from the beginning of my writing career, when my most acclaimed early published piece, the one nominated for a major award, wasn't the one about Jewish historical sites in Spain but rather the one about death camps. I made a point of resisting this reality, asking people at my public talks if they could name three death camps, and then asking the same people if they could name three Yiddish authors-the language spoken by over 80 percent of death-camp victims. What, I asked, was the point of caring so much about how people died, if one cared so little about how they lived? (Introduction)"

"It reminds me of that anemic element of the way I grew up in a community where it was like, here’s Jewish history: There was a shtetl, and there was a Holocaust, and now there’s Israel."

"Our world may be a waiting room, but it is a crowded one, filled with people shouting, singing and whispering words that those sitting right beside them only rarely understand. Perhaps the World to Come is best understood not as an afterlife, but as the future — an unexpected place where possibilities will travel on rafts of language, ready for someone to draw them up onto dry land."

""Censorship" is beside the point, the insane extremes of "cancel culture" extravagantly irrelevant, because this double helix of hate and art is built into our world. ("Commuting with Shylock")"

"How old we all are, eternally old, forever holding hands with the past."

"You can’t write without inventing."

"My understanding of romantic relationships in literature, where men endlessly pursuing women is regarded as idealistic and romantic, whereas women endlessly pursuing men is regarded as pathetic."

"The righteous fight for justice therefore does not require protecting Jews as a vulnerable minority. Instead it requires taking Jews down. This idea is tacitly endorsed by Jews' bizarre exclusion from discussion in many DEI trainings and even policies, despite their high ranking in American hate-crime statistics. The premise, for instance, that Jews don't experience bigotry because they are "white," itself a fraught idea, would suggest that white LGBTQ people don't experience bigotry either—a premise that no DEI policy would endorse (not to mention the fact that many Jews are not white)."

"Cynthia Ozick, in her landmark feminist essay "Notes Toward Finding the Right Question," has strikingly if shockingly-lamented the exclusion of women from the tradition of Jewish learning and creativity as "one of the cruelest events in Jewish history.""

"If you're alone too much," Persky said, "you think too much." "Without a life," Rosa answered, "a person lives where they can. If all they got is thoughts, that's where they live."

"“...this is very nice, cozy. You got a nice cozy place, Lublin." "Cramped," Rosa said. "I work from a different theory. For everything, there's a bad way of describing, also a good way. You pick the good way, you go along better." "I don't like to give myself lies," Rosa said. "Life is short, we all got to lie.”"

"Cynthia Ozick is one of America’s greatest living writers. What makes her work breathtaking is its unvarying subject, a single idea that encompasses all that marks American life, Jewish tradition and every other challenge to the world as it is: ambition."

"The insight that the largest, deepest, widest imaginative faculty of all is what you need to be a monotheist teaches me that you simply cannot be a Jew if you repudiate the imagination."

"It seems to me that more can be found about a writer in any single sentence in a work of fiction, say, than in five or ten full-scale biographies. Or interviews!"

"Because she fears the past she distrusts the future — it, too, will turn into the past."

"I've read...some of the people who are sort of like poets but are prose writers like Grace Paley and Cynthia Ozick."

"In the middle of the war there was Heine, there was Goethe, there was Schiller. I did posters for the German club, in the middle of the war. When I think back to how happy I was, studying German and flunking algebra, and I think what was going on for other Jewish teenagers on the other side of the world, I'm so puzzled by those dates."

"sometimes starting is so difficult. Because it's all chaos. It's the difference between writing an essay, which if it's about Henry James, at least you know that much. But with fiction you don't. It could be a scene in your mind or it could be some kind of tendril that you can barely define. So I have to force it. And then after – and this is real compulsion, real self-flagellation – it kind of takes off. But there's a lot of agony before. And sometimes during. And sometimes all through. But just before the end and revelations start coming, that's the joy. But mostly its hell."

"The lower imagination, the weaker, falls into the proliferation of images. My hope is someday to be able to figure out a connection between the work of monotheism-imagining and the work of story-imagining. Until now I have thought of these as enemies."

"She is the master of the casual, searing image; in a department store in Foreign Bodies, a woman is ambushed by "floating tongues of perfume". During an awkward conversation between two people "a stillness blundered between them." In Heir to the Glimmering World, Professor Mitwisser, a Jewish exile from Nazi Germany, has eyes "acutely blue . . . I was shocked by their waver of bewilderment – like heat vibrating across a field.""

"Remember Cynthia Ozick's story, "The Shawl"? In that extraordinarily moving story, Ozick doesn't once mention the word, Holocaust; she focuses on the conflicts of a mother and her two daughters trying to survive the horrors of death-camp internment. That's what good fiction does, and should do."

"(What sustained you without publication during that period?) Belief. Not precisely self-belief, because that faltered profoundly again and again. Belief in Art, in Literature: I was a worshipper of Literature...I no longer believe in Literature, capital L, with the same fervor I used to. I’ve learned to respect living, perhaps. I think I have gotten over my fear of largeness as well, because I have gotten over my awe—my idolatrous awe. Literature is not all there is in the world, I now recognize. It is, I admit, still my all, but it isn’t the all. And that is a difference I can finally see."

"I read in order to write. I read out of obsession with writing...I read in order to find out what I need to know: To illuminate the riddle."

"We have had, alas, and still have, the doubtful habit of reverence. Above all, we respect things as they are. ("Justice to Feminism")"

"One must avoid ambition in order to write. Otherwise something else is the goal: some kind of power beyond the power of language."

"I think the word is intractable. I blame the lack of live and let live. And which side is it coming from more than the other side? I think it is coming from people who call other people infidels. That's how it strikes me." Was she moved the first time she went to Israel? "Yes. Probably not like my father, who was simply swept away. He couldn't get over that he had ascended Mount Zion. I don't see any solution here. I'm despairing. That's where I stand."

"I don't think one writes for immortality. I think beginning writers always think they will have fame. But if fame — which is power — is what you want, then you'll get it, probably. But it's not something necessary to want or need."

"To imagine the unimaginable is the highest use of the imagination. I no longer think of imagination as a thing to be dreaded."