Human Behavior

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April 10, 2026

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April 10, 2026

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"In their book “Cultural Criminology” Ferel and Sanders (1995) argue that to make sense of crime, it is necessary to make sense of culture. The authors propose the development of a “cultural criminology” that recognizes criminality and criminalization as cultural enterprises that must be studies through a synthesis of divergent perspectives including social, feminist, and cultural theories. From this perspective, criminal behavior (and its control) is constructed, in part, through media, popular culture, and the “aesthetics” of authority that dictates what is beautiful,” decent,” clean,” and “appropriate” (p.15). Criminal identities are born and shaped within culture and within criminal subcultures0collective criminal aesthetic and style, symbolism, and meaning are important factors in understanding the criminality. Ferrell and Hamm (1998) suggest that “jailhouse criminology,” which has attempted to study crime through official sources, social science surveys, and traditional quantitative measures, has prohibited true understanding of crime or “criminological verstehen.” Criminologists have neglected findings produced through ethnographic studies that offer the insider perspective on crime and deviance. To truly understand criminal behavior, researchers must study crime with quantitative (surveys, available data) and qualitative (ethnographic) methods that together are able to tell the complete story of crime. For example, official statistics tell us things like what percentage of armed robbers are male, what percentage of known serial killers have been physically and sexually abused, the correlation between age and violence, and so on. However, this sort of information tells us little about the personal style and aesthetics of bank robbers, the nature of the communities and subcultures within which they spend their time, the specific ways in which girls and women learn that aggression is not a tool with which they are able to obtain resources, the process by which a serial killer comes to attach meaning to particular types of victims or crime scene trophies, or the complex nature of the collusion between youth culture, media and pop culture, alternative style and meaning, and crime."

- Crime

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"Crime exists only to the extent to which behavior is legally defined as criminal by the larger society and culture. In some contexts (e.g., war, executions in correctional contexts) it is not a crime to kill another human being. In some states (e.g., Nevada) it is not a crime to engage is prostitution. Until 2003 engaging in a homosexual act was a crime in many states in the United States, and it is currently illegal in some places around the world. (1) “Crime is not an entity in fact but an entity in law” (Radzinowicz, 1966, p. 22) and “technically speaking, there is no ‘crime’ without ‘criminal law’” (Shelden, 2002, p.23). “Criminal behavior is a special category of behavior that has been defined through socio-cultural-legal-political-economic processes as outside of the bounds of the law.” This is important in reviewing criminal behavior research because theoretical concepts central to understanding the mechanisms of criminal behavior such as “antisocial behavior”, “aggression”, “psychopathy”, or “deviance” are sometimes confounded with criminality in the research literature and popular discourse. For example studies on aggression are often conducted in laboratory settings with animals or humans who are engaged in some laboratory task. “Can research on aggression in rats be applied to human crime and violence? Are the processes that produce antisocial behavior, such as lying or cheating on a spouse, the same processes as are involved in violating the law? Can theories explaining how people develop deviant identities also explain how people develop criminal identities? Much of the current knowledge base on crime and criminal behavior draws from research focusing on these other concepts."

- Crime

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