Guitarists From England

"A thought struck me: if my new album sounds this good on a walkman, what would sound like? A mere two years later I bought one and found out. However, on a train, a few years later still, I had negative eating a bacon sandwich and listening to a solo Ferry album, which turned me vegetarian."

"You ask what is the quality of life Seeking to justify the part you play And mask, what seems a worthless fate"

"One of those days in England with a sword in every pond And birds in every garden in the land"

"Watford Gap, Watford Gap A plate of grease and a load of crap"

"I'm sorry that you thought of us as painful and superfluous But please don't think I'm that thick skinned to want my seed in any old wind I can't believe we'll just exist as figments of each others past Where is it at to get to this, when lawyers lurk where lovers kissed?"

"PINCHES OF SALT: Are the humanoids pilling the chemistry into reactions they have no control over? Have the wolves of the universal law already started to blow the door down? Is the back door still open? Who the hell cares with a hundred billion freon - filled hair sprays still on sale? Who am I to ctiticise my own crisis?"

"GARDEN OF URANIUM: I moved to a house in Lincolnshire. The government were threatening to dump "low level" nuclear waste about fifteen miles away. The plans were dropped a few months before the last general election. The proposals now seem to have resurfaced somewhere under the North Sea! (among other sites proposed since the election)"

"GOVERNMENT SURPLUS: Employment figures and history books are 'cooked'. Young people are manipulated. The status quo is maintained by an insidious mafiosi piping drugs to the unsuspecting by means of an ever expanding cycloptic media."

"STILL LIFE: The short British wintertime as seen from within my cocoon. Snow three feet deep in places. Icicles. The small ones outside fighting for survival. Dusk before four. Yellow light in the crisp still. A jackdaw's wing beat precisely preserved. An atmosphere."

"Led Zeppelin recorded the song Hats off to (Roy) Harper. (Led Zeppelin III, 1970)"

"And half the blasted idiots are stuck in Yugoslavia With hardly a Dinar And looking no cleaner Than a Chinese wrestler's jock-strap Cooked in chip fat On a greasy day"

"And you know what? I don't think this little song's gonna make the charts"

"DESCENDANTS OF SMITH: If we manage to get out the 'back door', the technology available in four million years may perhaps rival the twentieth century christian concept of 'judgement day'. Probably much sooner. Meanwhile, which one is Smith?"

"Thirty-two years ago, I became a vegetarian. I always thought it was a bit weird eating dead bodies even though my parents said it was all right. But I saw "The Texas Chain Saw Massacre," and that did it. In the movie, they're doing the same thing to people that they do to animals, and so I gradually got off eating meat.... The health thing came way later. Veganism came four years ago, and it was more of a health decision."

"Playing in shows all around the world takes tons of energy. Being a vegetarian has made a huge difference. Not only is a vegetarian lifestyle healthier, it's better for the animals and for the environment. And no matter where you find yourself on the planet, you can always find a great veggie meal."

"There's rain on my window But I'm thinking of you Tears on my pillow But I will come through Josephine I'll send you all my love And every single step, I'll take I'll take for you"

"On the artist, Charley Patton, who changed him: What happened was I was going out on a Saturday night, so I went into my mam’s bedroom, she’s got a double mirror, really kitsch 50s. So I’m in there, doing that, and she’s got an old alarm clock where the radio comes on, but she never learned how to do it properly. And it came on. [...] I remember it was ten past three in the afternoon and it was winter, it was getting dark, and it was when the BBC had just started doing Telstar live things from America. It was some station in Memphis - one of those classic names, ‘RK 51’ or whatever. [...] On it came and there’s this record. The satellite thing was a bit cloudy and it was a 78 record and there was compression on the radio, so it was this strange kind of musical blur with this voice coming through: Charley Patton. [...] On that night I told the bass player of one of the local bands that I’d heard this record and it sounded weird, it sounded like a violin. He said, ‘No, it’s not a violin, it’s a slide guitar.’ I thought, ‘What’s one of them?’"

"On the rock stars: Rock stars don’t talk to each other. They’re too important to talk to another one. They’ve all got their own little palace, their own universe, of which they are the head. So how can they possibly go to somebody else’s universe? They can’t handle it. I will one day write the book that shows just how massive some of these egos are. Because I was a slow success, I was meeting people socially whose records I had at home, who were now talking to me on a what-strings-do-you-use level. And very few of them have not disappointed. [Pink Floyd’s] Dave Gilmour is the only one that [hasn’t disappointed]. That paints everyone else as a cunt. Which they are. But Gilmour is fabulous."

"On the change of the original version of La Passione (1996) by Warner Vision: ...they thought it was a great idea and we started - and more and more people were turning up and I didn’t know who the fuck they were. ‘Oh, that’s Arty somebody, he’s from Warner Vision, he’s flown over from…’ and they’re all yapping away and none of them could get their heads round the idea that it wasn’t meant to be a story. [...] Anyway, egos went all over the place and I lost complete control of it and what I intended it to be hardly went in to the terrible, boring film. And the other thing that really hurt was I did three tracks - which sadly we lost - where, if something mischievous happened, the original idea was to bring in the slide guitar that would start playing a Count Basie routine. All that never happened, it was a shame. [...] They didn’t understand at all, especially the Americans, I mean… I got permission at Ferrari to have their place for a day and there was no film stock left - and I think that sums up the project."

"Driving in my car I'm driving home for Christmas With a thousand memories I take look at the driver next to me He's just the same Just the same"

"On his neglect of being a rock star: There’s a certain discipline about being a rock star, and I don’t have it. If I was a rock star, I wouldn’t have let a photographer in here, dressed like this. I’d have been down the hairdressers. You try and get Sting to do something without 15 advisors. These boys are like Russian princes..."

"Look out world take a good look What comes down here You must learn this lesson fast And learn it well This ain't no upwardly mobile freeway Oh no, this is the road to Hell"

"On his experience with streaming, illegal downloading: Every Christmas we got a nice little present off God, you know, with sales of The Best Of… and since it’s gone in to YouTube the shortfall is over 90 per cent because people don’t need to buy the record. They would but you’re offering them Driving Home For Christmas for 32p. [...] You see, I’m lucky - we did very well. I feel sorry for the young Chris Reas who aren’t pop stars but love music, but they don’t have anywhere to go with the music, you know? I mean Derek Trucks, it’s just criminal what’s happened to his potential sales because of what’s happened to the business."

"Fool if you think it's over 'Cause you said goodbye Fool if you think it's over I'll tell you why New born eyes always cry with pain At the first look at the mornin' sun Fool if you think it's over It's just begun"

"On the disappearance of "rock star" hysteria surrounding him: I took it rather better than some of them I could tell you about, who had nervous breakdowns because they’re not the king any more. I found fame really annoying. Anything to do with ‘celebrity’, I just don’t get."

"On his first Ferrari: Yeah. It was instant disappointment. (Pink Floyd drummer) Nick Mason said to me once, ‘Chris, do yourself a favour. Stop trying to make excuses about all this. You’re a sad bastard. It could have been heroin. But it’s red cars.’ And he was right. There was nowhere to drive the fucking thing. Y’know, you put it in your garage. You didn’t want anyone to know you had it. Then you take it out, and you couldn’t find anywhere you could do more than 40 miles an hour. I’m a competent driver. I’ve raced at Monza. But it’s a terrible thing. Blues guitar and motor racing bring out real testosterone in some guys."

"On modern blues: Me and the modern blues scene, we have difficulty getting on. I sometimes get the feeling that it’s all sixth-form college: ‘Oh, you shouldn’t do that.’ A lot of modern blues is academic. It’s what someone else did. But the blues is one of the biggest examples of evolution. It’s in constant change. You can’t document it and say ‘stop’. It should be free. [...] And has become some kind of technical thing. I’m fed up now of seeing, ‘Oh, this guitarist is faster than that guitarist’ – that’s got nothing to do with the fucking blues. Then you get guys who come along like Allman’s nephew (Derek Trucks): now that’s good. Fuck me. That’s what blues should be: something you haven’t heard before. The other stuff can get a bit like... you know when you fart in the bath? These scales get so fucking fast. Musically, emotionally, it ceases to do anything."

"On media consideration to be a reluctant rock star: I'm not a reluctant rock star, I am not one at all. I haven't an ounce of rock star in me. [...] What I despise about the rock star lifestyle is the lack of music in it. The average day is spent travelling to hotels, giving interviews, being nice to people you're told to be nice to, and maybe if you're lucky you might squeeze a bit of music in. The musician's day is music. [...] I am in that unique little club, where I went into music because I love music, not because I wanted to be rich and famous. I've always knocked on the door of the musicians' room, not the rock stars' room. The British press refuses to see the difference between them, mainly because of the capers of people like Phil Collins, a musician who behaves like a rock star. But there are people who love music and have no interest in being a rock star at all."

"On working at La Passione (1996): Day one, the damage was done. All it was meant to be was one hour of a little boy’s dreams. And I had things I wanted to do with the guitar that hadn’t been done before. Like, there’s one number called "Olive Oil", where I was actually playing slide guitar in the same scale as a saxophone. [...] But then in came millions of executives from America. So in the end, it fell flat on its arse. And it came out the same week that Britpop took off. Blair had just won the election. Oasis. Spice Girls. So something a bit Fellini-ish – about a little boy who loved red cars – went straight over the top. It was like, ‘Well, don’t you have a 335 guitar with a Union Jack on it?’"

"On Charley Patton's voice and music style: I heard this fella, and his voice sounded like my voice. I’d always thought, ‘Well, I could never be a singer with this horrible voice’. I hated it. Absolutely hated it. Still do. But he sounded like the same kind of thing. I didn’t know black American terms: a boll weevil or turnpike blues. But there was an emotion that clicked with me. I became fascinated with gospel blues. I still play more gospel than Chicago. I very rarely go anywhere near that speed, aggression, Clapton thing. Someone once reviewed me, saying the testosterone was missing from my blues solos, because I don’t do Chicago. It’s just alien to me."

"On his refusal of a set for MTV Unplugged: It’s one of the biggest career mistakes I’ve ever made. I’d be so much more wealthy, because of America. I was offered one of the first ones. But I saw Eric Clapton on it, and it reminded me of Pebble Mill At One. I thought, ‘Oh my God, I don’t want anything to do with this’. Because he’s like God to me. [...] So I turned it down. I should have had an older brother who said, ‘Fucking do it’."

"On blues in the music industry: You say that word ‘blues’ to anybody in the business – and they fucking run a mile. It’s unbelievable. I had a lot of trouble with Road To Hell. We’d actually recorded the next album – Auberge – before, as an agreement with Warner Brothers. So if Road To Hell didn’t work – and they said it won’t – we would jump straight away to Auberge and forget about it. Of course, the beginning to Road To Hell is a gospel-blues thing. Warner Brothers went, ‘This is going to be over in five minutes’. But I did stand me ground, and it went No.1."

"We gonna rock down to Electric Avenue, And then we'll take it higher."

"We will, we will rock you We will, we will rock you."

"There's no chance for us It's all decided for us This world has only one sweet moment Set aside for usWho wants to live forever? Who wants to live forever? Who dares to love forever Oh, when love must die?"

"When I'm gone, people will no doubt remember me for Queen, but I would much rather be remembered for attempting to change the way we treat our fellow creatures."

"Delving into my history, preparing for the imminent re-release of this epic, I have been a kind of father-figure looking back kindly on a young man who was fighting his way out of a kind of emotional black hole... For me, it’s been a nice thing to explore. Again, probably if Covid hadn’t have happened I wouldn’t have had the time... it’s been a discovery of where my brain was at the time."

"Buddy, you're a young man, hard man Shouting in the street, gonna take on the world someday You got blood on your face, you big disgrace Waving your banner all over the place We will, we will rock you, sing it! We will, we will rock you, yeah."

"'I’m getting paid 10p per copy of every album I’m selling and they’re (EMI) selling it for 15 quid. That’s outrageous but it’s quite typical."

"In America you watch TV and think that's totally unreal, then you step outside and it's just the same."

"Give me love, like her Cos lately I've been waking up alone. The pain splatters teardrops on my shirt. I told you I'd let them go."

"That's you now, hello, ciao. Seems that life is great now. See me lose focus, as I sing to you loud. I can't, no, I won't hush. I'll say the words that make you blush. I'm gonna sing this now. See, I'm true, my songs are where my heart is."

"You were just a Small Bump unborn, in Four months you're brought to life. You might be left with my hair, but you'll have your Mother's eyes. I'll hold your body in my hands be as gentle as I can, but for now you're a scan of my unmade plans. Small bump, four months you are brought to life."

"'Cause maybe you're loveable. Maybe you're my snowflake. And your eyes turn from green to gray. And in the winter I'll hold you in a cold place. And you should never cut your hair, 'Cause I love the way you flick it off your shoulder.And you will never know Just how beautiful you are to me. But maybe I'm just in love When you wake me up."

"I'm gonna pick up the pieces, and build a Lego house. When things go wrong we can knock it down."

"And they say She's in the Class A Team. Stuck in her daydream, Been this way since 18. But lately her face seems Slowly sinking, wasting, Crumbling like pastries. And they scream The worst things in life come free to us. Cos we're just under the upperhand And go mad for a couple of grams. And she don't want to go outside tonight. And in a pipe she flies to the Motherland Or sells love to another man. It's too cold outside For angels to fly; Angels to fly."

"I wanna be drunk when I wake up On the right side of the wrong bed. And every excuse I made up Tell you the truth I hate. What didn't kill me, It never made me stronger at all."

"I'm out of sight, I'm out of mind I'll do it all for you in time And out of all these things I've done I think I love you better now."

"It’s just sex and violence, melody and silence."

"Cause it's a bitter sweet symphony, that's life Try to make ends meet you're a slave to money then you die.No change, I can change I can change, I can change But I'm here in my mold I am here in my mold and I'm a million different people from one day to the next I can't change my mould, no, no, no, no, no..."