Film Directors From The United States

"Pallid as a mushroom, smooth-skinned and scarred, with curved feminine lips and silky hair, he seems as unhealthy as a lame duck. Yet his ram-like profile has the harsh strength of the gutter."

"Conviction of the myth is everything. We need myths, we live by myths, we die for myths."

"That scene. Let me see. There were seven takes because Rod Steiger couldn't stop crying. He's one of those actors who loves to cry. We did it over and over again."

"When I lie on the beach there naked, which I do sometimes, and I feel the wind coming over me and I see the stars up above and I am looking into this very deep, indescribable night, it is something that escapes my vocabulary to describe. Then I think: 'God, I have no importance. Whatever I do or don't do, or what anybody does, is not more important than the grains of sand that I am lying on, or the coconut that I am using for my pillow.' So I really don't think in the long sense."

"I suppose the story of my life is a search for love, but more than that, I have been looking for a way to repair myself from the damages I suffered early on and to define my obligation, if I had any, to myself and my species."

"The close-up says everything, it's then that an actor's learned, rehearsed behavior becomes most obvious to an audience and chips away, unconsciously, at its experience of reality. In a close-up, the audience is only inches away, and your face becomes the stage."

"If a studio offered to pay me as much to sweep the floor as it did to act, I'd sweep the floor. There isn't anything that pays you as well as acting while you decide what the hell you're going to do with yourself. Who cares about the applause? Do I need applause to feel good about myself?"

"Acting is the least mysterious of all crafts. Whenever we want something from somebody or when we want to hide something or pretend, we're acting. Most people do it all day long."

"This picture will try to show the Nazism is a matter of mind, not geography, and that there are Nazis — and people of good will — in every country. The world can't spend its life looking over its shoulder and nursing hatreds. There would be no progress that way."

"Hollywood is run by Jews. It is owned by Jews, and they should have a greater sensitivity. They should have greater sensitivity about the issue of people who are suffering because they've [been] exploited. We have seen the nigger, we've seen the greaseball, we have seen the chink, the slit-eyed dangerous Jap. We have seen the wily Filipino. We've seen everything, but we never saw the kike, because they know perfectly well that is where you draw the wagons around."

"There's a line in the picture where he snarls, "Nobody tells me what to do." That's exactly how I've felt all my life."

"I don't think I was constructed to be monogamous. I don't think it's the nature of any man to be monogamous. Men are propelled by genetically ordained impulses over which they have no control to distribute their seed."

"The power and influence of a movie star is curious: I didn't ask for it or take it; people gave it to me. Simply because you're a movie star, people empower you with special rights and privileges."

"On the day Kazan showed me the completed picture I was so depressed by my performance that I got up and left the screening room."

"I was surprised as anyone when T-shirts, jeans and leather jackets suddenly became symbols of rebellion. In the film there was a scene in which somebody asked my character, Johnny, what I was rebelling against, and I answered 'Whaddya got?' But none of us involved in the picture ever imagined that it would instigate or encourage youthful rebellion."

"Even today I meet people who think of me automatically as a tough, insensitive, coarse guy named Stanley Kowalski. They can't help it, but, it is troubling."

"A lot of the old movie stars couldn't act their way out of a box of wet tissue paper, but they were successful because they had distinctive personalities. They were predictable brands of breakfast cereal: on Wednesdays we had Quaker Oats and Gary Cooper; on Fridays we had Wheaties and Clark Gable. They were off-the-shelf products you expected always to be the same, actors and actresses with likable personalities who played themselves more or less the same role the same way every time out."

"I have always considered my life a private affair and the business of no one beyond my family and those I love. Except for moral and political issues that aroused in me a desire to speak out, I have done my utmost throughout my life, for the sake of my children and myself, to remain silent … But now, in my seventieth year, I have decided to tell the story of my life as best I can, so that my children can separate the truth from the myths that others have created about me, as myths are created about everyone swept up in the turbulent and distorting maelstrom of celebrity in our culture."

"Acting serves as the quintessential social lubricant and a device for protecting our interests and gaining advantage in every aspect of life."

"It is a simple fact that all of us use the techniques of acting to achieve whatever ends we seek."

"The principal benefit acting has afforded me is the money to pay for my psychoanalysis."

"Acting is the expression of a neurotic impulse. It's a bum's life."

"You are very attractive, but the coat you're wearing makes me think you are either a very rich woman or a very rich man's mistress."

"Bob Hope will go to the opening of a phone booth in a gas station in Anaheim, providing they have a camera there and three people. He'll go to the opening of a market to receive an award. He'd get an award from Thom McCan for wearing their shoes. It's pathetic. It's a bottomless pit. A barrel that has no floor. He must be a man who has an ever-crumbling estimation of himself. He's constantly filling himself up. He's like a junkie – an applause junkie. What happens to those people when they can't get up and do their shtick, God only knows. Bob Hope, Christ, instead of growing old gracefully or doing something with his money, be helpful, all he does is he has an anniversary with the President looking on. It's sad. He gets on an airplane every two minutes always going someplace. It didn't bother him at all to work the Vietnam War. Oh, he took that in his stride. He did his World War II and Korean War act. "Our boys" and all that. He’s a pathetic guy."

"Kazan is a performer's director, the best director I ever worked with... Most actors don't get any help from directors. Emotional help, if you're playing an emotional part. Kazan is the only one I know who really gives you help."

"Chaplin you got to go with. Chaplin is a man whose talents is such that you have to gamble. First off, comedy is his backyard. He's a genius, a cinematic genius. A comedic talent without peer."

"Bertolucci is extraordinary in his ability to perceive, he's a poet...he is very easy to work for."

"Homosexuality is so much in fashion it no longer makes news. Like a large number of men, I, too, have had homosexual experiences and I am not ashamed. I have never paid much attention to what people think about me. But if there is someone who is convinced that Jack Nicholson and I are lovers, may they continue to do so. I find it amusing."

"An actor's a guy, who if you ain't talking about him, ain't listening."

"I think awards in this country at this time are inappropriate to be received or given until the condition of the American Indian is drastically altered. If we are not our brother's keeper, at least let us not be his executioner."

"When they laid down their arms, we murdered them. We lied to them. We cheated them out of their lands. We starved them into signing fraudulent agreements that we called treaties which we never kept. We turned them into beggars on a continent that gave life for as long as life can remember. And by any interpretation of history, however twisted, we did not do right. We were not lawful nor were we just in what we did. For them, we do not have to restore these people, we do not have to live up to some agreements, because it is given to us by virtue of our power to attack the rights of others, to take their property, to take their lives when they are trying to defend their land and liberty, and to make their virtues a crime and our own vices virtues."

"Privacy is not something that I’m merely entitled to, it’s an absolute prerequisite."

"After coming back to the show, I was shocked at how much thought and distillation he personally puts into the script," [Stephen Colbert] says, "that care and unbelievable work ethic, and ability to consume information, digest and distill a story. He's telling us that this is the mechanics of the human interaction, and this is the actual message of the story." Colbert says Stewart's intelligence (the host can read books and script pages at lightning speed) can't be overstated, and that the show's mojo comes from stories Stewart brings to light that the traditional media fail to report. "He's naming what seems most ridiculous about the news, which is the personalities and the news itself," Colbert says. "It's only the overt game that's being reported."

"Before Mr. Stewart, we didn’t expect much from nightly political humor. Late-night monologues were at best funny diversions, at worst toothless jabs pandering to the easiest stereotypes. ... The Daily Show didn’t just offer insightful, cutting analysis, clever parody and often hard-hitting interviews with major newsmakers. For an entire generation, it became the news, except this report could withstand the disruption of the Internet far better than the old media. If anything, the web only made The Daily Show, with its short segments, more essential. Every time a political scandal exploded or a candidate made headlines or a cable fight went viral, the first thought for many viewers was: I can’t wait to see what Jon Stewart will say about this."

"We’re living in a media landscape that seems to get more infantile and politically simple-minded all the time—-look at the huge popularity of Glenn Beck…and I saw someplace recently that Jon Stewart is now the most trusted man in America. The clowns seem to be taking over the circus."

"I think Stewart’s show demonstrated the decline and vacuity of contemporary comedy. I cannot stand that smug, snarky, superior tone. I hated the fact that young people were getting their news through that filter of sophomoric snark… I find nothing incisive in his work. As for his influence, if he helped produce the hackneyed polarisation of moral liberals versus evil conservatives, then he’s partly at fault for the political stalemate in the United States."

"In November, America elected a black man president after two disastrous terms of George W. Bush. Race was transcended. People were so angry that they tossed aside centuries-old prejudices. [...] Last night, America witnessed a non-comedian hosting the Oscars after two calamitous stints by you, Jon Stewart: The George W. Bush of Comedy. Jon, you angered the world so much they were willing to completely redefine their concept of what an Oscars host should be. And like a phoenix from the ashes of the two massive turds you laid on that stage, rose Hugh Jackman."

"And that is your tragedy, Jon. [imitating Stewart and affecting falsetto] Look at me! I'm a sad clown! I hate you! I need you! I hate you! I need you! I don't want you, but I need constant attention and reinforcement from you laughter!"

"I love Jon Stewart, The Daily Show, and The Colbert Report."

"Stephen Colbert says that for all of Jon Stewart's acumen when it comes to politics and comedic timing, "The Daily Show" host and managing editor has no problem going lowbrow. "He knows when to break the glass, if necessary," Colbert reasons."

"I think part of the reason The Problem with Jon Stewart feels out of touch is because we've outgrown him; the people who grew up watching him are done walking up to symptoms and are ready to identify and call out things like capitalism and neoliberalism. We're living in the world Jon Stewart created, but I think that he's got some catching up to do if he wants to find a place in it for himself."

"Judging solely by the amount of media attention it got, you'd think The Daily Show, when the vaunted Jon Stewart was host, was the most-watched show of the 21st Century. You'd be wrong. It rarely made the top 100 rated shows of the week. Yes, you heard that right. The Daily Show, even with Jon Stewart as host, routinely garnered fewer viewers than reruns of Family Guy on the Cartoon Network. Yet when Stuart spoke, the media listened, even though the people didn't."

"Has your boss ever poured scalding hot Celestial Seasonings Lemon Zinger on to your arm? It doesn't just burn, OK? It's also citrus, and the citrus stings. And then he filled the pockets of my jacket with cockroaches. I work for a child."

"My boss is like, if you took Willy Wonka, and mixed him with Hitler. He's got like — he's crazy like Willie Wonka and he's psycho like Hitler. But he doesn't have a mustache."

"Comedian Jon Stewart, host of The Daily Show on Comedy Central, has been making waves with his nightly parody of the day's news. His straight-faced takeoffs of journalists and politicians often serve as biting indictments of official hypocrisy and media complicity."

"Now back to business as usual."

"A goal of Colbert while working as a correspondent on "The Daily Show" — one of his "greatest joys" — was whether he could make Stewart laugh in the middle of a segment. [...] "I knew the piece was good if he couldn't look at me when we were at the desk together," Colbert recalls. "We did much (fewer) green screen segments then. The highlight was when we were covering the Democratic convention in 2004, and I did a piece on Obama being the son of a goat farmer and I said I was the son of an Appalachian turd miner. Jon couldn't look at me for the entire thing.""

"Stewart spent a couple of segments lecturing Paul Begala and me about how we were somehow “helping the politicians and the corporations,” a charge that baffled me then (I’ve never particularly liked either one), as it does now. Unlike most guests after an uncomfortable show, Stewart didn’t flee once it was over, but lingered backstage to press his point. With the cameras off, he dropped the sarcasm and the nastiness, but not the intensity. I can still picture him standing outside the makeup room, gesticulating as the rest of us tried to figure out what he was talking about. It was one of the weirdest things I have ever seen. Finally, I had to leave to make a dinner. Stewart shook my hand with what seemed like friendly sincerity and continued to lecture our staff. An hour later, one of my producers called me, sounding desperate. Stewart was still there, and still talking."

"The set is a news desk, and the nice-looking man behind it seems... um, troubled. About his life, perhaps? About the news? A touch of indigestion? It's hard to tell, but it becomes clear—and quickly—that he is funny. And smart. Jon Stewart presides over Comedy Central's The Daily Show, a blessed wedding of performer and format. Free of the burden of a full stand-up monologue, Stewart is able to put all his energy and wit into the news and guest spots. The word energy is almost too strong. Much of Stewart's humor seems to spring from an underlying terrain of world-weariness. [...] Repeat viewing of Stewart's shows reveals good things you missed the first time—smallish matters of voice shading, inflections and gestures begun but not completed. If you're a latecomer to his charms, you'll wish your alleged friends had demanded that you start watching a lot sooner. I'd like to see everything he has ever done."

"Comedy doesn't change the world, but it's a bell-weather. We're the banana peel in the coal mine. When a society is under threat, comedians are the ones who get sent away first. It's just a reminder that democracy is under threat. Authoritarians are the threat -- to comedy, to art, to music, to thought, to poetry, to progress, to all those things! It's never been-- All that shit, it's a red herring. It ain't the Pronoun Police, it's the Secret Police. It always has been, and it always will be. And this man's decapitated visage is a reminder to all of us that what we have is fragile and precious. And the way to guard against it isn't to change how audiences think, it's to change how leaders lead."