Film Directors From The United States

"They are creepy, too, man. Those puppets don't make me feel good. I'll be honest, nothing about this show makes me feel good."

""[as Tim Burton] Anyone who knows me will tell you that I would never read a comic book." Which, to me, explains fucking Batman."

"In Hollywood, you just kind of fail upwards."

"What's your name, new best friend?"

"What happened to Riggs?"

"Guy from audience: Your wife is your beard! Kevin: My wife is my beard isn't she?... Oh, sir, who was it? It was you? That was your move. 'Cause in your head you're going "I'm gonna yell out your wife is your beard and they'll laugh like they laughed at the rock guy!" And you yelled it out, you got it out there, you had the guts to do it and shit, and then I even echoed it for you just in case the cheap seats didn't hear it, and there was fucking crickets, sir."

"Sir, I just think that's it's fucking brilliant that you somehow managed to tie Chuck Norris, Chewbacca the Wookie, and Jesus Christ together."

"Ten years in and we bone like we're cheating on each other WITH each other. A decade-plus and her clit/brown/taint-area still pOwns my dick."

"God is a great concept, [but it] doesn't work"

"You sit at the board and suddenly your heart leaps. Your hand trembles to pick up the piece and move it. But what chess teaches you is that you must sit there calmly and think about whether it’s really a good idea and whether there are other, better ideas."

"I think the big mistake in schools is trying to teach children anything, and by using fear as the basic motivation. Fear of getting failing grades, fear of not staying with your class, etc. Interest can produce learning on a scale compared to fear as a nuclear explosion to a firecracker."

"If man merely sat back and thought about his impending termination, and his terrifying insignificance and aloneness in the cosmos, he would surely go mad, or succumb to a numbing sense of futility. Why, he might ask himself, should he bother to write a great symphony, or strive to make a living, or even to love another, when he is no more than a momentary microbe on a dust mote whirling through the unimaginable immensity of space? ... Those of us who are forced by their own sensibilities to view their lives in this perspective — who recognize that there is no purpose they can comprehend and that amidst a countless myriad of stars their existence goes unknown and unchronicled — can fall prey all too easily to the ultimate anomie. … The world's religions, for all their parochialism, did supply a kind of consolation for this great ache … This shattering recognition of our mortality is at the root of far more mental illness than I suspect even psychiatrists are aware."

"The most terrifying fact about the universe is not that it is hostile but that it is indifferent; but if we can come to terms with this indifference and accept the challenges of life within the boundaries of death — however mutable man may be able to make them — our existence as a species can have genuine meaning and fulfillment. However vast the darkness, we must supply our own light."

"You say, 'Gee, I wish he'd made more [films].' But these were enough. Because there's so much in each one. You know, there's so much. Yeah, it would've been nice for him to have made more. But that's not the process. That wasn't his process, and what he did make was something so special and unique, it's like a different movie every time you see it."

"I love almost all of Stanley Kubrick, there’s almost no Stanley Kubrick I don’t love. I love Lolita, I love Dr. Strangelove. I love A Clockwork Orange, obviously. I even like a lot of Barry Lyndon (laughs). And early stuff, like The Killing and Paths of Glory. … It’s ridiculous. Look, he made the best comedy ever, he may have made one of the best science fiction movies ever, he made the best horror movie ever. I couldn’t watch the end of The Shining. I went through half The Shining for years before I could finish, because I’m a writer and as soon as he starts writing “All work and no play makes Jack a dull boy,” I had to turn it off. It’s almost like Picasso in that he mastered so many different genres. … he took his time and patience and he had a crew of like 18 people. They were very handmade movies these were not large behemoths that he did; they were very thoughtful and his editing process was long. He’s kind of without peer really. If I was gonna settle on a director, probably Kubrick."

"When you think of the visual style, when you think of the visual language of a film there tends to be a natural separation of the visual style and the narrative elements, but with the great, whether it is Stanley Kubrick, Terrence Malick or Hitchcock what you're seeing is inseparable, a vital relationship between the images and the story he's telling."

"[Kubrick] always said that it was better to adapt a book rather than write an original screenplay, and that you should choose a work that isn't a masterpiece so you can improve on it. Which is what he's always done, except with Lolita."

"Is it good or bad? Is it necessary? Can I get rid of it? Does it work?"

"The first really important book I read about filmmaking was The Film Technique by Pudovkin. This was some time before I had ever touched a movie camera and it opened my eyes to cutting and montage."

"The great nations have always acted like gangsters, and the small nations like prostitutes."

"The reason movies are often so bad out here isn't because the people who make them are cynical money hacks. Most of them are doing the very best they can; they really want to make good movies. The trouble is with their heads, not their hearts."

"Include utter banalities."

"I have always enjoyed dealing with a slightly surrealistic situation and presenting it in a realistic manner. I've always liked fairy tales and myths, magical stories. I think they are somehow closer to the sense of reality one feels today than the equally stylized "realistic" story in which a great deal of selectivity and omission has to occur in order to preserve its "realist" style."

"There's something in the human personality which resents things that are clear, and conversely, something which is attracted to puzzles, enigmas, and allegories."

"Think [Schindler's List] was about the Holocaust?... That was about success, wasn’t it? The Holocaust is about six million people who get killed. ‘'Schindler’s List’' is about 600 who don’t. Anything else?"

"Never, ever go near power. Don't become friends with anyone who has real power. It's dangerous."

"When I made my first film, I think the thing was probably helped me the most was that it was such an unusual thing to do in the early 50s for someone who actually go and make a film. People thought it was impossible. It really is terribly easy. All anybody needs is a camera, a tape recorder, and some imagination."

"One man writes a novel. One man writes a symphony. It is essential that one man make a film."

"Anyone who has ever been privileged to direct a film also knows that, although it can be like trying to write War and Peace in a bumper car in an amusement park, when you finally get it right, there are not many joys in life that can equal the feeling."

"The very meaninglessness of life forces man to create his own meaning. If it can be written or thought, it can be filmed."

"I don't like doing interviews. There is always the problem of being misquoted or, what's even worse, of being quoted exactly."

"Reality is being itself. — It is being itself, in becoming itself. Reality in its isness, the "isness" of a thing. Thus isness is the meaning — having freedom in its primary sense — not limited by attachments, confinements, partialization, complexities."

"Reality is apparent when one ceases to compare. — There is "what is" only when there is no comparison at all, and to live with what is, is to be peaceful."

"True thusness is without defiling thought; it cannot be known through conception and thought."

"Conditioning obstructs our view of reality. — We do not see IT in its suchness because of our indoctrination, crooked and twisted."

"What IS is more important than WHAT SHOULD BE. To many people are looking at "what is" from a position of thinking "what should be.""

"In Science we have finally come back to the pre-Socratic philosopher Heraclitus, who said everything is flow, flux, process. There are no "things." NOTHINGNESS in Eastern language is "no-thingness". We in the West think of nothingness as a void, an emptiness, an nonexistence. In Eastern philosophy and modern physical science, nothingness — no-thingness — is a form of process, ever moving."

"The Western approach to reality is mostly through theory, and theory begins by denying reality — to talk about reality, to go around reality, to catch anything that attracts our sense-intellect and abstract it away from reality itself. Thus philosophy begins by saying that the outside world is not a basic fact, that its existence can be doubted and that every proposition in which the reality of the outside world is affirmed is not an evident proposition but one that needs to be divided, dissected and analyzed. It is to stand consciously aside and try to square a circle."

"The Now is indivisible. — Completeness, the now, is an absence of the conscious mind to strive to divide that which is indivisible. For once the completeness of things is taken apart it is no longer complete."

"The Moment is freedom. — I couldn't live by a rigid schedule. I try to live freely from moment to moment, letting things happen and adjusting to them."

"You cannot force the Now. — But can you neither condemn nor justify and yet be extraordinarily alive as you walk on? You can never invite the wind, but you must leave the window open."

"Flow in the living moment. — We are always in a process of becoming and NOTHING is fixed. Have no rigid system in you, and you'll be flexible to change with the ever changing. OPEN yourself and flow, my friend. Flow in the TOTAL OPENNESS OF THE LIVING MOMENT. If nothing within you stays rigid, outward things will disclose themselves. Moving, be like water. Still, be like a mirror. Respond like an echo."

"What we are after is the ROOT and not the branches. The root is the real knowledge; the branches are surface knowledge. Real knowledge breeds "body feel" and personal expression; surface knowledge breeds mechanical conditioning and imposing limitation and squelches creativity."

"Seek to understand the root. — It is futile to argue as to which single leaf, which design of branch, or which attractive flower you like; when you understand the root, you understand all its blossoming."

"Concentration is the ROOT of all the higher abilities in man."

"Be aware of doing your best to understand the ROOT in life, and realize the DIRECT and the INDIRECT are in fact a complementary WHOLE. It is to see things as they are and not to become attached to anything — to be unconscious meant to be innocent of the working of a relative (empirical) mind — where there is no abiding of thought anywhere on anything — this is being unbound. This not abiding anywhere is the root of our life."

"Time means a lot to me because, you see, I, too, am also a learner and am often lost in the joy of forever developing and simplifying. If you love life, don't waste time, for time is what life is made up of."

"To spend time is to pass it in a specified manner. To waste time is to expend it thoughtlessly or carelessly. We all have time to spend or waste, and it is our decision what to do with it. But once passed, it is gone forever."

"To realize freedom the mind has to learn to look at life, which is a vast movement, without the bondage of time, for freedom lies beyond the field of consciousness — care for watching, but don't stop and interpret "I am free," then you're living in a memory of something that has gone before."

"Knowledge, surely, is always of time, whereas knowing is not of time. Knowledge is from a source, from accumulation, from conclusion, while knowing is a movement."