Fashion Designers From The United States

"Any achievement that I accomplished, many people attributed to the fact that I was his daughter"

"...On one side, there was super, super conservative, regular girl-next-door. And on the other side, there was this kind of fantasyland, pretend, dancing-school, wonderfulness: you know, the hair, the makeup, the costumes, the music, the recital halls. I mean, so for me, I needed that balance."

"I have my on and I have my off switch. I'm as exuberant and whatever else you want to call me; I'm very private. I usually go out to dinner here by myself, five o'clock. I love it. I mean, who could ever live up to that Betsey? I'm too much for myself to live up to. I'm very opposite, privately…"

"Every time I went down the aisle, I was totally, 100 percent in love. I loved being in love. And the downside was, I really was attracted to men very opposite from myself. You know, that old story. You know, if you're warm, they're cold. If you're a hard worker, maybe they're lazy. If you were realist, they're a pessimist?..."

"It took me quite a while to learn how to do the corporate dance. I was just too defensive. I just got involved with too much and I don't have to do that. All my companies that I work with have been around for years with me. They got the brand down. They keep it going in a really good way. I realized one day I am not going to love all the people around me. I did with my company, because we really ran it like a family. Everybody loved everybody else, and they still do. I still have my pink lady sorority club going on."

"Eighty percent of what is now considered the American theater originated at La MaMa."

"Believe it or not, it’s easier for me nowadays to be outside this country than in this country, because when I go outside I’m in hotels with elevators and services of all kinds, and it’s not such a hardship."

"We're going to do it, baby! We're going to do it, darling!' And within a week later we were doing it."

"In Spoleto Ellen established an immediate relationship with the territory and here we celebrate the idea of community and artistic family that brings together several generations."

"Qui celebriamo l'idea di comunità e famiglia artistica… che riunisce diverse generazioni che si incontrano… A Spoleto Ellen ha stabilito, fin da subito, un rapporto immediato con il territorio."

"I can’t imagine La MaMa without her. There may be a place called La MaMa that somebody brings good avant-garde international theater to, but it will not be La MaMa. La MaMa is her."

"Her vision dreams of a world where a multiplicity of perspectives is essential and where art is a means to bring people together. I am grateful to be a part of this artistic community that she nurtured, and this season again I am energized by its tenacity, passion, bravery, and transformative work."

"If a script ‘beeps’ to me, I do it...Audiences may hate these plays, but I believe in them. The only way I can explain my ‘beeps’ is that I’m no intellectual, but my instincts tell me automatically when a playwright has something."

"Our mission was and is to develop, nurture, support, produce and present new and original performance work by artists of all nations and cultures."

"Each song is like a short movie...And each character is different."

"...I was born and raised in Spanish Harlem and lived in New York most of my adult life. My life, my music and career started here. The fact that I no longer live in New York doesn’t mean I don’t consider this amazing city my home. I walked and lived in these streets for most of my life..."

"To my mom, I was a pain in the ass. To my dad, I was the light of his eyes. And to me, I was awkward," he said. "I had glasses. I weighed two pounds. My dad always told me, and as God's honest truth, 'Son, we're ugly. Work on your personality.'"

"I'm from the streets of New York," he said. "I have a tattoo in my handwriting that I say: Those who say, don't know. Those who know, don't say. Your power and influence is largely based on what a steel trap your mouth is.""

"When you're an outsider or a misfit, if you play it smart, your motto should be, "I'll show 'em. I will show you.""

"PETA has proven that there is a sexy way to suggest to people to rethink the fur. … As a former fur wearer, I must say that I have not really given fur any thought for a good seven years. I don't really think that fur is the mark of success anymore. As a decent person, with compassion, it just seems like the right thing to support. What I would have to say to people that currently wear fur, I’d softly suggest to keep your mind open and do your research."

"Make it work!"

"Stella’s work has helped to redefine and recalibrate our thinking. … Higher-end brands have said they couldn’t exist without fur. Stella proves, of course you can."

"I was called a fool when I was chair of fashion at Parsons and I invited PETA to speak to students. The industry went crazy. I said: "Wait a minute. The International Fur Trade Commission is coming here. I have a responsibility to bring another point of view, let the students decide." I would say if you're going to use fur, you have a responsibility to know its origins. … There's no reason to kill animals for fur. Wearing fur is like wearing a big sign reading, "I'm in favor of inflicting cruelty and pain on animals as a fashion statement." Unspeakable torture is inflicted on dogs, cats, bunnies, raccoons, foxes, minks and myriad trapped, helpless creatures in the name of fashion — yes, dogs and cats."

"It's an updated version of what's being talked about or danced to today but still with my classic grit to it. Good part about it is the 1990s are back so this was da best time to do it. A lot of artist samplin' Three 6 now, our music was before its time."

"I haven’t had any down time, my last album just came out the end of last year so that wasn’t even 6 months ago the album that I did with Yelawolf, the Yots (Year Of The Six) Pt. 2 album. I didn’t go straight into this project I went straight into producing projects for some other people. Stuff for Riff Raff, stuff for Jon Connor, Dr. Dre’s new artist, some stuff for my new artist Weirdo Westwood King and a lot of other people, then I just decided to go into my project. Actually, some fans decided it for me, I wasn’t even going to make a rap project this year, I had been writing EDM songs for a lot of kids. I got about four of those that’s coming out, one of them already came out with this guy named Kennedy Jones, it’s called “Never Not.” So I had been writing these EDM songs for these kids and I was just going to stick to that because that’s fun and easier, but all the fans were like “Ahh man you should bring out that straight underground shit man a Volume 17 for Summer 17. They kind of talked me into doing it. So I was like well yeah it’s time to bring it back at least before I take a break on it and go straight to producing other folks for a minute, in 1/2 year or a year I should at least hit them with some straight underground joints to hold them off for a minute. My last album wasn’t straight underground joints it had all kind of stuff on it because it came out through me and Yelawolf."

"Man, I really ain’t have no downtime since the fucking 90’s but I don’t really work fast but I don’t really work slow. So I have been around a lot of producers, some of the top producers in the business and I’ve seen producers go in, I’m talking about producers that have hit songs right now on the radio. I’ve seen some of these producers get up and make 100 beats a week, and out of these 100 beats they make a week, you know 400 a month, maybe one of them will end up on their own artists project. That was never the case with me. If I went into the studio and made 5 beats week all five of those at least four of those would be on the album and three of them would be singles. I just work different, when I go in I hit hard, I strike right on the nose right off the top and I don’t have to live in the studio like you see some artists doing even though I live in the studio but I just be doing other stuff."

"I'm just producing and writing for all my new artists I signed, Weirdo King and my nephews The Seed of 6ix. Also been writing a lot of EDM for kids. Doing more cooking videos and TV."

"Basically, the whole thing of the project is to take it back to my old sound, the old DJ Paul sound. Before Three 6 Mafia when I was just DJ Paul and it was just me and my brother Lord Infamous. It was like a mix of songs and it was either me or members of my crew and some of it would be my signature “Crunkstrumentals” which would be instrumentals with crunk chants and sampled hooks and this and that on it. I brought those back a little bit on my last album Yots (Year Of The Six) Pt. 2 that dropped last quarter of last year, 2016. So, there will be more of those on there, like I said it’s just the original OG Paul sound that’s what the fans been asking for and I see that what a lot of people are back into these days, there using that old three six sounds and a lot of people are sampling it and clear samples from me. They sampled the creator it takes the king to bring it back himself. I never left it alone, to be honest with you, but I just didn’t do full albums of it. It would just be a track on my albums or mixtapes, not a single but this whole Volume 17 mixtape is going to be like that."

"In fashion, I don't even think you know what you've made until the lineup backstage."

"Fashion should be wherever it can be."

"We have an independent life, but we're so intertwined as a creative entity that.... I can't imagine creating without her... It would be like trying to play piano and not having a piano. We have a special hidden language with each other."

"We never thought we'd get this far, but we're here."

"I could lose my heart tonight If you don't turn and walk away 'Cause the way I feel I might Lose control and let you stay'Cause I could take you in my arms And never let goI could fall in love (in love) with you I could fall in love (in love) with you (with you baby)"

"Late at night when all the world is sleeping I stay up and think of you And I wish on a star That somewhere you are Thinking of me tooI'll be dreaming of you tonight 'Till tomorrow I'll be holding you tight And there's nowhere in the world I'd rather be Than here in my room Dreaming about you and me"

"Cada vez que lo veo pasar Mi corazón se enloquece Y me empieza a palpitar Y se emociona (y se emociona) Ya no razona No lo puedo controlar Y se emociona (y se emociona) Ya no razona Y me empieza a cantar (cantar) Me canta así así Bidi bidi bom bom (bidi bidi bom bom) Bidi bidi bom bom (bidi bidi bom bom) Bidi bidi bidi bidi bidi bom bom Bidi bidi bidi bidi bidi bom bom."

"Con unas ansias locas quiero verte hoy Espero ese momento en que escuche tu voz Y cuando al fin estemos juntos los dos Qué importa qué dirán tu padre y tu mamá Aquí sólo importa nuestro amor, te quiero Amor prohibido murmuran por las calles Porque somos de distintas sociedades Amor prohibido nos dice todo el mundo El dinero no importa en ti y en mí, ni en el corazón Oh, oh baby."

"Me siento muy orgullosa de ser Mexicana, yo no tuve la oportunidad de aprender mi Español cuando estaba muy chica, pero ... nunca es tarde para acercarse a sus raíces. (Spanish for, I feel very proud to be Mexican. I didn't have the opportunity to learn Spanish when I was a girl, but ... it's never too late to get in touch with your roots.)"

"Yo soy muy natural, muy sencilla muy honesta y pues siempre voy a ser. (Spanish for, I'm very real, very sincere, and honest, and that's how I'll always be.)"

"Anybody can be a role model, anybody can."

"When you get hard work you get success, and we put a lot of years into it."

"We went through a hard time, and we had to turn to music as a means to putting food on the table. And we've been doing it ever since. No regrets either."

"You have to take what you could get when you're getting started."

"Music is not a very stable business. You know it comes and it goes, and so does money. But your education stays with you for the rest of your life and when you have that education and you have nothing fall back on you can go and get a job anywhere."

"The reason I'm really appreciative of everything that's going on around me is because of the fact that I never expected it, and I want to keep that attitude."

"As, not only as an entertainer but as a person who who cared a lot and I gave the best that I could and I tried to be the best role model that I possibly could and the best person I could I tried to help."

"We were talking about waste, throwing things away, and taking something that’s old and making it new again, putting the human hand back into a world that reeks of manufacturing. It felt very appropriate to do that in 2000."

"We are a society that only sells commodities. We do not create anything unless it's to be bought and sold, so the idea of doing something where there isn't a commodity to sell, or what the commodity is to sell is very confusing, is extremely interesting to me."

"especially in the last years where I was really active at the (Nuyorican Poets) Cafe, everyone came in and just wanted to be a star. And I shouldn’t lay blame, but Russell Simmons who came around with the Def Poets and all that. “Come with me. I’ll take you to Broadway! I’ll put you on TV! Everyone will see you on TV!” It kind of polluted the intent of what we were doing. That kind of twisted the mindset, just undermined the real purpose and value of the writing, of the creative act. Because you don’t do it to be on TV. You do it for you, because you have to do it! Initially, that was the intent. We have to have this community! We have to share our voices. Nobody else out here is listening, so we’ll make our community. And that’s what it was about."

"Well, it started with my yoga practice and you know, the practice of non-harming, ‘ahimsa’. So I became a vegan because [of] compassion [for] the animals. The vegan diet was being discussed around me all the time, so finally, I just made the choice. […] The first thing I did was lose 20 pounds and I haven't put that back on. Do I feel better than I felt 15, 17 years ago? Yeah I think so. I think I'm in pretty good shape."

"[As a vegan] I feel better, I look better, so it’s a big change for me. You have more clarity and I think that all of us want to be more clear. I wanted to look younger and feel better and wanted to be a greater contributor to the good on the planet […] The more I learned about factory farming… the more I realized that I could not, in good conscience, be a contributor to such violence."