Conservatives From The United Kingdom

"Then—with confessional tears—I tried, through something Haldane said when I told him you had been reading Carlyle's French Revolution, to read his Frederic the Great. I couldn't do more than the first volume. The manner drove me wild. The continuous exhibition of the Medicine-Man's paraphernalia made it like a mad mullah's dance."

"At the Atheneum I read Carlyle's Trash—Latterday something or other—beneath criticism—yet his evidence before the Commissioners of the British Museum is even more absurd. Surely the world will not be duped for ever by such an empty-headed bombastic dunce."

"Got Carlyle's Fred II from Cawthorn's and read it—that is as much as I can read it. I never saw a worse book. Nothing new of the smallest value. The philosophy nonsense and the style gibberish. I have the profoundest contempt for him... Read Cobbett—a much better writer than that charlatan Carlyle."

"The forms of government appear to him almost without meaning; such subjects as the extension of suffrage, the guarantee of any kind of political right, are evidently in his eyes pitiful things, materialism more or less disguised. What he requires is that men should grow morally better, that the number of just men should increase: one wise man more in the world would be to him a fact of more importance than ten political revolutions."

"Carlyle was one who stood constantly in the presence of those ‘Eternal verities’ of which he speaks... The spirit of the prophet was in him... He was the greatest of the Britons of his time—and after the British fashion of not coming near perfection: Titanic, not Olympian: a heaver of rocks, not a shaper. But if he did no perfect work, he had lightning's power to strike out marvelous pictures and reach to the inmost of men with a phrase."

"This is not so much a history, as an epic poem; and notwithstanding, or even in consequence of this, the truest of histories. It is the history of the French Revolution, and the poetry of it, both in one; and on the whole no work of greater genius, either historical or poetical, has been produced in this country for many years."

"I have already mentioned Carlyle's earlier writings as one of the channels through which I received the influences which enlarged my early narrow creed; but I do not think that those writings, by themselves, would ever have had any effect on my opinions. What truths they contained, though of the very kind which I was already receiving from other quarters, were presented in a form and vesture less suited than any other to give them access to a mind trained as mine had been. They seemed a haze of poetry and German metaphysics, in which almost the only clear thing was a strong animosity to most of the opinions which were the basis of my mode of thought; religious scepticism, utilitarianism, the doctrine of circumstances, and the attaching any importance to democracy, logic, or political economy. Instead of my having been taught anything, in the first instance, by Carlyle, it was only in proportion as I came to see the same truths through media more suited to my mental constitution, that I recognized them in his writings. Then, indeed, the wonderful power with which he put them forth made a deep impression upon me, and I was during a long period one of his most fervent admirers; but the good his writings did me, was not as philosophy to instruct, but as poetry to animate. Even at the time when out acquaintance commenced, I was not sufficiently advanced in my new modes of thought, to appreciate him fully; a proof of which is, that on his showing me the manuscript of Sartor Resartus, his best and greatest work, which he had just then finished, I made little of it; though when it came out about two years afterwards in Fraser's Magazine I read it with enthusiastic admiration and the keenest delight. I did not seek and cultivate Carlyle less on account of the fundamental differences in our philosophy. He soon found out that I was not "another mystic," and when for the sake of my own integrity I wrote to him a distinct profession of all those of my opinions which I knew he most disliked, he replied that the chief difference between us was that I "was as yet consciously nothing of a mystic." I do not know at what period he gave up the expectation that I was destined to become one; but though both his and my opinions underwent in subsequent years considerable changes, we never approached much nearer to each other's modes of thought than we were in the first years of our acquaintance. I did not, however, deem myself a competent judge of Carlyle. I felt that he was a poet, and that I was not; that he was a man of intuition, which I was not; and that as such, he not only saw many things long before me, which I could only when they were pointed out to me, hobble after and prove, but that it was highly probable he could see many things which were not visible to me even after they were pointed out."

"I always felt the force of his [John Stuart Mill's] distrust of "thunderings" after an hour with Carlyle. You walked away from Chelsea stirred to the depths by a torrent of humour. But then it was splendid caricature: words and images infinitely picturesque and satiric, marvellous collocations and antitheses, impassioned railing against all the human and even superhuman elements in our blindly misguided universe. But of direction, of any sign-post or way out, not a trace was to be discovered, any more than a judicial page, or sense of any wisdom in the judicial, is to be found in his greatest pieces of history. After the grand humorist's despair was over, it was a healthy restorative in passing homeward along the Embankment to fling oneself into the arms of any statistician, politician, political economist, sanitary authority, poor-law reformer, prisoner-reformer, drainage enthusiast, or other practical friend of improvement, whom genial accident might throw in one's way."

"When he [Joseph Chamberlain] was busy on temperance and the Gothenburg system, we had one of our talks with Carlyle. The sage told him that he rejoiced that this mighty reform was being attempted; then all at once he took fire at thought of compensation for the dispossessed publican, and burst into full blaze at its iniquity. Fiercely smiting the arms of his chair, with strong voice and flashing eye, he summoned an imaginary publican before him. "Compensation!" he cried, "you dare come to me for compensation! I'll tell you where to go for compensation! Go to your father the devil, let him compensate you"."

"When Froude took Lord Wolseley to see Carlyle, the sage bade the laurelled commander lock the doors of the parliamentary palaver, and walk off with the key."

"Perhaps I owe more to Thomas Carlyle than to any other writer. The philosophy of the "Sage of Chelsea" always appealed to me from the time I first opened Heroes and Hero Worship. Sartor Resartus is, I think, the book I would save from my library if my house was on fire and I could only escape with one book."

"In the mid-nineteenth century and after, the fear of social disintegration was mostly a conservative concern. After the turbulent 1840s in England, the Victorian polemicist Thomas Carlyle worried about what force would discipline “the masses, full of beer and nonsense” as more and more of them received the right to vote. Carlyle’s remedy was a militarized welfare dictatorship, administered not by the existing ruling class but by a new elite composed of selfless captains of industry and other natural heroes of the order of Oliver Cromwell and Frederick the Great. The Nazis later claimed Carlyle as a forerunner."

"Carlyle, unquestionably, was the strongest moral force in the English literature of the nineteenth century... He laughed to scorn the pretensions of scientific materialism to undermine man's faith in the unseen; he heaped obloquy on the much vaunted science of political economy; he championed the spiritual against the material, demanded respect for justice and for the moral law and insisted on the supreme need of reverence—reverence, as Goethe had taught him, not merely for what is above us, but, also, for what is on the earth, beside us and beneath us."

"He saw human life and earthly happenings against a vast background of mystic spiritualism, of eternities and immensities; he was an individualist, to whom the development of the race depends on great personal virtues, on heroic abnegation and self-sacrificing activity. His rugged independence made it difficult for his contemporaries to 'place' him; he resolutely refused to be labelled, or to be identified with any specific intellectual, literary or political creed."

"If you want one great name in English literature that sums up all that England does not stand for, a bitter spirit, sour, an extravagant, a worshipper of force and of the führerprinzip, it can be said in one name: Carlyle."

"In the first place that appalling style, with its repetitiveness, its overemphasis, its perpetual note of adjuration, its shrillness and exaggeration, with no soft tones at all, the trumpets always braying and that rather discordantly: it makes him almost impossible to read... Yet for all his defects Carlyle was unmistakably a man of genius. He was that very unattractive kind of genius, a prophet. All prophets are misfits; and that throws a flood of light on the source and conditioning of their "message"."

"Carlyle appealed to the conscience and political interest of the rulers; Marx and Engels did their best to organise the workers to push themselves. (They must have been wonderfully disillusioned after a lifetime of entertaining such hopes of them.) Carlyle, with more immediate point, tells the ruling class that since they are in possession of the land, they owe it good governance; and if they did not do their duty, worse consequences would follow. He always had the vision of the French Revolution at the back of his mind."

"Liberty he attached less importance to than economic security: in that a true man of the people. "Liberty, I am told, is a divine thing. Liberty, when it becomes the 'Liberty to die by starvation' is not so divine." It is here that Carlyle links up with the socialist trend of thought in his age."

"Those who still think that Carlyle was in some sense more or less Liberal should read his chapter on Democracy in Past and Present. Most of it is occupied with praise of William the Conqueror, and with a description of the pleasant lives enjoyed by serfs in his day. Then comes a definition of liberty : “ The true liberty of a man , you would say, consisted in his finding out, or being forced to find out, the right path, and to walk thereon"...He passes on to the statement that democracy " means despair of finding any Heroes to govern you, and contented putting up with the want of them." The chapter ends by stating, in eloquent prophetical language, that, when democracy shall have run its full course, the problem that will remain is " that of finding government by your Real-Superiors." Is there one word in all this to which Hitler would not subscribe?"

"Carlyle is surely the greatest figure in our modern literature... Carlyle's enormous personality, his capacity for influencing others for good and ill, have made him the greatest moral and intellectual force of his age. To him we owe the indifference to mere political shibboleths, the lull in party warfare, which is the note of our age. He gave no definite answer to any question, but he gave us the impetus which led others to seek for solutions. His literary influence on Froude and Mill, Mr Ruskin and Mr Lecky, and numbers of others was tremendous. The place which was occupied by Swift in the eighteenth century is held by Carlyle in the nineteenth, and though every line that he has written should cease to be read, he will still be remembered as the greatest of literary figures in an age of great men of letters."

"Carlyle senses the masses, as no other writer has ever done; he expressed their outlook against his own conscious convictions... In the French Revolution there is no fault or weakness at all; it is a book without peer."

"You do not read his books; you experience them, and what you experience in them is the storm of the world. He was a nihilist, a destroyer, despite his doctrine of toil and the heroic virtues. He once found a perfect subject, the French Revolution. That really was the end of a world, and Carlyle wrote of it like a man possessed."

"Carlyle regarded liberty as an aristocratic fad which would be blown away when the people came into their own. Liberty is indeed the touchstone of every man's career. Do you respect the judgements of others as much as your own? Or are you so confident of your own judgement that you would trample that of everyone else under foot? Macaulay gave the answer for liberty, Carlyle for tyranny. The worse cause had the more powerful advocate. All the same, it was the worse cause."

"Goebbels told Schwerin von Krosigk [in April 1945 in the Führerbunker] how he had recently been reading aloud to the Fuehrer, to solace him in his universal discomfiture. He was reading from his favourite book, Carlyle's History of Frederick the Great; and the chapter he was reading described "how the great king himself no longer saw any way out of his difficulties, no longer had any plan; how all his generals and ministers were convinced that his downfall was at hand; how the enemy was already counting Prussia as destroyed; how the future hung dark before him, and in his last letter to his minister, Count Finckenstein, he gave himself one last respite: if there was no change by February 15th, he would give it up and take poison. 'Brave king!' says Carlyle, 'wait yet a little while, and the days of your suffering will be over. Already the sun of your good fortune stands behind the clouds, and soon will rise upon you.' On February 12th the Czarina died; the Miracle of the House of Brandenburg had come to pass." At this touching tale, said Goebbels, "tears stood in the Fuehrer's eyes.""

"Thomas Carlyle supposed that power should be entrusted unconditionally to great men, heroes who were laws to themselves, not responsible to the institutions or prejudices of inferior men. When a nation is so fortunate as to breed a great man (he thought), it should not seek to limit the expression of his greatness; it should be happy to forward his design. This doctrine rang musically in German ears, in a time of gloom and defeat, when Germans despaired of political institutions and their own capacity to use them. It was acceptable to Hitler, whom we have seen listening with egotistical relish to readings from Carlyle's History of Frederick the Great in the Bunker in Berlin. Hitler, like Carlyle, believed in "historical greatness", which to him was more important than the happiness or survival of a people; and he conceived of himself as a great man,—in which he was surely not mistaken; for it is absurd to suggest that one who made such a stir in the world was of ordinary stature. The Germans accepted him as the Messiah for whom they were waiting, and in the hours of his apparent success they sacrificed their political institutions to him; for they believed not in them, but in the man."

"I have read – nay, I have bought! – Carlyle's Latter Day Pamphlets, and look on my eight shillings as very much thrown away. To me, it appears that the grain of sense is so smothered up in a sack of the sheerest trash, that the former is valueless. He does not himself know what he wants. He has one idea – a hatred of spoken and acted falsehood; and on that he harps through the whole eight pamphlets. I look on him as a man who was always in danger of going mad in literature and who has now done so."

"Never had beauty been so forgotten; style was poisoned at the fount of thought by Carlyle, whose sentences were confused disasters like railway accidents, and by Herbert Spencer, who wrote as though he were the offspring of two Times leaders; among novelists only Robert Louis Stevenson loved words..."

"[U]nder no circumstances, and no matter how completely time and events disprove his lurid vaticinations, should the English-speaking world forget this man, nor fail to hold in honor his unsurpass'd conscience, his unique method, and his honest fame. Never were convictions more earnest and genuine. Never was there less of a flunkey or temporizer. Never had political progressivism a foe it could more heartily respect."

"He had already written several articles and essays, and a few of them had appeared in print; but they gave little promise or indication of the power he was afterwards to exhibit."

"The following is from the article on Necker:— "As an author, Necker displays much irregular force of imagination, united with considerable perspicuity and compass of thought; though his speculations are deformed by an undue attachment to certain leading ideas, which, harmonizing with his habits of mind, had acquired an excessive preponderance in the course of his long and uncontroverted meditations. He possessed extensive knowledge, and his works bespeak a philosophical spirit; but their great and characteristic excellence proceeds from that glow of fresh and youthful admiration for everything that is amiable or august in the character of man, which, in Necker's heart, survived all the blighting vicissitudes it had passed through, combining, in a singular union, the fervour of the stripling with the experience of the sage."[A] [Footnote A: "In the earliest authorship of Mr. Carlyle," says Mr. James Russell Lowell, alluding to these papers, "we find some not obscure hints of the future man."

"The translation of "Wilhelm Meister," in 1824,[A] was the first real introduction of Goethe to the reading world of Great Britain. It appeared without the name of the translator, but its merits were too palpable to be overlooked, though some critics objected to the strong infusion of German phraseology which had been imported into the English version. This acquired idiom never left our author, even in his original works, although the "Life of Schiller," written but a few months before, is almost entirely free from the peculiarity."

"It was in the spring of 1837 that Carlyle's first great historical work appeared, "The French Revolution:—Vol. I., The Bastile; Vol. II, The Constitution; Vol. III., The Guillotine." The publication of this book produced a profound impression on the public mind. A history abounding in vivid and graphic descriptions, it was at the same time a gorgeous "prose epic." It is perhaps the most readable of all Carlyle's works, and indeed is one of the most remarkable books of the age. There is no other account of the French Revolution that can be compared with it for intensity of feeling and profoundness of thought."

"Mr. Carlyle delivered the first of a course of lectures on German Literature, at Willis's Rooms, on Tuesday, to a very crowded and yet a select audience of both sexes. Mr. Carlyle may be deficient in the mere mechanism of oratory; but this minor defect is far more than counterbalanced by his perfect mastery of his subject, the originality of his manner, the perspicuity of his language, his simple but genuine eloquence, and his vigorous grasp of a large and difficult question. No person of taste or judgment could hear him without feeling that the lecturer is a man of genius, deeply imbued with his great argument." "This course of lectures," says a writer already quoted, "was well attended by the fashionables of the West End; and though they saw in his manner something exceedingly awkward, they could not fail to discern in his matter the impress of a mind of great originality and superior gifts."

""A few words will be expected here as to Mr. Carlyle's manner as a lecturer. In so far as his mere manner is concerned, I can scarcely bestow on him a word of commendation. There is something in his manner which, if I may use a rather quaint term, must seem very uncouth to London audiences of the most respectable class, accustomed as they are to the polished deportment[A] which is usually exhibited in Willis's or the Hanover Rooms. When he enters the room, and proceeds to the sort of rostrum whence he delivers his lectures, he is, according to the usual practice in such cases, generally received with applause; but he very rarely takes any more notice of the mark of approbation thus bestowed upon him, than if he were altogether unconscious of it. And the same seeming want of respect for his audience, or, at any rate, the same disregard for what I believe he considers the troublesome forms of politeness, is visible at the commencement of his lecture. Having ascended his desk, he gives a hearty rub to his hands, and plunges at once into his subject. He reads very closely, which, indeed, must be expected, considering the nature of the topics which he undertakes to discuss. He is not prodigal of gesture with his arms or body; but there is something in his eye and countenance which indicates great earnestness of purpose, and the most intense interest in his subject. You can almost fancy, in some of his more enthusiastic and energetic moments, that you see his inmost soul in his face. At times, indeed very often, he so unnaturally distorts his features, as to give to his countenance a very unpleasant expression. On such occasions, you would imagine that he was suddenly seized with some violent paroxysms of pain. He is one of the most ungraceful speakers I have ever heard address a public assemblage of persons. In addition to the awkwardness of his general manner, he 'makes mouths,' which would of themselves be sufficient to mar the agreeableness of his delivery. And his manner of speaking, and the ungracefulness of his gesticulation, are greatly aggravated by his strong Scotch accent. Even to the generality of Scotchmen his pronunciation is harsh in no ordinary degree. Need I say, then, what it must be to an English ear?"

""All Carlyle's talk, that evening, was a defence of mere force,—success the test of right;—if people would not behave well, put collars round their necks;—find a hero, and let them be his slaves. It was very Titanic, and anti-celestial."

""December, 1846.—Accustomed to the infinite wit and exuberant richness of his writings, his talk is still an amazement and a splendour scarcely to be faced with steady eyes. He does not converse;—only harangues. It is the usual misfortune of such marked men,—happily not one invariable or inevitable,—that they cannot allow other minds room to breathe, and show themselves in their atmosphere, and thus miss the refreshment and instruction which the greatest never cease to need from the experience of the humblest. "Carlyle allows no one a chance, but bears down all opposition, not only by his wit and onset of words, resistless in their sharpness as so many bayonets, but by actual physical superiority,—raising his voice, and rushing on his opponent with a torrent of sound. This is not in the least from unwillingness to allow freedom to others. On the contrary, no man would more enjoy a manly resistance to his thought. But it is the impulse of a mind accustomed to follow out its own impulse, as the hawk its prey, and which knows not how to stop in the chase. Carlyle, indeed, is arrogant and overbearing; but in his arrogance there is no littleness,—no self-love. It is the heroic arrogance of some old Scandinavian conqueror;—it is his nature, and the untameable impulse that has given him power to crush the dragons."

"What the Universities have mainly done—what I have found the University did for me, was that it taught me to read in various languages and various sciences, so that I could go into the books that treated of these things, and try anything I wanted to make myself master of gradually, as I found it suit me. Whatever you may think of all that, the clearest and most imperative duty lies on every one of you to be assiduous in your reading; and learn to be good readers, which is, perhaps, a more difficult thing than you imagine. Learn to be discriminative in your reading—to read all kinds of things that you have an interest in, and that you find to be really fit for what you are engaged in."

"O thou who art able to write a Book, which once in the two centuries or oftener there is a man gifted to do, envy not him whom they name City-builder, and inexpressibly pity him whom they name Conqueror or City-burner! Thou too art a Conqueror and Victor; but of the true sort, namely over the Devil: thou too hast built what will outlast all marble and metal, and be a wonder-bringing City of the Mind, a Temple and Seminary and Prophetic Mount, whereto all kindreds of the Earth will pilgrim."

"Great men are the inspired (speaking and acting) texts of that divine Book of Revelations, wherof a chapter is completed from epoch to epoch, and by some named History."

"Love not Pleasure; love God."

""Do the Duty which lies nearest thee," which thou knowest to be a Duty! Thy second Duty will already have become clearer."

"As the Swiss inscription says: Sprechen ist silbern, Schweigen ist golden— "Speech is silvern, Silence is golden"; or, as I might rather express it: speech is of time, silence is of eternity."

"For is not a Symbol ever, to him who has eyes for it, some dimmer or clearer revelation of the God-like?"

"The highest ensign that men ever met and embraced under, the Cross itself, had no meaning save an accidental extrinsic one."

"That there should one Man die ignorant who had capacity for Knowledge, this I call a tragedy."

"Philosophy complains that Custom has hoodwinked us, from the first; that we do everything by Custom, even Believe by it; that our very Axioms, let us boast of Free-thinking as we may, are oftenest simply such Beliefs as we have never heard questioned. Nay, what is Philosophy throughout but a continual battle against Custom; an ever-renewed effort to transcend the sphere of blind Custom, and so become Transcendental?"

"Innumerable are the illusions and legerdemain-tricks of Custom: but of all these, perhaps the cleverest is her knack of persuading us that the Miraculous, by simple repetition, ceases to be Miraculous."

"Ever, as before, does Madness remain a mysterious-terrific, altogether infernal boiling-up of the Nether Chaotic Deep, through this fair-painted Vision of Creation, which swims thereon, which we name the Real."

"But deepest of all illusory Appearances, for hiding Wonder, as for many other ends, are your two grand fundamental world-enveloping Appearances, SPACE and TIME. These, as spun and woven for us from before Birth itself, to clothe our celestial ME for dwelling here, and yet to blind it, — lie all-embracing, as the universal canvas, or warp and woof, whereby all minor Illusions, in this Phantasm Existence, weave and paint themselves. In vain, while here on Earth, shall you endeavor to strip them off; you can, at best, but rend them asunder for moments, and look through."

"Not only was Thebes built by the music of an Orpheus; but without the music of some inspired Orpheus was no city ever built, no work that man glories-in ever done."