Atheists

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April 10, 2026

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April 10, 2026

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"I have spent now more than a quarter of a century of my life in public affairs, and as I grow older I become more and more pessimistic. I started-if the House will forgive me this personal note - my career in public affairs in a small colliery town in South Wales. When I was quite a young boy my father took me down the street and showed me one or two portly and complacent looking gentlemen standing at the shop doors, and, pointing to one, he said, "Very important man. That's Councillor Jackson. He's a very important man in this town." I said, "What's the Council?" "Oh, that's the place that governs the affairs of this town," said my father. "Very important place indeed, and they are very powerful men." When I got older I said to myself, "The place to get to is the council. That's where the power is." So I worked very hard, and, in association with my fellows, when I was about 20 years of age, I got on to the council. I discovered when I got there that the power had been there, but it had just gone. So I made some inquiries, being an earnest student of social affairs, and I learned that the power had slipped down to the county council. That was as where it was, and where it had gone to. So I worked very hard again, and I got there-and it had gone from there too. Then I found out that it had come up here. So I followed it, and sure enough I found that it had been here, but I just saw its coat tails round the corner."

- Aneurin Bevan

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"Kafka is enormously important. Years ago I wrote a Jewish travel guide to Prague and other cities in the region. At the time, I was really into Kafka. It comes out a little in my work now, probably more subconsciously than it did then. Then I was reading all of his Letters to Felice, I was nuts, literally, when I was living in Prague. It’s a cliché, I know. But to this day, everything we say about Kafka’s a cliché, since his writings are seen, with 20/20 hindsight, as a horrifying prediction of what was to come, both with the Holocaust and Soviet tyranny, living in a police state. But in terms of influence, there’s the horror and the grotesquery, the allegory and hyperbole, the elevation of pulpy narrative, the Jewish obsessions, the generational tensions, but also the humor. I mean, Kafka’s stories were also meant to be funny, which is something that is not often appreciated today. Philip Roth called him a “sit-down comic”...Culturally, working in this period of enormous transformation for Jews and in Europe more broadly, I found Kafka a sort of guide to turning history and memory into a narrative, into art that becomes even more compelling than the tradition it replaces. And there are specific things, like authenticity. Kafka was obsessed with Galician Jewish refugees in Prague at the beginning of World War I. He considered them to be the embodiment of authenticity. And in his diaries, he writes about them. He talks about how if he could be anybody in the world, he’d just want to be this little Jewish boy he remembered seeing, seemingly free of worry. He idealized them as true Jews, essentially. And that definitely stuck with me, because I’ve done similar things. I’m not proud of that, but we’re always trying to deprogram ourselves from what we have learned as authenticity when we were young."

- Franz Kafka

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"Kafka was a Jew in his heart and soul. He learned Hebrew and Yiddish. He attended a beit midrash in Frankfurt and he wanted to settle in Palestine. He had lots of women, but most of them were Jewish. I don't mean that he proclaimed his Jewishness every morning, but that he was connected with Jewishness in every sense of the word. For example, the pounding at the castle — the desire to enter and understand this mystery — is a very Jewish longing. For good reason, authors such as his colleague Max Brod tried to find kabbalistic meaning in his works. Consider, for example, his two greatest works, The Trial and The Castle. He felt that he was a defendant who had done no wrong. A man is sitting at home or in a pension, looking forward to breakfast, and suddenly someone comes in and says, “You're under arrest! You are accused!” for no reason and no purpose. That's the classic Jewish situation, manifested most acutely during the Holocaust. It was a situation of total guilt with no sin. People were accused, taken from their homes, shut up in ghettos, led to railroad stations and from there to extermination camps — not because they had done anything wrong but because Jewish blood flowed in their veins. Kafka illustrated the absurdity of Jewish life in Europe even before the Holocaust. In this sense Kafka grasped the lowly position Jews held in European civilization...Kafka performed a psychic analysis of the defendant. Although he refrained from mentioning the Jew explicitly in order to give this absurd situation a much broader meaning, this, in essence, is Jewish psychology. A Jewish fate, if you will. Interestingly, this analysis led him indirectly to Zionism, and he even wanted to settle in Palestine."

- Franz Kafka

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