First Quote Added
April 10, 2026
Latest Quote Added
"A man who belongs to some communist or revolutionary society wills certain concrete ends, which imply the will to freedom, and that freedom is willed in community. We will freedom for freedom's sake, and in and through the particular circumstances. And in thus willing freedom, we discover that it depends entirely upon the freedom of others and that the freedom of others depends upon our own."
"He was free, free in every way, free to behave like a fool or a machine, free to accept, free to refuse, free to equivocate; to marry, to give up the game, to drag this death weight about with him for years to come. He could do what he liked, no one had the right to advise him, there would be for him no Good or Evil unless he thought them into being."
"He yawned. He had finished the day and he had also finished with his youth. Various well-bred moralities had already discreetly offered him their services: disillusioned epicureanism, smiling tolerance, resignation, common sense stoicism - all the aids whereby a man may savour, minute by minute, like a connoisseur, the failure of a life."
"What then did you expect when you unbound the gag that muted those black mouths? That they would chant your praises? Did you think that when those heads that our fathers had forcibly bowed down to the ground were raised again, you would find adoration in their eyes?"
"Every age has its own poetry; in every age the circumstances of history choose a nation, a race, a class to take up the torch by creating situations that can be expressed or transcended only through poetry."
"Fascism is not defined by the number of its victims, but by the way it kills them."
"Our responsibility is much greater than we might have supposed, because it involves all mankind."
"To choose this or that is to affirm at the same time the value of what we choose, because we can never choose evil. We always choose the good, and nothing can be good for us without being good for all."
"If literature isn't everything, it's not worth a single hour of someone's trouble."
"We are dealing here with a kind of worker aristocracy; around them would gravitate the people who were to be helped and raised up but who, for the moment, really were inferiors within the context of the working class itself. This translated into the choice of a particular form of unionization. When the time came to raise the issue of forming industrial unions, the skilled workers opted for craft-based organization, because that would exclude the unskilled. Objectively, this gave rise to a particular kind of union struggle that was real enough at the time, because in practice it was enough for the skilled workforce in a factory—the minority—to go on strike for operations to cease, even if the unskilled majority wanted to go on working. The union practice of the time, the kind of self-valuing, the type of struggle and form of organization, corresponded strictly to what those workers were, to what the machine was. We are not saying here that they were wrong or right: they were all that the universal lathe allowed them to be. It was in them, as their superiority; they interiorized it, and this interiorization, or subjectivation, produced the whole phenomenon of anarcho-syndicalism. This was not, as Lukács claims, because they did not grasp the totality of what the working class was and what its struggle was. On the contrary, because they were at the centre of production, they did grasp it as it was at that time. It is true that at that time they were far better qualified than the rest, but it is also true that this led to the development of yellow unions, an aristocracy of labour and a host of fairly aberrant secondary elements reflecting that conception, that interiorization in the form of social superiority, which disappeared wherever work that required training was replaced by semi-automated, then automated machines. But in that epoch they could not have been expected to foresee the existence of such machines, practically and in their struggle. Of course Marx described them in Capital, but he was a theorist, a leader of the International, not a worker who struggles at every instance of his life, someone who is formed by the machine and at the same time internally transforms it. Which means that class consciousness itself has its limits, which are the limits of the situation as long as that situation has not been completely revealed. Should this lead us to describe this type of 'class consciousness' as empty? Should we decide that the anarcho-syndicalists were not the men required? On the contrary, it is because they were aware of their strength, their courage and their worth, because they established unions and specific forms of struggle, that other forms of struggle could emerge in the era when specialized workers appeared. In the course of struggle, the subjective moment, as a way of being inside the objective moment, is absolutely indispensable to the dialectical development of social life and the historical process."
"A writer who takes political, social or literary positions must act only with the means that are his. These means are the written words."
"What I see is teeming cohesion, contained dispersal.... For him, to sculpt is to take the fat off space."
"She believed in nothing; only her skepticism kept her from being an atheist."
"I hate victims who respect their executioners."
"You know how much I admire Che Guevara. In fact, I believe that the man was not only an intellectual but also the most complete human being of our age: as a fighter and as a man, as a theoretician who was able to further the cause of revolution by drawing his theories from his personal experience in battle."
"When you live alone you no longer know what it is to tell a story: the plausible disappears at the same time as the friends. You let events flow by too: you suddenly see people appear who speak and then go away; you plunge into stories of which you can't make head or tail: you'd make a terrible witness."
"People who live in society have learned how to see themselves in mirrors as they appear to their friends. I have no friends. Is that why my flesh is so naked?"
"I think they do it to pass the time, nothing more. But time is too large, it can't be filled up. Everything you plunge into it is stretched and disintegrates."
"As for the square at Meknes, where I used to go every day, it's even simpler: I do not see it at all anymore. All that remains is the vague feeling that it was charming, and these five words that are indivisibly bound together: a charming square at Meknes. ... I don't see anything any more: I can search the past in vain, I can only find these scraps of images and I am not sure what they represent, whether they are memories or just fiction."
"And we feel that the hero has lived all the details of this night like annunciations, promises, or even that he lived only those that were promises, blind and deaf to all that did not herald adventure. We forget that the future was not yet there; the man was walking in the night without forethought, a night which offered him a choice of dull rich prizes, and he did not make his choice."
"I exist. It is soft, so soft, so slow. And light: it seems as though it suspends in the air. It moves."
"Three o'clock is always too late or too early for anything you want to do."
"Ma pensée, c'est moi: voilà pourquoi je ne peux pas m'arrêter. J'existe parce que je pense ... et je ne peux pas m'empêcher de penser."
"Monsieur ... I do not believe in God; his existence has been disproved by Science. But in the concentration camp, I learned to believe in men."
"I wanted for the moments in my life to follow each other and order themselves like those of a life remembered. It would be just as well to try to catch time by the tail."
"As if there could be true stories: things happen in one way, and we retell them in the opposite way."
"I construct my memories with my present. I am lost, abandoned in the present. I try in vain to rejoin the past: I cannot escape."
"The real nature of the present revealed itself: it was what exists, all that was not present did not exist."
"The past is the luxury of proprietors."
"Who can exhaust a man? Who knows a man's resources?"
"For an occurrence to become an adventure, it is necessary and sufficient for one to recount it."
"For the moment, the jazz is playing; there is no melody, just notes, a myriad of tiny tremors. The notes know no rest, an inflexible order gives birth to them then destroys them, without ever leaving them the chance to recuperate and exist for themselves.... I would like to hold them back, but I know that, if I succeeded in stopping one, there would only remain in my hand a corrupt and languishing sound. I must accept their death; I must even want that death: I know of few more bitter or intense impressions."
"All that I know about my life, it seems, I have learned in books."
"Absurd, irreducible; nothing — not even a profound and secret delirium of nature — could explain it. Obviously I did not know everything, I had not seen the seeds sprout, or the tree grow. But faced with this great wrinkled paw, neither ignorance nor knowledge was important: the world of explanations and reasons is not the world of existence. A circle is not absurd, it is clearly explained by the rotation of a straight segment around one of its extremities. But neither does a circle exist. This root, on the other hand, existed in such a way that I could not explain it."
"How can I, who was not able to retain my own past, hope to save that of another?"
"I exist, that is all, and I find it nauseating."
"I know. I know that I shall never again meet anything or anybody who will inspire me with passion. You know, it's quite a job starting to love somebody. You have to have energy, generosity, blindness. There is even a moment, in the very beginning, when you have to jump across a precipice: if you think about it you don't do it. I know I'll never jump again."
"I grasp at each second, trying to suck it dry: nothing happens which I do not seize, which I do not fix forever in myself, nothing, neither the fugitive tenderness of those lovely eyes, nor the noises of the street, nor the false dawn of early morning: and even so the minute passes and I do not hold it back, I like to see it pass."
"By turning my head slightly, I could see something out of the corner of my eye: it was a hand, the small white hand which slid along the table a little while ago. Now it was resting on its back, relaxed, soft and sensual, it had the indolent nudity of a woman sunning herself after bathing. A brown hairy object approached it, hesitant. It was a thick finger, yellowed by tobacco; inside this hand it had all the grossness of a male sex organ. It stopped for an instant, rigid, pointing at the fragile palm, then suddenly, it timidly began to stroke it. I was not surprised, I was only furious at the Self-Taught Man (L'Autodidacte); couldn't he hold himself back, the fool, didn't he realize the risk he was running? The Self-Taught Man did not look surprised. He must have been expecting this for years. He must have imagined what would happen a hundred times, the day the Corsican would slip up behind him and a furious voice would resound suddenly in his ears. Yet he came back every evening, he feverishly pursued his reading and then, from time to time, like a thief, stroked a white hand or perhaps the leg of a small boy. It was resignation that I read on his face."
"Tout existant naît sans raison, se prolonge par faiblesse et meurt par rencontre."
"If, for example, we consider destruction, we must recognize that it is an activity which doubtless could utilize judgment as an instrument but which can not be defined as uniquely or even primarily judicative. Destruction presents the same structure as "the question." In a sense, certainly, man is the only being by whom a destruction can be accomplished. A geological plication, a storm do not destroy - or at least they do not destroy directly; they merely modify the distribution of masses of beings. There is no less after the storm than before. There is something else. Even this expression is improper, for to posit otherness there must be a witness who can retain the past in some manner and compare it to the present in the form of no longer. In the absence of this witness, there is being before as after the storm that is all. If a cyclone can bring about the death of certain living beings, this death will be destruction only if it is experienced as such. In order for destruction to exist, there must be first a relation of man to being - i.e., a transcendence; and within the limits of this relation, it is necessary that man apprehend one being as destructible. This supposes a limiting cutting into being by a being, which, as we saw in connection with truth, is already a process of nihilation. The being under consideration is that and outside of that nothing. The gunner who has been assigned an objective carefully points his gun in a certain direction excluding all others. But even this would still be nothing unless the being of the gunner's objective is revealed as fragile. And what is fragility if not a certain probability of non - being for a given being under determined circumstances. A being is fragile if it carries in its being a definite possibility of non - being. But once again it is through man that fragility comes into being, for the individualizing limitation which we mentioned earlier is the condition of fragility; one being is fragile and not all being, for the latter is beyond all possible destruction. Thus the relation of individualizing limitation which man enters into with one being on the original basis of his relation to being causes fragility to enter into this being as the appearance of a permanent possibility of non - being. But this is not all."
"Nothingness haunts being."
"Generosity is nothing else than a craze to possess. All which I abandon, all which I give, I enjoy in a higher manner through the fact that I give it away.... To give is to enjoy possessively the object which one gives."
"I am responsible for everything ... except for my very responsibility, for I am not the foundation of my being. Therefore everything takes place as if I were compelled to be responsible. I am abandoned in the world ... in the sense that I find myself suddenly alone and without help, engaged in a world for which I bear the whole responsibility without being able, whatever I do, to tear myself away from this responsibility for an instant."
"To eat is to appropriate by destruction."
"In order to make myself recognized by the Other, I must risk my own life. To risk one's life, in fact, is to reveal oneself as not-bound to the objective form or to any determined existence — as not-bound to life."
"L'existence précède et commande l'essence."
"Je suis condamné à être libre."
"L'homme est une passion inutile."
"Imagination is not an empirical or superadded power of consciousness, it is the whole of consciousness as it realizes its freedom."