Anglicans From The United States

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April 10, 2026

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April 10, 2026

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"He was called a good fellow, — only a little lumpish, — and as he was brave and faithful, he rose in time to be a shipmaster. But when came the business of making money, the aptitude for accumulating, George found himself distanced by many a one with not half his general powers. What shall a man do with a sublime tier of moral faculties, when the most profitable business out of his port is the slave-trade? So it was in Newport in those days. George's first voyage was on a slaver, and he wished himself dead many a time before it was over, — and ever after would talk like a man beside himself, if the subject was named. He declared that the gold made in it was distilled from human blood, from mothers' tears, from the agonies and dying groans of gasping, suffocating men and women, and that it would sear and blister the soul of him that touched it; in short, he talked as whole-souled, unpractical fellows are apt to talk about what respectable people sometimes do. Nobody had ever instructed him that a slaveship, with a procession of expectant sharks in its wake, is a missionary institution, by which closely. packed heathens are brought over to enjoy the light of the Gospel. So, though George was acknowledged to be a good fellow, and honest as the noon-mark on the kitchen floor, he let slip so many chances of making money as seriously to compromise his reputation among thriving folks. He was wastefully generous — insisted on treating every poor dog that came in his way, in any foreign port, as a brother — absolutely refused to be party in cheating or deceiving the heathen on any shore, or in skin of any color — and also took pains, as far as in him lay, to spoil any bargains which any of his subordinates founded on the ignorance or weakness of his fellow-men. So he made voyage after voyage, and gained only his wages and the reputation among his employers of an incorruptibly honest fellow."

- Harriet Beecher Stowe

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"Uncle Tom's Cabin is a very bad novel, having, in its self-righteous, virtuous sentimentality, much in common with Little Women. Sentimentality, the ostentatious parading of excessive and spurious emotion, is the mark of dishonesty, the inability to feel; the wet eyes of the sentimentalist betray his aversion to experience, his fear of life, his arid heart and it is always, therefore, the signal of secret and violent inhumanity, the mask of cruelty. Uncle Tom's Cabin-like its multitudinous, hard-boiled descendants-is a catalogue of violence. This is explained by the nature of Mrs. Stowe's subject matter, her laudable determination to flinch from nothing in presenting the complete picture; an explanation which falters only if we pause to ask whether or not her picture is indeed complete; and what constriction or failure of perception forced her to so depend on the description of brutality-unmotivated, senseless-and to leave unanswered and unnoticed the only important question: what it was, after all, that moved her people to such deeds. But this, let us say, was beyond Mrs. Stowe's powers; she was not so much a novelist as an impassioned pamphleteer; her book was not intended to do anything more than prove that slavery was wrong; was, in fact, perfectly horrible. This makes material for a pamphlet but it is hardly enough for a novel; and the only question left to ask is why we are bound still within the same constriction. How is it that we are so loath to make a further journey than that made by Mrs. Stowe, to discover and reveal something a little closer to the truth?...Bigger (from Native Son by Richard Wright) is Uncle Tom's descendant, flesh of his flesh, so exactly opposite a portrait that, when the books are placed together, it seems that the contemporary Negro novelist and the dead New England woman are locked together in a deadly, timeless battle; the one uttering merciless exhortations, the other shouting curses."

- Harriet Beecher Stowe

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