"The big thing about the story is that it's a sequel to a big event in the history of DC comics - the death of Robin that happened back in the 1980s - and I didn't see how we could set that up, because it all hinges on being a sequel to that story. Furthermore, the way the pitch was arranged, we were in a room in Burbank and Judd was in San Francisco and had to pitch over the speakerphone. But amazingly, every single problem I thought we'd have trouble making into a movie, Judd had fixed in the pitch. Judd had already clearly put a lot of thought into the entire film - how to stay focused on the main story, how to clean up the death of Robin thing, and how to eliminate all the extra baggage. He pitched for about 45 minutes and when he was done, Alan and I looked at each other and said, "Yeah, that's a movie. Let's do it." And away we meant."

"Seeing that this was going to be our first full-length Batman movie in the DC Universe line, we thought we really needed to have a strong story that wasn't just another adventure story or a caper that Batman foils. We wanted it to be something that truly needed to be told in a PG-13 venue that had a fair amount of, for lack of a better term, adult content that you couldn't normally do on television. And this story is loaded with it. It's also a personal story to Batman - it does have an adventure plot and a crime plot, but the emotional arc of the story is rooted in Batman's messed up history with family relations. And especially in our animated universe, Batman always had a kind of dysfunctional family dynamic going on. He's famously an orphan, he's got Alfred as his surrogate mother/father, he's always bringing in surrogate sons to mentor, and it always kind of goes badly."

"In Batman: Under the Red Hood, Batman faces his ultimate challenge as the mysterious Red Hood takes Gotham City by firestorm. One part vigilante, one part criminal kingpin, Red Hood begins cleaning up Gotham with the efficiency of Batman, but without following the same ethical code. Killing is an option. And when The Joker falls in the balance between the two, hard truths are revealed and old wounds are reopened."

"“Judd Winick’s and Doug Mahnke’s story of a Robin gone wrong introduced Batman’s most personal enemy to date. It’s unbelievably cool to see it brought to life like this,” said Geoff Johns, Chief Creative Officer of DC Entertainment."

"“This is absolutely a Batman story,” he emphasises. “It’s about Batman facing his greatest fear, and it’s a fear he was unaware of: failure. All Batman is trying to do is win a war. All he’s trying to do is right wrongs, beginning with the death of his parents and followed by another seminal event in his life, the loss of his partner, Jason Todd [who replaced Dick Grayson as his sidekick, Robin]. It was a major mistake in his life, bringing another kid into this war. So for Batman, it seems like one horrible mistake after another.”"

"Bruce Greenwood as Bruce Wayne/Batman"

"Jensen Ackles as Jason Todd/Red Hood"

"John DiMaggio as The Joker"

"Neil Patrick Harris as Dick Grayson/Nightwing"

"Jason Isaacs as Ra's al Ghul"