Actresses From The United States

"To those who have lost their mothers, to those who have lost their children, to those who have always wanted to be mothers but couldn’t, to those who are surrogate mothers to the people around them, I see you and I send you all love"

"Sometimes when you play the same character for years, it’s hard to stretch, so this was fantastic."

"When we’re tested, we find we have the ability to be resilient, and with faith we can survive and thrive"

"I'm eternally grateful for the Irish side of me. That's where I got my sense of comedy and whimsy. As for the English half — that's my reserved side ... But put me onstage, and the Irish comes out. The combination makes a good mix for acting."

"I was a wife and a mother, and I was completely fulfilled. But my husband recognised the signals in me which said "I've been doing enough gardening, I've cooked enough good dinners, I've sat around the house and mooned about what more interior decoration I can get my fingers into." It's a curious thing with actors and actresses, but suddenly the alarm goes off. My husband is a very sensitive person to my moods and he recognised the fact that I had to get on with something. Mame came along out of the blue just at this time. Now isn't that a miracle?"

"I went very fast in drama school and ended up working in one of the senior plays. Even just in my first year, I was assigned a role of a lady in waiting in Mary Of Scotland. So they obviously knew that this young person had something. She had a talent. And I sort of felt that, although I didn't get big-headed about it, but I felt it — gave me tremendous confidence."

"When I first started Murder, She Wrote, I thought it would last maybe two, three years, you know, or maybe a year if we were lucky. But when it extended and I realized the deep inroads it had made into family life in America, I couldn't stop. So I was sort of trapped — happily trapped — for 12 years with it. And I'm still playing Jessica from time to time and loving it. I wouldn't want to let go of that lady. … She was the sort of woman I like, and therefore, I enjoyed playing her. And being Jessica was second nature to me because she embodied all of the qualities that I like about women. She was valiant and liberal and athletic and exciting and sexy and all kinds of good stuff that women are of a certain age and are not given credit for. So to be able to play that gave me tremendous sort of pleasure, and I'm so glad I've done it."

"My first role was to play Audrey in As You Like It, which is a very comic part. And Touchstone and Audrey have a very funny scene together. And during that scene, I suddenly got this - the feel and the smell of being able to make an effect by the way I played the role, the way I comported myself. All of the physical aspects of acting suddenly came to me. And I got a laugh, you know, the first time I did it. Well, this was a tremendous kind of boost to my self-esteem."

"I was never going to get to play the girl next door. And I was never going to be groomed to be a glamorous movie star. And I sort of realized that. So I had to make my — make peace with myself on that score."

"I'd like to be remembered as somebody who entertained — who took one out of oneself — for a few minutes, a few hours — transported you into a different venue — gave you relief, gave you entertainment, and gave you joy and laughter, and tears — all those things. I would like to be remembered as somebody who was — capable of doing that."

"What I experienced at drama school was the fun and the excitement of being given a part. And when you're a student and you are given a role, something is assigned to you. And you're going to do a little scene at the end of the term. That's absolutely the most thrilling thing in the world. So you're doing it, in other words."

"Any actress will tell you that evil roles to play are the best. You can go to town, you know? And in that instance, I think that woman had so many layers and so many personas in a sense, she was riveting and so interesting to play. I relish the — having had that opportunity to play that role because I don't think there are many written like that. I consider that she was the Lear among, you know, movie women."

"The only, let's say, the comfort I took was — and even then, I kind of leant on it — was the fact that I knew that I was an actress and that I could play different roles because I was continuously being offered extraordinary stretches, shall we say, as an actress, to play parts which were way out of my range. However, I would do it. And I managed to just skin by by the skin of my teeth, you know, playing roles where I was much older than I actually was, playing Walter Pidgeon's wife in "If Winter Comes," you know?"

"Even while filming we knew how important it was that we get this opportunity to showcase our culture and our uniqueness, but also, as human beings, our stories, our emotions, and, at the end of the day, our humanity."

"When I worked in Asia for a long time, I just felt like I needed a break. I needed to relearn everything about myself and unlearn a lot of things."

"When I was a teenager in Georgia, I always felt like the odd one. I never felt like I fit in. My dad and I would go to Blockbuster and look for Asian films and we could never find any. If we saw a Jackie Chan movie, we would watch that because it was so comforting to see a face similar to ours."

"I’m incredibly close to my family and I think family is such an important thing, in Asian culture especially. This really spoke to me personally, but hopefully the audience will resonate with that as well. Not only Asian audiences, but also audiences from all over the world, everyone and anything can relate to the unconditional love that you share among a family and between family members. No family is perfect. We all have our differences, misunderstandings, and ups and downs. I hope people can see that we are who we are because of our family and because of our ancestry, and respect that."

"I’m not physically a super expressive person. I think I’m pretty put-together."

"I learned so much about myself that I didn't know prior. You're just constantly outputting, and giving all you know so you don't have time to look inside of yourself and to really reflect. The four years at drama school really gave me that time and space. I got to know myself much better, I think as not only as an actor, but as a person. I was reassured about my passion for acting. I was more confident coming out of drama school."

"All I ever wanted in my life as an actor was a safe, exploratory environment to just play and act, without being worried about if it’s going to turn out alright on camera, what the box office is going to be, what is the press going to say, what’s the review going to be like. Acting in its purest form."

"America has taken small baby steps of progress towards having more inclusion and diversity in Hollywood. It's optimistic. I'm hopeful, but there is so much more work that needs to be done."

"In China, literally in elementary school, we have to sit a certain way. You can't raise your hand anytime, you can’t speak in class. So, it takes a lot of courage and experimenting to kind of try to break that."

"It was important not only to me personally, but also for all of us who were involved, that it sets an example of Asian excellence for a more prominent presence in Hollywood, and also globally."

"I wanted to break boundaries for myself as an actor, where it's not to tell the story and do a good job, but to go to another level where I feel free."

"You work nose to the grindstone to get your foot in the door and establish yourself in this industry, but there’s never a guarantee–never an absolute certainty that your efforts will be rewarded in the way you envision. But, I do believe that so long as you’ve got the work ethic and tenacity, you’ll at least be ready when the opportunity arrives."

"I think it's so important for really young Asians growing up in America to have those positive images of themselves."

"In the US, my makeup artist was an elderly lady. She would put on my eyeliner using reading glasses. It’s something unimaginable in Korea."

"There have been times when casting directors were talking loudly on the phone right outside the room where I was auditioning. I didn’t know what to do."

"At the same time, I think something like Lost is bringing something very different to the table, and I'm really proud to be a part of the first time in American television when they took the chance of writing Korean characters in to begin with -- but to have them speak Korean for thirty minutes in a one-hour show and have it subtitled? I think that was pretty gutsy of them. And it was received well; it wasn't like we dropped out of the ratings. People loved it, and this was the first time in American television, and hopefully this will bring a lot more different ethnic backgrounds to mass media like television or film -- because that's what America is all about, isn't it? It's like a mixed pot."

"Again, I said it before, but I’m always surrounded by amazing female friends and they’re the ones who are with me and kind of slap me around when I’m doing something wrong. And to do a show about all these characters I can relate, sympathize and really care about, it’s great. I mean, I see my friends in all of the characters, all of the female characters, which is really nice."

"I think it was the only way to wrap the show up. I mean, I know that not everyone was thrilled about it – some people were really angry about the ending. It just shows you how much people put in their time and their passion for the show. You know a show like Lost is not going to [be like] every other show that I do – it’s a rare experience and I treasure it."

"I think flashbacks are important. I mean, each episode - that's what I love about watching Lost is every episode, you have your new favorite character. We take turns and that's where we get to look a little different, show different sides to that character. It's like peeling an onion. So I find flashbacks really useful, really crucial to the show. I hope that doesn't ever go away."

"Whenever I meet someone new, I always extend a hand and say, 'Hi I'm Lana Condor... Condor like the ugly endangered bird.' I like to see how people react to that and if they laugh and, indeed, know what a condor is... chances are we're going to get along just fine!"

"I wanted to go to college to be a journalist and follow in my dad's work. And then I became an actor."

"When I was a kid, I honestly never thought about race. I didn't see differences."

"When you do action stuff and sci-fi stuff, you have a lot to hide behind - the hair and the makeup and the special effects. But when you play a normal girl, it's challenging because you have to trust yourself."

"What if the Internet breaks tomorrow? Then you'd realize that you're a human being, and you're not validated by what other people think of you - it's how you think of yourself."

"I truly believe the reason why there is a demand for rom-coms is because humans, whether its conscious or subconscious, have a need to feel happy and to see love."

"There's a misconception that I can't relate to the quote-unquote 'Asian-American experience' because I didn't grow up with an Asian mom and dad. And that's just not true. I am Asian American, and so playing a girl who is half Korean, half white, but her white dad tried really hard to connect with her mom's heritage - that's very familiar to me."

"My parents would dress us up in traditional Vietnamese clothing to go to school for heritage day. We have a Vietnamese nanny that my parents wanted us to have so we could stay in touch and know where we came from."

"A lot challenges me! Not psyching myself out, not doubting myself, not comparing myself to others... all of that challenges me. But inevitably, challenges are put into our lives so that we may grow and become the best version of who we are meant to be."

"I love educating myself on different cultures' dishes and foods that are important and celebrated within that culture. I also think food brings people together. It's unifying!"

"No one writes each other letters anymore, but I think there's something so special about receiving a really heartfelt letter, still."

"When you're the only woman of color, and you walk into a room of people who don't look like you, most of them with blond hair and blue eyes, it's disheartening. The weirdest part is that I walk in and assume they think I'm auditioning to play a different role than them, but I'm going out for their same role."

"She was everything that I imagined her to be when I was a young girl growing up, idolizing her, she's elegant, and beautiful, and just incredibly generous."

"People always criticize. If they want to, they will find something to criticize. Hey, we all criticize. You like a film or you don’t. It’s up to you. You can’t stop that anyway. That’s part of human nature"

"It’s really thrilling to teach somebody all the different things I’ve learned in the past and that I can cull from my own experiences. I’m fortunate to be able to do what I wanted to do most of my life."

"I had a good experience overall. There were a couple of famous Hollywood people who tried to take advantage of me – I’m not mentioning any names! I was around 16 and I knew it was wrong, so I stood up for myself."

"When you get to do a one-shot, the whole world is open to you. It’s almost harder to decide what story to tell when you have the freedom to do anything you want!"

"For me, the story always comes from character whether they're ponies or robots or aliens."