Actors From The United States

"I had to find a way to drop my spirit and allow myself to be more observant of other people. So in the first years of Breaking Bad, I liked to do the method routine because it kept people away from me. No one wanted to come and say hello or chat about the weather. I’m not that chatty guy on set. I’m not the joker. Now after 12 years of playing the character, I can allow myself to be a bit looser."

"I love parts of the story that reflect our innocence and then guide us to understanding. From seeing when we become hardened and non-innocent, how sweet those moments were and from whence we came."

"In life, we experience relationships sometimes as being traumatic, especially when outside events affect our parents. When they make decisions that we hold them responsible for –– that affect our lives, not knowing all of the reasons they made those decisions for their life –– [it] creates a little bit of [a] gap and a little bit of a traumatic experience."

"I've had some success in bringing some humanity to some of the villains that I played because I want to show that people are human and they do make mistakes and they do have the light and dark sides of themselves, and I had an idea that if we saw some of that we might be able to get wrapped around that in a way that we weren't able to before."

"I look at things to uplift me and to enthuse me; I don’t look at things to pay the bills and help me just survive. While some may be terrified of the characters he’s played, the actor views his antagonists in a different light. What I feel with each character is an excitement and enthusiasm, a deep commitment and vulnerability to allow them to speak to me."

"As children, we think that everything that’s done by our parents is done because of us, and sometimes that’s not very true. Sometimes things can never be right, but they can be understood in a different way if we’re able to listen to each other and do that vulnerable dance that’s required of us."

"As a director, I always look for projects that are uplifting and change the way we think about the world we live in, so those films aren’t always mainstream. I’m looking to do something that encompasses a man who’s trying to find himself, but it’s an action film. He’s struggling with something he’s done in his past and he’s moving through it in a way that puts him in a position where he becomes a stranger in a strange land. I want to tackle that."

"I’m acting but not acting because I’m in such a place where, as an actor, all I have to do is listen. Whether it be your voice, who I’m talking to, or whether it be the voice inside me — and maybe that’s the key that I’ve never, ever talked about."

"These are the things I look for because I’m more seasoned than I was years ago. Directing is not about me. As an actor, God, it becomes all about me, and I don’t want it to be about me anymore. I’ve had enough of me."

"When you are able to let your expectation of what might be go and listen to what is proposed, then you can create a new vision for yourself and see yourself walking in those shoes again."

"I mean for me to play desire, to play the desire not to be lonely is one thing, to play the desire to allow someone to know me. Right. So I relate to that in my life. Because people know me in my life as Gus Fring or Moff Gideon or Stan Edgar or a plethora of other characters. And so who really knows me? And do I want them to know me? Right. It depends on who that is. Right. So I used to want fans to know me, but now they know me through a variety of different characters. So then I have to ask myself, what is the reveal for me? And it’s the same for Gus. In that moment I’m thinking, oh, I desire to be known. For me I know I desire to be loved, I desire to be admired. I desire to be held. Thank goodness I have children who I can, I have daughters who I become more and more real, the more mature I get because I’m able to ask, I tell them, ask for what you want, but do I tell myself to ask for what I want?"

"The words are important, but the intention is of even greater importance. My job is to interpret that. As an actor, I’m an interpreter and a channeler. As a director, I’m able to interpret and then channel something original, infuse it with an original energy that extends and tells the story even more clearly."

"You can't just cast off someone when you realise, oh, there's something inside that person that is a hint of something good," Esposito adds. "Why are they doing all this bad and then as TV shows unfold, you sort of get the clue. They were bullied when they were a child. They really seek all power, all of these things. So I found a niche and finding a way to bring some humanity in some ways to villainous persona."

"I look for a complete script. I look for characters who are inspiring, and who move our imaginations from one place to another. It just so happens that I’ve been asked to play characters in certain projects that have had somewhat of an edge, a darker side, if you will."

"When I walk on a movie set, knowing how difficult it is to get to have this opportunity, I’m always grateful. I didn’t think I would have this amazing second act as an actor in my early 50s, and I hope my story inspires someone to not give up on their dreams."

"I grew up with very traditional Chinese family values. Since I was a little kid, my parents taught me to internalize the emotions that we have instead of projecting them outward. It’s very contradicting to what an actor is. With all these internalized emotions, I just needed to spend a long time with myself and bring all of that out."

"For the longest time, all I wanted was just a job. Just an opportunity to act, to show people what I can do. This movie, ‘Everything Everywhere All at Once,’ has given me so much beyond anything I could have ever asked for."

"When I stepped away, that dream, all the dreams that I had of, you know, imagining one day of walking down the red carpet at the Oscars, those scenes dissipated and they were so distant that I didn't think they would ever come back. And so for me to be here today, to be nominated, it is so surreal. And it goes to show that, you know, if you stick with it, dreams do come true no matter how long it takes."

"As I grew older, I started to wonder if that was it, if that was just luck. For so many years, I was afraid I had nothing more to offer. No matter what I did, I would never surpass what I achieved as a kid."

"I was raised to never forget where I came from and to always remember who gave me my first opportunity."

"My stepping away from acting was not an easy decision to make. I had to be realistic: There were not a lot of opportunities for an Asian actor at that time. I had no choice but to do something else, so I went to film school, graduated, and started working behind the camera."

"This time last year, all I was hoping for was just a job. And just when I think that it can’t get any better, it does. What an incredible honor."

"When I got back into acting, I decided I was going to go back to my birth name – that was really important to me."

"When you have a dream and you kind of bury it because you think it won’t come true, to see it finally come true is incredible."

"There are so many people out there who doubt themselves, who have dreams they’ve given up or didn’t think would ever come true. To those people, I hope my story inspires them."

"I noticed Asian actors were getting more opportunities, and I began to harbour this dream of getting back into acting, but it took a lot of courage to give voice to that dream. One day I decided: if I don’t do this, I will regret it."

"Everything happens for a reason. For the longest time I was so insecure and always felt like I wasn’t good enough. Every time I lost a job to somebody else, I thought: ‘That man deserves the job better than I did.’ Now I understand that everything needed to happen the way it did. Just don’t give up."

"But I think I’ve cried more in the last six months than I cried in the previous 20 years. Hearing all these wonderful comments from people about how much they’ve missed me on the screen and their warm embrace of my return has made me very emotional."

"The irony, like I said, is that I didn't pursue acting when I was a little kid. But as I got older, in my late teens and early 20s, I really took it seriously. That’s what I wanted to do, what I wanted my profession to be. But when I started pursuing it, there were just not a lot of opportunities for me. It was extremely difficult for an Asian actor at that time. In Hollywood, very, very few child actors make smooth and successful transitions into adult acting. It's very difficult for many, but I think it's a hundred times—a thousand times—more difficult when you are an Asian actor. I found myself at a crossroads at a very early age. Do I want to continue down a path where I just didn't see many opportunities for myself? Or do I want to go down a path, an unknown path, where I really don't know what I want to do? And I struggled for a long, long time. And at the same time, I was just hoping that phone would ring with an amazing offer to be in a movie like Indiana Jones or The Goonies, or a great role for an Asian actor, and it never came. I was so dispirited and disheartened."

"I personally believe that education is the key to freedom. Actually, literacy is the key to freedom because you can educate yourself."

"My life was changed forever. My first day as an actor, Cicely Tyson played my mother, Maya Angelou played my grandmother. I was 19, and they embraced me as a peer. They schooled me. They certainly taught me what it meant to be a professional, but they assumed that because I was there I belonged there, and they treated me as such. It was an extraordinary experience for a young person."

"I wouldn’t want to be a young and emerging talent in today’s environment of the 24-hour news cycle and social media and a camera in everyone’s hand. I can’t imagine how much that adds to the burden of the journey."

"I am a huge fan of science fiction! Throughout my life I have marveled at the powerful, even transformative nature of speculative storytelling. The influence science fiction storytelling is having in popular culture right now is amazing to behold, and as a genuine fan of the medium, I truly believe we are in a New Age of speculative fiction. There is a pleasing phenomenon developing in the genre recently: the worthy inclusion of voices of color, which are being paid much overdue attention. Why this is important should be self-evident. However, for those sitting way in the back, consider this: we continually create the world we occupy-in our imaginations first, and only afterwards do we make those visions manifest in this world. So it stands to reason that a healthy society is one that respects and honors the voices of ALL of its components. For too long, the voices and visions for our future have been provided, for the most part, by and from a culturally European (if not Eurocentric) perspective. However, there is change afoot. The works of Octavia E. Butler are becoming mainstream, and names like Nnedi Okorafor and Lesley Nneka Arimah are bringing much needed flavor to the narratives that help shape our future."

"Jaymee Goh, Darcie Little Badger, Indrapramit Das. These are voices that are sorely needed if we are to chart a course for humanity that does not result in the destructive practices of our past. The exploration of space and our eventual close encounters with other intelligent species will require us to leave our "colonizer" mentality behind and embrace an attitude of openness and humility we have to cultivate, let alone master. When a world leader advocates for the creation of a militaristic Space Force to exercise "dominance" in the heavens, we are moving further than ever from Gene Roddenberry's United Federation of Planets. Instead, our exploration into the unknown should cause us to examine who we are as sentient beings, and science fiction as a tool for social change makes for a most welcome companion on our journey."

"“It’s great to finally have representation of our Indigenous people. We don’t look one way; we’re diverse. Having that representation is going to echo out our voices to be heard in spaces that they're usually not heard. I hope that inspires creativity within our community, and also confidence—a sense of confidence to be strong and to hold our head high.”"

"“Our ways as Indigenous people go hand in hand with this land, because we are the land. All of us are the land.”"

"“Long hair to me is a symbol of pride. A pride that has been marketed as shameful by Western belief systems. Back in the day, Indigenous children across the Americas were forced into boarding schools, and the idea was to kill the Indian, save the man. They would cut off our hair and would physically and mentally abuse us to forget our cultural ways and language and to forcefully take on someone else’s. I wear my hair long to honor my ancestors and the sacrifice they made, because they didn’t have a choice. I have the option to grow it long. So I hold my hair with pride.”"

"“You can’t run from your reflection… you can try to lighten your skin, change your hair, but the one thing you can’t run from is yourself. I want to influence people of color to be proud of where they come from and to reconnect with their roots.”"

"You know, someone once said that we have, you know, a privilege card, because we are not necessarily African American or Latinx. And part of that privilege card has been perpetuated this idea, the model minority myth. But what we've been finding is that in times of stress that privilege card gets taken away very quickly and then we're reduced to someone--to a group of people who is considered other and not American."

"Be proud to be Asian. Be proud to be American. You've earned the right to be both and we can all work together to be a united America. That's the hope. That's the dream."

"The fact that you have representation on TV means that you can have an understanding of someone who doesn’t necessarily look like you and that understanding can bring acceptance and empathy. And so that’s why it’s important to have a positive but fully fleshed out portrayals of Asian Americans in the media."

"Alone we are much weaker than if we are allied with others who care, not just about Asian Americans, but about the issue of hate and discrimination and bigotry in general. Now I wouldn’t deign to try and compare the Asian American experience to any other minorities’ experience in America, because each one is unique in their own ways. But what we do have in common is that we have all experienced bigotry. We have all experienced prejudice. What’s most important to understand is that this is a human issue. This is not just an Asian American one."

"I think there are pluses and minuses to the emergence of Asian cinema in America. It's about time that a lot of these films got recognized because there are very talented people behind them - the directors, actors, writers. I don't think it is a coincidence that a lot of stories from Asia are being remade by American studios. They are really interesting stories and deserve to be shown here."

"It's one thing to talk about lack of diversity and lack of representation. But that doesn't matter if you're not good at what you're supposed to be doing."

"As someone of Korean descent, I am certain my road was a bit hard. I have to say anyone who's an aspiring actor has a difficult road regardless of race."

"But there’s no doubt it stung when I felt like the people I was trying to respect and please the most were the ones who were critical of me. It was painful because, as my career since then has borne out, I take a great deal of pride in being Korean American. I know that not every representation is 100 percent something we can stand behind all the time, but I choose to look at things as whether they’re moving the needle of progress on a larger scale."

"There is as much wisdom in listening as there is in speaking - and that goes for all relationships, not just romantic ones."

"It takes facing obstacles to grow strong enough to overcome them."

"I think any time you have an ensemble of actors, everyone’s objectives are unique and individual. So it’s hard for me to collectively say whether they were allies in this…. I do know that the way things got spun by the end changed my relationships with them."

"I think I can say that I am more in touch with my Korean side because of my upbringing and strong Korean Mom. Also, for the past 10 years, I have been taking care of my Korean Grandmother more…so their Korean traits have influenced me in my life. However, that still doesn’t take anything away from my Japanese roots. I think both cultures have instilled in me the morals, values, customs and traditions I live by. I’m in touch with both sides…it’s not a sense of “meaning” but a sense of “being” that I am proud of."