Actors From New York City

"The spirit makes you a great fighter not drugs or anything ... the smartest fighter, the fighter that's more determined, the fighter that's dedicated, the fighter that wants it the most.. you have to have the desire to hurt him [to be the best fighter]."

"On Muhammad Ali: "No man like him. There just isn't, everything that we have, he supersedes us, even our arrogance and our ego...I'd say from a boxing perspective, Ali is a fucking animal. He looks more like a model than a fighter, but what he is, he's like a tyrannosaurus rex with a pretty face. He's just mean and evil, and he'll take you to deep water and drown you. He's very special, the best in the world.""

"After his final fight: "I felt like I was 120 years old. I feel like Rip Van Winkle right now.""

"I don't know that person anymore, that guy in '86, '87. I don't know that guy no more. I don't have no affinity for that guy no more. I have no affinity for the guy who said, 'I am the greatest fighter God produced.' I have no affinity for the guy who said he would try to push his [opponent's] nose bone up into his brain. I just don't know that guy. I don't know who he is. I don't know where he came from. I don't have no kind of connection with him no more."

"This is a weird feeling in my life I have to deal with, not being a violent man anymore when my whole life's reputation was built on being extremely violent. I just don't know how to deal with that right now. I don't even go to strip clubs no more. I don't know who I am sometimes, but I am not the guy I used to be. I'm not an angel or anything. I'm still lascivious, periodically. I'm just looking for some balance in my life."

"I just don't have the desire no more, I don't have the stomach to do it no more. I don't even kill insects in my house. I just don't kill anything no more. I used to kill pigeons, rip their heads off, 'You dirty rat pigeon!' I don't even have the heart to kill an animal no more. I just changed my whole life in general. That probably could have changed the way I fight."

"I don't have the stomach for this anymore. I don't have anything to fight for anymore."

"I don't have the desire to hurt anyone anymore. I see a fly, but I don't have the nerve to get up and kill it."

"Then I came out of jail and beat guys because they were basically scared."

"My career has been over since 1990."

"2005: “I just don’t have the guts for it anymore. I don’t want to disgrace the sport. This is a great sport. It can take men from humble beginnings and have them rub shoulders with royalty.”"

"1990: "It's nothing personal, but I'm going to kill this guy.""

"1988: "I just have this thing inside me that wants to eat and conquer. Maybe it's egotistical, but I have it in me. I don't want to be a tycoon. I just want to conquer people and their souls.""

"1987: "I could have knocked him out in the third round but I wanted to do it slowly, so he would remember this night for a long time.""

"Every shot was thrown with bad intentions." This has often also been quoted as, "Every punch was thrown with bad intentions."

"In a 2005 post-fight interview Tyson described boxing as "the hurt business.""

"Everybody in boxing probably makes out well except for the fighter."

"Reported by Joyce Carol Oates in 1986 (published in 1987): "'It's a lonely sport,' Mike Tyson, who is surrounded by people who love him, says.""

"I still can’t believe [ Muhammad Ali ] knows my name. It astounds me he knows who I am. I first met Ali in 1976. I was locked up in a juvenile home and he came to visit. I’ve never forgotten it."

"To a reporter in 2002: "It's interesting that you put me in the league with those illustrious fighters [Muhammad Ali, Joe Louis, Jack Johnson], but I've proved since my career I've surpassed them as far my popularity. I'm the biggest fighter in the history of the sport. If you don't believe it, check the cash register.""

"Am I a born boxer? No—if I was, I'd be perfect."

"Being a champion opens lots of doors—I'd like to get a real estate license, maybe sell insurance."

"Everybody has plans until they get hit for the first time."

"Che Guevara is an incredible individual. He had so much, but sacrificed it all for the benefit of other people."

"I’m too stigmatized in this country, I want to do something that will have a tangible effect on people. I live in a world where I’m not too media-friendly, I would never be successful in this country."

"I'm just a dark guy from a den of iniquity. A dark shadowy figure from the bowels of iniquity. I wish I could be Mike who gets an endorsement deal. But you can't make a lie and a truth go together. This country wasn't built on moral fiber. This country was built on rape, slavery, murder, degradation and affiliation with crime."

"We live in a time when the words impossible and unsolvable are no longer part of the scientific community's vocabulary. Each day we move closer to trials that will not just minimize the symptoms of disease and injury but eliminate them."

"Reeve came to the stem-cell debate when the US was considering outlawing therapeutic cloning, a technique where stem cells are harvested from surplus fertilized eggs in fertility clinics. Such embryonic stem cells, it is thought, can be turned into any of the hundreds of cell types in the body. To its supporters, few medical technologies have held more promise, as such stem cells could potentially be used to replace damaged and diseased cells anywhere in the body. To its critics – and in Washington, that meant many Republicans and the religious right – the creation of embryos is morally repugnant. Reeve saw the resistance as a challenge. With an eye on the electorate, the Bush administration imposed strict controls on therapeutic cloning, declaring that, while private institutions could do whatever they wanted, federal funds could only be used to research stem cells created before 2001. Without the full weight of federal funding behind it, Reeve and many scientists felt stem cell research had been scuppered. He set up the Christopher Reeve Paralysis Foundation to fund some of the best research into therapies for paralysis, but the $15 million a year the foundation dedicated to research was just a fraction of what the US National Institutes of Health could have paid for, if the Bush administration had allowed it."

"While his fame originally lay with his acting, his efforts in support of stem-cell research since the horse-riding accident in 1995 that left him quadraplegic have deeply affected friends and commentators. Reeve became a vocal advocate for this research field. In stem cells, he saw a powerful tool being hampered by US policy, a tool that promised potential therapies, not just to heal himself, but to treat a host of medical conditions in others."

"He was one of the leading figures who encouraged debate on the subject of human embryonic stem-cell research. We will miss his contribution."

"In a talk sponsored by the Yale Stem Cell Interest Group, actor Christopher Reeve said science, not religion, should drive the debate over stem cell research. Social and religious conservatives have robbed American scientists of their chance to play a leading role in the promising field of stem cell research, actor and writer Christopher Reeve said during a visit to the medical school in April. “We’re giving away our pre-eminence in science and medicine,” he said. “We’re going to lose incredibly valuable time. “When matters of public policy are being decided, no religion should have a seat at the table—that is what is provided for in the Constitution,” Reeve said. Yet religious conservatives, including the Pope, he said, “have an undue influence in the debate.” Because of their plasticity—their ability to differentiate into any cell in the human body—stem cells “have unlimited potential to cure disease,” Reeve told the crowd that filled the auditorium of the Anylan Center for Medical Research and Education. Reeve also hopes that stem cell research will lead to a cure for paralysis such as his, the result of a 1995 riding accident. In a talk sponsored by the Yale Stem Cell Interest Group, Reeve criticized President Bush’s order of August 9, 2001, restricting federal funding for embryonic stem cell research to only 64 extant cell lines. (Last May, National Institutes of Health Director Elias A. Zerhouni, M.D., acknowledged that only 11 of those lines were eligible for federal research funds.) Reeve suggested that the decision made no ethical sense in light of Bush’s objection to using embryos for research. “Those lines were derived from leftover embryos from infertility clinics. Did he suddenly develop a new morality effective August 10th?” Reeve noted that, although typically about a third of embryos are discarded as medical waste, even vocal opponents of using embryos for research have never suggested banning in vitro fertilization. “They know very well that you can’t go to a couple and say, ‘You can’t have a child this way.’”"

"He was able to inspire hope in patients with diabetes, Alzheimer's, cancer, Parkinson's disease, Lou Gehrig's disease ... tragic and life-threatening conditions that face tens of millions of Americans."

"He put a [human]] face on the dreams. He used his star power as a celebrity for a great good that transcends anything that most of us will ever achieve."

"Reeve "appropriately brought a sense of urgency to this issue," said Perry, head of the research coalition, which favors stem cell science. "On Capitol Hill he was such a highly regarded figure and was so focused on the message.""

"Obama paid tribute to the late actor Christopher Reeve, who emerged as an advocate for embryonic stem cell research after he was paralysed in a horseriding accident. He said Reeve dreamed of being able to walk again, adding: "Christopher did not get that chance. But if we pursue this research, maybe one day - maybe not in our lifetime, or even in our children's lifetime - but maybe one day, others like him might.""

"I'm starting a new chapter in my life, and you have no idea how much that means."

"So many of our dreams at first seem impossible, then they seem improbable, and then, when we summon the will, they soon become inevitable."

"Superman is nothing more than a popular retelling of the Christ story, or Greek mythology. It's an archetype, watered down and made in vivid colors for twelve-year-old's mentality. It's pop mythology, which extends to the actor, then seeps over to a demand that that actor reflect the needs of the worshipers. The worship doesn't only go on in the temples — it goes on in the streets, and restaurants, in magazines. But, you know, I'm from New Jersey, I'm not from Olympus or Krypton, so back off 'cause I can't take the responsibility."

"Somewhere in Time, while it errs on the side of pretentiousness, is an absolutely honest attempt to create an old-fashioned romance. It's based on love rather than on sex or X-rated bedroom scenes. I don't know how to talk about a love story without getting all gooey about it, but the script excited me because of the situation of the leading character... His problem struck me as that of many people. They've got everything going for them, or so they say, except for a real commitment, a real love."

"The key word for me on him is "inspiration." He is a leader by inspiration. He sets an example. It's quite important that people realize that I don't see him as a glad-handing show-off, a one-man vigilante force who rights every wrong. Basically, he's a pacifist, a man who comes along and says, 'What can I do to help?' He stands on the sidelines until there is real trouble. He does not want to get involved unless it's absolutely necessary because he thinks people should learn to make their own decisions."

"[Insomnia]’s a film that I look back on with great fondness. Working with Al Pacino, Robin Williams and Hilary Swank was an incredible experience. Sometimes, when people look for connections in your work, they look more at things like budget level than at the filmmaking itself. If you compare it to Oppenheimer, for example, there’s a similar attempt to try and convey the subjective experience of the protagonist. In the case of Pacino’s character, he’s suffering from a distortion of perception due to lack of sleep, and it’s not a million miles away from what I’m trying to do with showing Oppenheimer’s internal process, particularly at the beginning of the film."

"The greatest theatre that I experienced in my life was The Living Theatre and they were Off-Off-Broadway. And that was in the fifties."

"You need friends, especially in the theatre, you need friends. You need people to interchange with, interface with, connect with. Together you’re going to make it, you’re going to do it together, you’re going to put it on, whatever it is."

"Off-Off-Broadway is absolutely necessary. It doesn't have to be sanctioned by the state, subsidized or anything. The plank and the passion is what it's about."

"Christopher Reeve has done an amazing job promoting responsible stem-cell research across the world."

"Christopher was a hero to many people. We will continue in his honour to be steadfast in our goal of finding treatments and cures for paralysis."

"Christopher Reeve is Superman, right here, right now... Reeve shows us the power, the possibilities and the results of a fierce and persistent commitment to growth and development. With God's help, Reeve is Superman because: 1. He survived the horse riding accident and challenged himself physically during countless months of painful physical therapy. 2. Because he remained committed to his role as a loving husband and doting father 3. Because he kept hope alive in the face of injury and paralysis that can destroy all hope-in the face of having to depend on his wife and many others to feed, wash, change, move and carry him to the doctor. 4. Because he came to the conclusion that God still had something for him to do... Christopher Reeve turned his focus away from his paralysis and began figuring out how he could live afresh. Reeve decided that a lot of people might like to hear his story. Instead of limiting the communication of his story to letters, books and videos subject to edit, Reeve chose the lecture circuit. That meant showing up in public, allowing the public to gawk at his incapacity, talking about his condition and sharing lessons learned. Thus, Christopher Reeve has become Superman for real."

"He was put on this Earth for ... a lot of reasons. He wasn't just here to be an actor. He was Superman."

"It is sad that he did not live long enough to see the full benefits of the research for which he campaigned."

"He was the human voice that changed attitudes. It's one thing for scientists to say 'we know we can do this', but Christopher put all this into a real-life perspective. It's people like Christopher we desperately want to help."