Walt Whitman

"To me every hour of the light and dark is a miracle, Every cubic inch of space is a miracle."

"I was thinking the day most splendid, till I saw what the not-day exhibited; I was thinking this globe enough, till there sprang out so noiseless around me myriads of other globes."

"I see that I am to wait for what will be exhibited by death."

"I swear I think there is nothing but immortality!"

"The paths to the house I seek to make, But leave to those to come the house itself."

"Society waits unformed and is between things ended and things begun."

"Now obey thy cherished secret wish, Embrace thy friends—leave all in order; To port and hawser's tie no more returning, Depart upon thy endless cruise, old Sailor!"

"I announce the great individual, fluid as Nature, chaste, affectionate, compassionate, fully armed; I announce a life that shall be copious, vehement, spiritual, bold, And I announce an end that shall lightly and joyfully meet its translation."

"Be curious, not judgmental."

"I see great things in baseball, It will take our people out-of-doors, fill them with oxygen, give them a larger physical stoicism, tend to relieve us from being a nervous, dyspeptic set, repair those losses and be a blessing to us."

"Yes, Mexico must be thoroughly chastised! Let our arms now be carried with a spirit which shall teach the world that, while we are not forward for a quarrel, American knows how to crush, as well as expand!"

"Keep your face always toward the sunshine – and shadows will fall behind you."

"Native American literature should be important to Americans not as a curio, an artifact of the American past that has little pertinence to an American present or future, but rather as a major tradition that informs American writers ranging from Cotton Mather and Nathaniel Hawthorne through Walt Whitman, William Carlos Williams, and William Faulkner to Adrienne Rich, Toni Cade Bambara, and Judy Grahn."

"I rank Muriel Rukeyser with Walt Whitman, the essential American poet, democratic at the level of hope."

"When I was young I once found a book in a Dutch translation, 'The leaves of Grass'. It was the first time a book touched me by its feeling of freedom and open spaces, the way the poet spoke of the ocean by describing a drop of water in his hand. Walt Whitman was offering the world an open hand (now we call it democracy) and my 'Monument for Walt Whitman' became this open hand with mirrors, so you can see inside yourself."

"Incompossible, adj. Unable to exist if something else exists. Two things are incompossible when the world of being has scope enough for one of them, but not enough for both—as Walt Whitman's poetry and God's mercy to man."

"the contributions of people whom we may now identify as lesbian, gay, bisexual, or transgender are integral and central to how we conceptualize our national history. Without the work of social activists, thinkers, writers, and artists such as We'Wha, Walt Whitman, Emily Dickinson, Martha "Calamity" Jane Cannary Burke, Edith Guerrier, Countee Cullen, Ethel Waters, Bayard Rustin, Roy Cohn, Robert Mapplethorpe, Cherrie Moraga, and Lily Tomlin, we would not have the country that we have today."

"Whitman...a man full-blooded and brotherly, unselfconscious in his democracy and genuinely at ease with all kinds and classes."

"The populist poet of Jacksonian democracy, Walt Whitman, sang the song of manhood and the Anglo-American super race that had been steeled through empire. As an enthusiastic supporter of the US war against Mexico in 1846, Whitman proposed the stationing of sixty thousand US troops in Mexico in order to establish a regime change there "whose efficiency and permanency shall be guaranteed by the United States. This will bring out enterprise, open the way for manufacturers and commerce, into which the immense dead capital of the country [Mexico] will find its way."2 Whitman explicitly grounded this prescription in racism: "The nigger, like the Injun, will be eliminated; it is the law of the races, history.... A superior grade of rats come and then all the minor rats are cleared out." The whole world would benefit from US expansion: "We pant to see our country and its rule far-reaching. What has miserable, inefficient Mexico... to do with the great mission of peopling the New World with a noble race?" In September 1846, when General Zachary Taylor's troops captured Monterrey, Whitman hailed it as "another clinching proof of the indomitable energy of the Anglo-Saxon character" Whitman's sentiments reflected the established US origin myth that had the frontier settlers replacing the Native peoples as historical destiny, adding his own theoretical twist of what would later be called social Darwinism."

"Most of the books published during the five-year period leading up to, during, and after the invasion of Mexico were war-mongering tracts. Euro-American settlers were nearly all literate, and this was the period of the foundational "American literature," with writers James Fenimore Cooper, Walt Whitman, Edgar Allan Poe, John Greenleaf Whittier, Henry Wadsworth Longfellow, James Russell Lowell, Ralph Waldo Emerson, Henry David Thoreau, Nathaniel Hawthorne, and Herman Melville all active-each of whom remains read, revered, and studied in the twenty-first century, as national and nationalist writers, not as colonialists. Although some of the writers, like Melville and Longfellow, paid little attention to the war, most of the others either fiercely supported it or opposed it. Whitman, a supporter, was also enamored of the violent Indian- and Mexican-killing Texas Rangers. Whitman saw the war as bolstering US self-respect and believed that a "true American" would be unable to resist "this pride in our victorious armies.""

"I am not blind to the worth of the wonderful gift of "LEAVES OF GRASS." I find it the most extraordinary piece of wit and wisdom that America has yet contributed. I am very happy in reading it, as great power makes us happy. It meets the demand I am always making of what seemed the sterile and stingy nature, as if too much handiwork, or too much lymph in the temperament, were making our western wits fat and mean. I give you joy of your free and brave thought. I have great joy in it. I find incomparable things said incomparably well, as they must be. I find the courage of treatment which so delights us, and which large perception only can inspire. I greet you at the beginning of a great career, which yet must have had a long foreground somewhere, for such a start. I rubbed my eyes a little, to see if this sunbeam were no illusion; but the solid sense of the book is a sober certainty. It has the best merits, namely, of fortifying and encouraging..."

"The whole world has given heroic figures to humanity, who in the face of persecution and obloquy have lived and fought for their right and the right of mankind to free and unstinted expression. America has the distinction of having contributed a large quota of native-born children who have most assuredly not lagged behind. Walt Whitman, Henry David Thoreau, Voltairine de Cleyre...Moses Harman...Horace Traubel...and quite an array of other brave souls have expressed themselves in keeping with their vision of a new social order based on freedom from every form of coercion. True, the price they had to pay was high. They were deprived of most of the comforts society offers to ability and talent, but denies when they will not be subservient. But whatever the price, their lives were enriched beyond the common lot."

"I had started reading Marx and Lenin, but at that point I think Walt Whitman and Henry David Thoreau had more effect on me. What I responded to in my readings were emotional rather than theoretical questions. I was developing a hatred of the brutality of the existing economic system, a hatred of the impersonal degradation of human beings. That's what moved me as a teenager, and stayed with me."

"I always knew in my heart Walt Whitman’s mind to be more like my own than any other man’s living. As he is a very great scoundrel this is not a pleasant confession."

"One Whitman is miracle enough, and when he comes again it will be the end of the world."

"Walt Whitman; I love his poetry."

"I know the formal element in Walt Whitman's poetry found and enormous echo throughout the world. Yet Walt Whitman's significance lies elsewhere. He combined the contemplation of nature and of civilization which are apparently either contradictory, into a single intoxicating vision of life, because he always had sight of the transitoriness of all phenomena. He said: "Living is the little that is left over from dying." so he gave his whole heart to every leaf of grass. I admire in him the reconciliation of art and nature. When the war between the Northern and Southern States in America, which first really set in motion the power of our present machine world, first broke out, Walt Whitman became a medical orderly. He did what all of us ought to do, particularly today. He helped the weak, the sick and the defeated. He was a Christian and–with a close affinity to us Jews–he was therefore an important measure of the status and worth of humanity."

"I mean to carry on in the tradition of Walt Whitman. Whitman says, "I sing the body electric" and "I sing the body from top to toe." He writes about his goal of celebrating the modern man as he calls it, and he sings the American self."

"I felt some really exciting things were happening with the language in the Sixties because people were finding that vocabulary for psychedelic states or visions or social action. But as I was working with that language, I saw too how it had its roots a hundred years ago in Whitman. So if it goes back a hundred years to Whitman, then it goes back thirty more to Poe. I feel very much in that tradition, showing people how 1960 was using language of the 1860s. Because we don't remember. Walt Whitman said, "Look to the East, that's also your motherland." He already had that idea that our myths are not just from Europe, but from Asia. So I'm saying, "Look at Asia," because we already know that we come from Europe. For a long time when we say classical, we meant Greek and Roman. And I'm saying, "Look, there's more classics, more.""

"I like the freedom that Walt Whitman was using to play with and shape the American language. Especially in writing Tripmaster Monkey-I just lifted lines from Leaves of Grass. You would think they were modern Sixties' slang-"Trippers and Askers" and "Linguists and Contenders Surround Me"-all of that-"Song of the Open Road," "Song of Occupations"-I just took those for title headings for my book. I like the rhythm of his language and the freedom and the wildness of it. It's so American. And also his vision of a new kind of human being that was going to be formed in this country-although he never specifically said Chinese-ethnic Chinese also I'd like to think he meant all kinds of people. And also I love that throughout Leaves of Grass he always says "men and women," "male and female." He's so different from other writers of his time, and even of this time. Even a hundred years ago he always included women and he always used [those phrases], "men and women," "male and female.""

"Behold great Whitman, whose licentious line Delights the rake, and warms the souls of swine; Whose fever'd fancy shuns the measur'd pace, And copies Ovid's filth without his grace. In his rough brain a genius might have grown, Had he not sought to play the brute alone; But void of shame, he let his wit run wild, And liv'd and wrote as Adam's bestial child. Averse to culture, strange to humankind, He never knew the pleasures of the mind. Scorning the pure, the delicate, the clean, His joys were sordid, and his morals mean. Thro' his gross thoughts a native vigour ran, From which he deem'd himself the perfect man: But want of decency his rank decreas'd, And sunk him to the level of the beast. Would that his Muse had dy'd before her birth, Nor spread such foul corruption o'er the earth."

"Anyone can visit Walt Whitman's birthing corner on/Long Island./The guide points and says, There, right there, he was/born./Some visitors can't move on quickly/to the next room./They are hypnotized./What if Walt had never left this corner or stepped out/into the streets/to do and say all he did?/Then who would we be?"

"When Whitman in Song of Myself wrote "Camerado, this is no book. Who touches this touches a man, and "What I assume you shall assume," he articulated an abiding impulse latent within all poetry. The women's poetry movement today is a carrier of that same impulse and makes it possible for us to "assume" more than we did before."

"I read a lot. In poetry, I liked W. H. Auden more than anyone. I loved British writers and the novels I grew up with, Twain, Dickens, and so on. I was not influenced say by Walt Whitman or anyone like that. His freedom was not my freedom, and so it didn’t affect me."

"Wir, die beiden Ewigjungen, // Auf dem Lande und am Strande, // Wie die rechte Räuberbande! // Kein Respekt vor den Gesetzen, // Lachen, lieben, hauen, hetzen, // Schranken, Vorschriften verletzen: // Sammeln wir die Lebensbeute, // Wie zwei freie Jägersleute – // Bellt und kläfft auch rings die Meute!"

"Weiß ich doch selber, so scheint mir' s oft, wenig oder nichts von meinem wirklichen Leben;// Nur ein paar Fingerzeige, einige zerstreute schwache Anhaltspunkte auf weiten Umwegen// Suche ich hier für mich selbst zu entdecken."

"Von allen Porträts, die Künstler von mir angefertigt haben, mag ich das von Eakins am meisten: es ist nicht perfekt, aber es kommt mir am nächsten."

""Und Leben, was dich betrifft, denk' ich, du bist das übrig Gebliebene von vielem Sterben, // Ohne Zweifel bin ich schon früher zehntausendmal gestorben)."

"Köstliche, gesunde, stille Nacktheit in der Natur! O könnte die arme, kranke, geile Stadtmenschheit dich nur einmal wieder wirklich kennen lernen."

"Die schlimmste und verbreitetste Krankheit, die uns alle, unsere Literatur, unsere Erziehung, unser Verhalten zueinander durchseucht, ist die ungesunde Sorge um den Schein."

"Auf ihrer höchsten Warte und in ihren erhabensten Schöpfungen ist echte Dichtung der Ausdruck und die Begleiterscheinung echter Religion."