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"Maierovitch, a man with a soft voice and owl-like features, became a prominent figure in the early 1980s when he collaborated with Giovanni Falcone in his successful efforts to track down fugitive mafia members. Together, the two convinced Tommaso Buscetta to return to Italy and become a state witness in the so-called maxi-trial of the Sicilian mafia leadership. In January 1992, thanks to his testimony, some 350 mafia bosses were convicted. Falcone and his colleague, magistrate Paolo Borsellino, are the titans of the anti-mafia struggle worldwide. They were assassinated in Sicily two months apart in 1992, shortly after the maxi-trial verdict was confirmed, and their deaths shook and ultimately dismantled the Italian political system. Both had (rightly) assumed that the most important figures in the Sicilian mafia enjoyed the protection of the highest political hierarchies in Rome. Maierovitch tells me about his dinners with Falcone and how they worked to protect the great turncoat Buscetta from possible murder or suicide. (He almost succeeded in attempting suicide while under the protection of the Brazilian judge.) At first, Maierovitch smiles as he remembers his Italian friend, but after a while he begins to shed silent tears: a fitting tribute to Falcone (after whom Maierovitch named his Institute for the Fight Against Crime), whose charisma and commitment to justice, in the face of Rome's corrupt ruling class, made him a popular hero throughout Italy and among all those who fight crime around the world."

- Giovanni Falcone

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"[...] the Gomorra series warns us against evil, pushes us against a wall, gives us no excuses (after all, there is the good cop, the anti-Mafia prosecutor, the anti-Mafia priests, etc.), and forces us to look inside ourselves. Saviano (and the authors who wrote the screenplay with him) understood that only by starting from absolute evil, from the absence of good, can the authentic motive for renewal arise. He invites us to look with eyes free from preconceptions and false hypocrisy, namely that the reality of the south, of Naples, of Secondigliano, of Scampia... is also that represented by Gomorra. Urban decay does not originate from the series, it pre-exists. We have been accustomed to seeing the hairstyles of Genny and the other young characters for years, not only in the neighborhoods and districts of Scampia, but also in the North, in America, as well as the actors' clothing: Gomorra reproduces reality, far from any risk of emulation. Depicting evil does not mean smearing the south. On the contrary, the spirit of the series is precisely that, I repeat, to depict evil in all its facets in order to achieve renewal. [...]That's why I'm on the side of Gomorra, which investigates evil in order to overcome it. I am grateful to Saviano for trying, and I am grateful to Stefano Sollima (and the other directors) and the actors who have taken on an immense responsibility and done so with awareness and talent. All of them have shown courage that cannot be taken for granted: they have brought evil to the stage and left it up to us to decide where good lies."

- Ilda Boccassini

0 likesJudges from Italy