All Quotes

"Women feel more guilt as compared to men while taking that decision. At the core of it all is guilt. Women need more support systems"

"I don’t think that has gone away completely because we still represent other women, not just ourselves as individuals in our careers as we go. So, that pressure is something one just gets used to living with. And that scrutiny never ends, so when you fall, you are noticed much more than when you succeed. Though fortunately, that too gets noticed"

"I have had as many good male bosses as bad ones, and it will always be the case that there will be individuals who in their own right are fabulous human beings and great leaders; and individuals who may be smart but are not such good leaders, whether men or women. And I think we have to just take the good and the bad as it goes. You cannot typecast men and women leaders once you’re at that level"

"Having good advisors and mentors to turn to, who are senior and more experienced helped at the beginning. And then I learnt that I don’t have to have all the answers. I made it a point to assemble the best teams, to seek out information, build networks, and look outside. That curiosity and willingness to learn were crucial – it brought people in versus keeping them out. And then things built from there. and standing in for me as we both navigated our careers. My bond with my sister, our kids – these are the most precious gifts"

"What’s better now is that there are more women in the workforce. And as more women go through their careers, make their voices heard, things begin to change. Women providing inputs and having these conversations do drive change. There are also more women in leadership roles – that also helps bring additional perspective to the larger organization"

"What helped was a strong sense of ownership and intuition. I had read somewhere that intuition is just hundreds of experiences blended; and that gave me confidence to trust my gut. I had been in tough situations before, and I leaned on that experience"

"What also helped was the trusted network of resources – the experts and advisors – I could access, who guided and helped me navigate the situation. They took my calls and they stepped in when we needed them"

"We need to be passionate and driven to achieve any goal we choose"

"We need to push the limits of achievement and better our performance all the time. I think we should be ‘engaged’ in the profession of our choice rather than just ‘work hard’ in our chosen work area. We need to literally set ourselves on fire with our objectives"

"A machine is not a genie, it does not work by magic, it does not possess a will, and … nothing comes out which has not been put in, barring of course, an infrequent case of malfunctioning. … The “intentions” which the machine seems to manifest are the intentions of the human programmer, as specified in advance, or they are subsidiary intentions derived from these, following rules specified by the programmer. … The machine will not and cannot do any of these things until it has been instructed as to how to proceed. ... To believe otherwise is either to believe in magic or to believe that the existence of man’s will is an illusion and that man’s actions are as mechanical as the machine’s."

"People from Oaxaca have a very specific relationship to food where food is your life. Everything surrounds food. Family, celebration, death, everything has to do with food"

"[Guelaguetza] is our home and we serve the food that we grew up with. It’s not fancy food. It’s not fusion food. It’s not new Californian food. It’s not new Mexican food. It’s not innovative. It’s just traditional food that I grew up eating, just very high quality. So, that’s how the menu of the restaurant was inspired. Just foods that we grew up eating off the road [in Oaxaca]. Everything you find here at the restaurant is what you can find in Oaxaca"

"ability and can also be so nurturing. You need to understand that what you have is very powerful. As a woman you are ahead of every man that you meet. So you need to understand that it’s a plus. You need to learn how to navigate your womanhood and take advantage of it and earn people’s trust. I can’t give you that.’"

"Understand why you are doing everything that you do. When you are purpose-driven, it is not about the to-do list, It is about achieving a bigger thing that can get ten things out of the way. It’s about deciding if this thing that you are doing is taking you a step into your purpose or away from it and if it is taking me away from it, then why am I bothering with it."

"We Googled everything and found out how to do things,” “I feel like so many times people make things more complicated than they should be. Like, it’s not that complicated. People were asking us for the micheladas. We’ve been serving the micheladas since we opened. People would come in and ask if they could buy the mix from us so we would fill up empty tequila bottles and sell them and they would come back every weekend. By then, we had opened our online store where we shipped our mole so we started thinking about what else we could sell in our store."

"“I think for mothers, the number one thing is to understand that it’s okay to ask for help,” Latinas, especially moms, feel like because their moms raised four kids as immigrants with nothing and they cooked every day. I honestly don’t know how they did it. We feel like we have to do the same thing, we can’t complain, we can’t have these issues, and we can’t feel pain or ask for help because we have to be able to do everything by ourselves, which is not true. We need to remember that our moms who were able to do all that have a community around them of primas, of support."

"Jimmy Wong as Din Song"

"John Cho as Long"

"Constance Wu as Mrs. Song"

"Natasha Liu Bordizzo as Li Na Wang"

"Jimmy O. Yang as Short Goon"

"Aaron Yoo as Pockets"

"Will Yun Lee as Mr. Wang"

"Ronny Chieng as Pipa God"

"I was working in Hollywood with the goal of being a producer. A friend of mine was producing a movie called Deadly Friend, and told me that Wes Craven was directing and needed an assistant. He asked if I would be interested in the job. I said, of course, I would love to come in and meet Wes. So, we set the appointment, and I went to Warner Brothers to meet him. He was very funny, and we clicked. The wonderful thing was that having said that I wanted to be a producer, Wes took it upon himself to include me in every aspect of filmmaking. He took me into casting sessions, to the horror of Marion Dougherty, the casting director, who was a huge casting director at the time. Assistants didn't normally get to be in the room for casting sessions. I was included at the scoring sessions, locations scouts, and he mentored me through the whole movie. We did Deadly Friend and then went on to The Serpent and the Rainbow. While filming on location in Haiti, we had so many emergencies and horrible production problems, and we got through them well together, and I think Wes just felt I had the right stuff. Then he gave me my first producing gig on Shocker."

"It was just natural. It wasn't even a discussion. He was attracted to telling stories from a female POV, I think because of me and his daughter, he was very interested in stories about strong powerful women getting through difficult situations."

"Absolutely, I mean, don't forget we had just done New Nightmare, and that was very much about Heather Langenkamp's personal journey, and it very much mirrored her personal life. She obviously was, and is, a very strong woman, and with Kevin's script, it was everything we wanted. We loved the story of Sidney, and it had every element that we were attracted to in general."

"We were working with KNB Effects Group on the mask design in LA before we flew up to Santa Rosa to prep and shoot. As the script described the killer as only wearing a ‘ghost mask' with no description of the mask or costume, we had to come up with it. KNB had a lot of design sketches and sculptures, but we had not found the look, and it was getting late. We were scouting a house for Tatum, and I went up to this little bedroom upstairs, and I saw the mask. It was the mask, but it had a white shroud. I took it, and I ran downstairs and showed it to, I think, Bruce Miller, the production designer, Wes, and probably Nick Mastandrea, our first AD. I said ‘oh my god, you guys, look at this mask! How about this?', and they said, no, we don't like it. We don't like this mask – We want to create our own mask'. Wes was very much into owning it and creating whatever we were going to use, so I just felt like, ‘seriously, you don't like this?' ‘You're not even going to consider it?' And he said, ‘no, no, no, not at all.' I don't like it.' So, I begrudgingly put it back in the bedroom."

"A couple of weeks went by, and we still couldn't come up with anything everyone could agree on, and we were getting very close to shooting – it was getting very tense. So I said, ‘why don't we call that lady and see if she's thrown away the mask or still has it and at least see it again?' I thought, who knows, maybe she cleaned the house and threw it away! Bruce Miller sent the location manager over there, and sure enough, he came back with it and I got Wes to take another look at it, and he said, ‘let's go with it,' and we finally made a decision! Of course, we had to call and get the rights from Fun World. It was a mass-produced Halloween mask, and the rights cost some money. Cary Granant negotiated the deal with Fun World, and we got the rights. Even at this point Wes still really wanted to make his own version so he said ‘okay I like it, but I want to change the shape just a bit', so we did and KNB did make their own sculpture of it with a few alterations. We started shooting the opening sequence with it and realized very quickly that the original mask was perfect so then we went back to the original mask."

"Yes, he did, and originally the larger windows didn't have the stained glass, but he found a few doors in the house that had small panes of stained glass above them, I think, and decided to bring and expand that element to add more character to the interior and exterior scenes of the house."

"Yes, he was very much involved, and in fact, we had actually been developing The Haunting with Richard and Bob Weinstein, and I don't really know what happened with that… I think Wes finally just passed on it and said to Richard, ‘look, I really want to work with you, but I don't think The Haunting is the one.' So, of course, Richard then kept Wes in mind, and when Scream came along, we all still wanted to work together, and eventually, Wes accepted the job. But, yes, Richard was a huge part of it creatively and really pushed Bob Weinstein to option the script and lit his hair on fire to get everyone to read it very quickly at Dimension. Sometimes you have a studio executive that you don't want anything to do with and don't want to have them on set, but we loved Richard, and he was so helpful and respectful to Wes and had such good ideas. We were lucky to have him with us."

"Wes was very prepared. He always came up with a shot list and was very meticulous. Wes, in his own life, loved to write manuals for everything in his house. So he was very mechanical in this way, and he made really great shot lists. I mean, when you're working fifty, sixty days straight, you don't always have time, and of course, if the director comes in without a shot list, the AD, the cinematographer, the line producer, and everybody else freaks out. But he usually came prepared with his shot list, and of course, we'd look at it and freak out if it was more than about twenty-three shots. It could, at times, be a little too ambitious."

"As far as directing actors, he was very respectful, quiet, and never impatient. Actors really responded to Wes. He really was an actor's director. I remember when he was directing Drew in the opening sequence, they had spent a lot of time in prep, and Wes knew how much Drew loved animals, as she's an advocate for animal safety. He said something really graphic and terrifying to her about, I'm sure you've heard this, an article about a puppy who was mistreated because he had seen what an emotional response this caused her, just talking about it, and that was one part of how he got the performance out of Drew. I remember that night, shooting the exteriors of that home, and I remember the night he did that. I didn't know at the time what he had said until an hour later. It really worked! Obviously, we know that scene is so heart-wrenching, so he knew what to say. He really got to know the actors and figured out how to get the right performances. It can be a manipulative job, being a director, and he would figure it out."

"The extermination of what the exterminators call inferior races is as old as history. "Stone dead hath no fellow" said Cromwell when he tried to exterminate the Irish. "The only good nigger is a dead nigger" say the Americans of the Ku-Klux temperament. "Hates any man the thing he would not kill?" said Shylock naively. But we white men, as we absurdly call ourselves in spite of the testimony of our looking glasses, regard all differently colored folk as inferior species. Ladies and gentlemen class rebellious laborers with vermin. The Dominicans, the watchdogs of God, regarded the Albigenses as the enemies of God, just as Torquemada regarded the Jews as the murderers of God. All that is an old story: what we are confronted with now is a growing perception that if we desire a certain type of civilization and culture we must exterminate the sort of people who do not fit into it. There is a difference between the shooting at sight of aboriginal natives in the back blocks of Australia and the massacres of aristocrats in the terror which followed the foreign attacks on the French Revolution. The Australian gunman pots the aboriginal natives to satisfy his personal antipathy to a black man with uncut hair. But nobody in the French Republic had this feeling about Lavoisier, nor can any German Nazi have felt that way about Einstein. Yet Lavoisier was guillotined; and Einstein has had to fly for his life from Germany. It was silly to say that the Republic had no use for chemists; and no Nazi has stultified his party to the extent of saying that the new National Socialist Fascist State in Germany has no use for mathematician-physicists. The proposition is that aristocrats (Lavoisier's class) and Jews (Einstein's race) are unfit to enjoy the privilege of living in a modern society founded on definite principles of social welfare as distinguished from the old promiscuous aggregations crudely policed by chiefs who had no notion of social criticism and no time to invent it."

"There have been summits of civilization at which heretics like Socrates, who was killed because he was wiser than his neighbors, have not been tortured, but ordered to kill themselves in the most painless manner known to their judges. But from that summit there was a speedy relapse into our present savagery."

"I dislike cruelty, even cruelty to other people, and should therefore like to see all cruel people exterminated. But I should recoil with horror from a proposal to punish them. Let me illustrate my attitude by a very famous, indeed far too famous, example of the popular conception of criminal law as a means of delivering up victims to the normal popular lust for cruelty which has been mortified by the restraint imposed on it by civilization. Take the case of the extermination of Jesus Christ. No doubt there was a strong case for it. Jesus was from the point of view of the High Priest a heretic and an impostor. From the point of view of the merchants he was a rioter and a Communist. From the Roman Imperialist point of view he was a traitor. From the commonsense point of view he was a dangerous madman. From the snobbish point of view, always a very influential one, he was a penniless vagrant. From the police point of view he was an obstructor of thoroughfares, a beggar, an associate of prostitutes, an apologist of sinners, and a disparager of judges; and his daily companions were tramps whom he had seduced into vagabondage from their regular trades. From the point of view of the pious he was a Sabbath breaker, a denier of the efficacy of circumcision and the advocate of a strange rite of baptism, a gluttonous man and a winebibber. He was abhorrent to the medical profession as an unqualified practitioner who healed people by quackery and charged nothing for the treatment. He was not anti-Christ: nobody had heard of such a power of darkness then; but he was startlingly anti-Moses. He was against the priests, against the judiciary, against the military, against the city (he declared that it was impossible for a rich man to enter the kingdom of heaven), against all the interests, classes, principalities and powers, inviting everybody to abandon all these and follow him. By every argument, legal, political, religious, customary, and polite, he was the most complete enemy of the society of his time ever brought to the bar. He was guilty on every count of the indictment, and on many more that his accusers had not the wit to frame. If he was innocent then the whole world was guilty. To acquit him was to throw over civilization and all its institutions. History has borne out the case against him; for no State has ever constituted itself on his principles or made it possible to live according to his commandments: those States who have taken his name have taken it as an alias to enable them to persecute his followers more plausibly. It is not surprising that under these circumstances, and in the absence of any defence, the Jerusalem community and the Roman government decided to exterminate Jesus. They had just as much right to do so as to exterminate the two thieves who perished with him."

"All government is cruel; for nothing is so cruel as impunity."

"With generative AI, it’s impacting the individual and helping in all walks of life. We are figuring out a way to evolve with it. The skills take a while to catch up. Our educational institutions also have a lot of catching up to do. Skills around data engineering, cyber security, and IoT (the Internet of Things) will have to evolve. Educational institutions have to start this if India has to stay ahead"

"I am no mere chance pile of flesh and bone: if I were only that, I should fall into corruption and dust before your eyes. I am the embodiment of a thought of God: I am the Word made flesh: that is what holds me together standing before you in the image of God. ... The Word is God. And God is within you. ... In so far as you know the truth you have it from my God, who is your heavenly father and mine. He has many names and his nature is manifold. ... It is by children who are wiser than their fathers, subjects who are wiser than their emperors, beggars and vagrants who are wiser than their priests, that men rise from being beasts of prey to believing in me and being saved. ... By their fruits ye shall know them. Beware how you kill a thought that is new to you. For that thought may be the foundation of the kingdom of God on earth."

"The kingdom of God is striving to come. The empire that looks back in terror shall give way to the kingdom that looks forward with hope. Terror drives men mad: hope and faith give them divine wisdom. The men whom you fill with fear will stick at no evil and perish in their sin: the men whom I fill with faith shall inherit the earth. I say to you Cast out fear. Speak no more vain things to me about the greatness of Rome. ... You, standing for Rome, are the universal coward: I, standing for the kingdom of God, have braved everything, lost everything, and won an eternal crown."

"Law is blind without counsel. The counsel men agree with is vain: it is only the echo of their own voices. A million echoes will not help you to rule righteously. But he who does not fear you and shews you the other side is a pearl of the greatest price. Slay me and you go blind to your damnation. The greatest of God's names is Counsellor; and when your Empire is dust and your name a byword among the nations the temples of the living God shall still ring with his praise as Wonderful! Counsellor! the Everlasting Father, the Prince of Peace."

"The last word remains with Christ and Handel; and this must stand as the best defence of Tolerance until a better man than I makes a better job of it. Put shortly and undramatically the case is that a civilization cannot progress without criticism, and must therefore, to save itself from stagnation and putrefaction, declare impunity for criticism. This means impunity not only for propositions which, however novel, seem interesting, statesmanlike, and respectable, but for propositions that shock the uncritical as obscene, seditious, blasphemous, heretical, and revolutionary."

"The thing that stands out in my mind is the professor showing us pictures of various shapes such as triangles and squares, pointing out how easy it was for us to distinguish them, but then asserting that nobody knew how to write a computer program to do so (to date myself, this must have been the mid ’80s). I had already started programming computers, but this got me interested in the concept of modeling intelligence with computers."

"Reinforcement learning has been a relatively “niche” area of AI since I became interested in it my first year of graduate school. But with recent advances, I became convinced that now was the time to move to the next level and work on problems that are only possible to attack in a commercial setting."

"I’m made proud over and over again by the achievements of my students and postdocs. I’ve been very fortunate to work with a phenomenal group of individuals, both technically and personally. Nothing makes me happier than seeing each succeed in his or her own way, and to think that I played some small role in it."

"believe my duty as a professor is to mentor students and other young scientists to get excited to learn and to contribute to the very long conversation exploring hard questions in computer science."

"I hope to empower my students to make progress in science and in their own lives. To date, the 34 or so PhD students who I have worked with are as important in my professional life as are my four real children in my life."

"There is no beating around the bush in this Brooklyn-kid-gone-Ivy."

"After working with large datasets of credit card transactions, I learned that humans are remarkably predictable - at least where money is concerned."

"Fraud detection research with Citibank led to my interest in developing automated machine learning infrastructures and applying this infrastructure to security problems. The JAM project (Java Agents for Meta-learning) was way ahead of its time."