All Quotes

"Free countries are great, because you can actually sit in somebody else's space for a while and pretend you're a part of it. You can sit in the Plaza Hotel and you don't even have to live there. You can just sit and watch the people go by."

"Somebody said that Bertolt Brecht [German socialist writer of political theater] wanted everybody to think alike. I want everybody to think alike. But Brecht wanted to do it through Communism, in a way. Russia is doing it under government. It's happening here [in America] all by itself without being under a strict government; so if it's working without trying, why can't it work without being Communist? Everybody looks alike and acts alike, and we're getting more and more that way."

"No director in human history has ever made or will ever make worse movies. Warhol makes Ed Wood look like Ingmar Bergman."

"Business art is the step that comes after Art. I started as a commercial artist, and I want to finish as a business artist. After I did the thing called 'art' or whatever it's called, I went into business art. I wanted to be an Art Businessman or a Business Artist. Being good in business is the most fascinating kind of art. During the hippies era people put down the idea of business – they'd say 'Money is bad', and 'Working is bad', but making money is art and working is art and good business is the best art."

"When I have to think about it, I know the picture is wrong. And sizing is a form of thinking and coloring is too. My instinct about painting says, 'If you don’t think about it, it's right'. As soon as you have to decide and choose, it's wrong. And the more you decide about, the more wrong it gets. Some people, they paint abstract, so they sit there thinking about it because their thinking makes them feel they're doing something. But my thinking never makes me feel I'm doing anything."

"A lot of people thought it was me everyone at the 'Factory' was hanging around, that I was some kind of big attraction that everyone came to see, but that's absolutely backward: it was me who was hanging around everyone else. I just paid the rent, and the crowds came simply because the door was open. People weren't particularly interested in seeing me; they were interested in seeing each other. They came to see who came."

"The Pop artists did images that anybody walking down Broadway could recognize in a split second – comics, picnic tables, men's trousers, celebrities, shower curtains, refrigerators, Coke bottles – all the great modern things that the Abstract Expressionists tried so hard not to notice at all. (1960's)"

"Edward Lucie-Smith: Would you like to see your pictures on as many walls as possible, then? Andy Warhol: Uh, no, I like them in closets."

"Edward Lucie-Smith: Why is it more of a pleasure to do 30 or 40 pictures than to do just one? Andy Warhol: Then I can, uh, listen to my soundabout which looks just like the thing that I'm wearing now, and you can listen to opera and stuff like that. Edward Lucie-Smith: Does that mean you don't have to think when you're painting? Andy Warhol: No, you can listen to really good music. Edward Lucie-Smith: So, what, painting is an excuse to listen to really good music? Andy Warhol: Oh, yeah."

"Edward Lucie-Smith: What do you think is the characteristic of a really nice person? Some people you obviously do like more than others. Andy Warhol: Ummm, well, if they talk a lot. Edward Lucie-Smith: What, and don't make you talk? Andy Warhol: Yeah, yes, that's a really nice person. Edward Lucie-Smith: Thank you, Andy."

"I still care about people but it would be so much easier not to care. I don't want to get to close: I don't like to touch things, that's why my work is so distant from myself [Nicolas Love, April 1987]"

"Sex is nostalgia for sex."

"Apparently, most people love watching the same basic thing [actions shows on TV], as long as the details are different. But I'm just the opposite: if I'm going to sit and watch the same thing I saw the night before, I don't want it to be essentially the same – I want it to be exactly the same. Because the more you look at the same exact thing, the more the meaning goes away, and the better and emptier you feel. (1960's)"

"In my art work, hand painting would take much too long and anyway that's not the age we're living in."

"I think somebody should be able to do all my paintings for me."

"Warhol's art can both subvert (up to a point) formal art and, at the same time, offer socially provocative documents to the ordinary, white, middle-class citizen. Blacks and the poor do not like Warhol's art or movies. Documents that are mainly intended as deliberate references to a predominant white culture cannot incite the imaginations of those who don't give a fuck for that culture in the first place, even if they did understand what it was all about. This inability of Warhol to reach blacks and the poor represents the weakest aspect of his art. Warhol's art implies a certain disgust on the part of the artist for culture — a disgust he shares in common with New Left revolutionaries and progressive activist artists and critics. His latest decision, to stop painting altogether, is a deliberate step in the direction away from culture itself. It is also an inevitable step, as the very notion of art works that possess a quality as items to be traded upon the New York art exchange is incompatible with the socialization of art. Modern culture is a repressive, police agency. The police function of modern culture has been recognized by Warhol. His paintings of electric chairs, police attacks, most-wanted men, and car crashes all seem to reflect in art the reality of an official culture of repression rather than of life."

"I think he [Andy Warhol] would be very interested in the moment that the w:Dalai Lama appears, being involved in such a kind of idea. Andy has always difficulties with this kind of political activities, because he works in another kind of world, but he is always.. .Also when he was here (in Germany) last week, he is very interested to hear a lot of new information. He has a kind of observing sense in the back of his mind. So, he is always interested to follow the development, and there is really a kind of imaginative process going on, I think."

"I'll give you an interesting analogy here. Have you ever read w:Carson McCullers' w:The Heart Is a Lonely Hunter? All right. Now in that book you'll remember that this deaf mute, Mr. Singer, this person who doesn't communicate at all, is finally revealed in a subtle way to be a completely empty, heartless person. And yet because he's a deaf mute, he symbolizes things to desperate people. They come to him and tell him all their troubles. They cling to him as a source of strength, as a kind of semi-religious figure in their lives. Andy is kind of like Mr. Singer. Desperate, lost people find their way to him, looking for some sort of salvation, and Andy sort of sits back like a deaf mute with very little to offer."

"He was a slight man who wore a white wig."

"Warhol--for whom Jackie Kennedy or Marilyn Monroe was as much an art object as any consumable artifact, and who was himself the celebrity-artist par excellence--was arguably more responsible than anyone else for obliterating the line between the avant-garde (which was supposed to appeal to an elite and be disturbing and subversive) and mass art (which was supposed to reach millions and reinforce the American dream)."

"“Our choices as consumers ... cause miners to go in there and come in contact with wild animals that carry viruses. We implicate ourselves in this chain of consumer supply and demand,” says David Quammen, author of the book Spillover: Animal Infections and the Next Human Pandemic. “That is one of the broader causes of contact with wild animals that leads to spillover of new viruses with the potential of becoming epidemic and pandemic,” says Quammen. Take gold, for example, which is used in a lot of electronics because it conducts electricity pretty well. Marburg, a viral hemorrhagic fever similar to Ebola, killed 128 people in Congo between 1998 and 2000. Scientists surmised that gold miners probably picked up the virus from animals, like bats, in mines, and the virus spread from there."

"What, then, is the animal? First of all, a system of plant-souls. The unity of those plant-souls, which unity nature itself produces, is the soul of the animal. Its world is therefore partly that of the plants — its nourishment, for instance, it receives partly through synthesis from vegetable, and through analysis from animal nature — and partly that of the animals, whereof we shall speak directly. ... Each product of nature is an organically in-itself completed totality in space, like the plant. Hence, the unknown x which we are looking for must also be such a whole or totality, and in so far it must also have a principle of organization, a sphere and central point of this organization; in short, the same which we have called the soul of the plant, which thus remains common to both. ... The animal is a system of plant-souls, and the plant is a separated, isolated part of an animal. Both reciprocally affect each other."

"Animals are always loyal and love you, whereas children you never know where you are."

"Animals are not here for us to do as we please with. We are not their superiors, we are their equals. We are their family. Be kind to them."

"The very port and gait of a swan, or turkey, or peacock show the high idea he has entertain'd of himself; and his contempt of all others. This is the more remarkable, that in the two last species of animals, the pride always attends the beauty, and is discover'd in the male only. The vanity and emulation of nightingales in singing have been commonly remark'd [...] All these are evident proofs, that pride and humility are not merely human passions, but extend themselves over the whole animal creation."

"What humiliation, what disgrace for us all, that it should be necessary for one man to exhort other men not to be inhuman and irrational towards their fellow-creatures! Do they recognise, then, no mind, no soul in them — have they not feeling, pleasure in existence, do they not suffer pain? Do their voices of joy and sorrow indeed fail to speak to the human heart and conscience — so that they can murder the jubilant lark, in the first joy of his spring-time, who ought to warm their hearts with sympathy, from delight in bloodshed or for their ‘sport,’ or with a horrible insensibility and recklessness only to practise their aim in shooting! Is there no soul manifest in the eyes of the living or dying animal — no expression of suffering in the eye of a deer or stag hunted to death — nothing which accuses them of murder before the avenging Eternal Justice? .... Are the souls of all other animals but man mortal, or are they essential in their organisation? Does the world-idea (Welt-Idee) pertain to them also — the soul of nature — a particle of the Divine Spirit? I know not; but I feel, and every reasonable man feels like me, it is in miserable, intolerable contradiction with our human nature, with our conscience, with our reason, with all our talk of humanity, destiny, nobility; it is in frightful (himmelschreinder) contradiction with our poetry and philosophy, with our nature and with our (pretended) love of nature, with our religion, with our teachings about benevolent design — that we bring into existence merely to kill, to maintain our own life by the destruction of other life. .... It is a frightful wrong that other species are tortured, worried, flayed, and devoured by us, in spite of the fact that we are not obliged to this by necessity; while in sinning against the defenceless and helpless, just claimants as they are upon our reasonable conscience and upon our compassion, we succeed only in brutalising ourselves. This, besides, is quite certain, that man has no real pity and compassion for his own species, so long as he is pitiless towards other races of beings."

"Researchers find it very necessary to keep blinkers on. They don't want to admit that the animals they are working with have feelings. They don't want to admit that they might have minds and personalities because that would make it quite difficult for them to do what they do; so we find that within the lab communities there is a very strong resistance among the researchers to admitting that animals have minds, personalities and feelings."

"Thousands of people who say they "love" animals sit down once or twice a day to enjoy the flesh of creatures who have been utterly deprived of everything that could make their lives worth living and who endured the awful suffering and the terror of the abattoirs — and the journey to get there — before finally leaving their miserable world, only too often after a painful death."

"The more we learn of the true nature of non-human animals, especially those with complex brains and corresponding complex social behavior, the more ethical concerns are raised regarding their use in the service of man—whether this be in entertainment, as "pets," for food, in research laboratories, or any of the other uses to which we subject them."

"I wanted to talk to the animals like Dr. Dolittle."

"Animals when in company walk in a proper and sensible manner, in single file, instead of sprawling all across the road and being of no use or support to each other in case of sudden trouble or danger."

"To understand animal thinking you've got to get away from a language. See my mind works like Google for images. You put in a key word; it brings up pictures. See language for me narrates the pictures in my mind. When I work on designing livestock equipment I can test run that equipment in my head like 3-D virtual reality. In fact, when I was in college I used to think that everybody was able to do that. And language just sort of, you know, gives an opinion. Like, oh, that's a good idea or oh, I just figured out how to design that. ... I designed a system holding a cattle in the meat plant, where they straddle a conveyor. And if you get things set up right they just walk in really quietly. And you've got to get the lighting right. They're afraid of the dark. If the lights were going, blasting in their eyes like the sun or there's a reflection on a shinny piece of metal moving, they're going to be afraid of that. And you get rid of those things their afraid of then their going to walk right in. You know, the things that scare a prey/species animal like cattle are a whole lot of little visual details that people just don't tend to notice. And one of the big problems they used to have is the people just wanted to get out there and yell and scream and push and shove and you know more and more prods. Rather than remove the things that the cattle were afraid of."

"Animals are the main victims of history, and the treatment of domesticated animals in industrial farms is perhaps the worst crime in history."

"The fate of farm animals is not an ethical side issue. It concerns the majority of Earth's large creatures: tens of billions of sentient beings, each with a complex world of sensations and emotions, but who live and die as cogs in an industrial production line."

"In fact if one person is unkind to an animal it is considered to be cruelty, but where a lot of people are unkind to a lot of animals, especially in the name of commerce, the cruelty is condoned and, once large sums of money are at stake, will be defended to the last by otherwise intelligent people."

"We seem to be in the place of God to them, to be his vice-regents, and empowered to receive homage from them in his name. And we are obliged, by the same tenure, to be their guardians and benefactors."

"There are probably no creatures that require more the protective Divine word against the presumption of man than the animals, which, like man, have sensations and instincts, but whose body and powers are nevertheless subservient to man. In relation to them man so easily forgets that injured animal muscle twitches just like human muscle, that the maltreated nerves of an animal sicken like human nerves, that the animal being is just as sensitive to cuts, blows and beating as man. Thus man becomes the torturer of the animal soul, which has been subjected to him only for the fulfilment of humane and wise purposes; sometimes out of self-interest, at other times in order to satisfy a whim, sometimes out of thoughtlessness—yes, even for the satisfaction of crude satanic desire."

"Next to the ridicule of denying an evident truth, is that of taking much pains to defend it; and no truth appears to me more evident, than that beasts are endow'd with thought and reason as well as men. The arguments are in this case so obvious, that they never escape the most stupid and ignorant."

"If we cut up beasts simply because they cannot prevent us and because we are backing our own side in the struggle for existence, it is only logical to cut up imbeciles, criminals, enemies, or capitalists for the same reasons."

"'Tis evident, that sympathy, or the communication of passions, takes place among animals, no less than among men. Fear, anger, courage and other affections are frequently communicated from one animal to another [...] And 'tis remarkable, that tho' almost all animals use in play the same member, and nearly the same action as in fighting; a lion, a tyger, a cat their paws; an ox his homs; a dog his teeth; a horse his heels: Yet they most carefully avoid harming their companion, even tho' they have nothing to fear from his resentment; which is an evident proof of the sense brutes have of each other's pain and pleasure."

"We know, that, in the individual man, consciousness grows from a dim glimmer to its full light, whether we consider the infant advancing in years, or the adult emerging from slumber and swoon. We know, further, that the lower animals possess, though less developed, that part of the brain which we have every reason to believe to be the organ of consciousness in man; and as, in other cases, function and organ are proportional, so we have a right to conclude it is with the brain; and that the brutes, though they may not possess our intensity of consciousness, and though, from the absence of language, they can have no trains of thoughts, but only trains of feelings, yet have a consciousness which, more or less distinctly, foreshadows our own. I confess that, in view of the struggle for existence which goes on in the animal world, and of the frightful quantity of pain with which it must be accompanied, I should be glad if the probabilities were in favour of Descartes' hypothesis; but, on the other hand, considering the terrible practical consequences to domestic animals which might ensue from any error on our part, it is as well to err on the right side, if we err at all, and deal with them as weaker brethren, who are bound, like the rest of us, to pay their toll for living, and suffer what is needful for the general good."

"We have enslaved the rest of the animal creation, and have treated our distant cousins in fur and feathers so badly that beyond doubt, if they were able to formulate a religion, they would depict the Devil in human form."

"Siquidem et per naturam pleraque mutationem recipiunt, et corrupta in diversas species transformantur; sicut de vitulorum carnibus putridis apes, sicut de equis scarabei, de mulis locustae, de cancris scorpiones."

"To my way of thinking there's something wrong, or missing, with any person who hasn't got a soft spot in their heart for an animal of some kind. With most folks the dog stands highest as man's friend, then comes the horse, with others the cat is liked best as a pet, or a monkey is fussed over; but whatever kind of animal it is a person likes, it's all hunkydory so long as there's a place in the heart for one or a few of them."

"How will man, that sanguinary tyrant, be able to excuse himself from the charge of those innumerable cruelties inflicted on his unoffending subjects committed to his care, formed for his benefit, and placed under his authority by their common Father?"

"But ask now the beasts, and they shall teach thee; and the fowls of the air, and they shall tell thee: Or speak to the earth, and it shall teach thee: and the fishes of the sea shall declare unto thee. Who knoweth not in all these that the hand of the LORD hath wrought this? In whose hand is the soul of every living thing, and the breath of all mankind."

"A person who already displays ... cruelty to animals is also no less hardened towards men. We can already know the human heart, even in regard to animals."

"The more we devote ourselves to observing animals and their behaviour, the more we love them, on seeing how gready they care for their young; in such a context, we cannot even contemplate cruelty to a wolf. Leibnitz put the grub he had been observing back on the tree with its leaf, lest he should be guilty of doing any harm to it. It upsets a man to destroy such a creature for no reason, and this tenderness is subsequendy transferred to man."

"Thus our duties to animals are indirectly duties to humanity."

"True human goodness, in all its purity and freedom, can come to the fore only when its recipient has no power. Mankind's true moral test, its fundamental test (which lies deeply buried from view), consists of its attitude toward those who are at its mercy: animals. And in this respect mankind has suffered a fundamental debacle, a debacle so fundamental that all others stem from it."