All Quotes

"Nietzsche's objection to Christianity is that it caused acceptance of what he calls 'slave morality'. It is curious to observe the contrast between his arguments and those of the French philosophes who preceded the Revolution. They argued that Christian dogmas are untrue; that Christianity teaches submission to what is deemed to be the will of God, whereas self-respecting human beings should not bow before any higher Power; and that the Christian Churches have become the allies of tyrants, and are helping the enemies of democracy to deny liberty and continue to grind the faces of the poor. Nietzsche is not interested in the metaphysical truth of either Christianity or any other religion; being convinced that no religion is really true, he judges all religions entirely by their social effects. He agrees with the philosophes in objecting to submission to the supposed will of God, but he would substitute for it the will of earthly 'artist-tyrants'. Submission is right, except for these supermen, but not submission to the Christian God. As for the Christian Churches' being allies of tyrants and enemies of democracy, that, he says, is the very reverse of the truth. The French Revolution and Socialism are, according to him, essentially identical in spirit with Christianity; to all alike he is opposed, and for the same reason: that he will not treat all men as equal in any respect whatever."

"Speaking of Spinoza he [Nietzsche] says: "How much of personal timidity and vulnerability does this masquerade of a sickly recluse betray!" Exactly the same may be said of him, with the less reluctance since he has not hesitated to say it of Spinoza. It is obvious that in his day-dreams he is a warrior, not a professor; all the men he admires were military. His opinion of women, like every man's, is an objectification of his own emotion towards them, which is obviously one of fear. "[Thou goest to woman?] Forget not thy whip"—but nine women out of ten would get the whip away from him, and he knew it, so he kept away from women, and soothed his wounded vanity with unkind remarks."

"Nietzsche was personally more philosophical than his philosophy. His talk about power, harshness, and superb immorality was the hobby of a harmless young scholar and constitutional invalid. He did not crave in the least either wealth or empire. What he loved was solitude, nature, music, books. But his imagination, like his judgment, was captious; it could not dwell on reality, but reacted furiously against it. Accordingly, when he speaks of the will to be powerful, power is merely an eloquent word on his lips. It symbolises the escape from mediocrity. What power would be when attained and exercised remains entirely beyond his horizon. What meets us everywhere is the sense of impotence and a passionate rebellion against it."

"At the University of Basel Professor Eucken often served with Nietzsche on the examining committee of candidates for the doctorate in classical philology. On such occasions, if the student appeared to be getting the worst of it in the verbal contest, Nietzsche would be observed to become more and more nervous until, finally, he could contain himself no longer and would break in with leading questions: "I suppose you mean so-and-so?" or "Do you not believe this or that?" until he got the student to say just about what he should have said in the first place. Professor Eucken does not regard the widespread influence of Nietzsche as altogether evil, believing he should not be held responsible for all the vagaries and extravagances of his devotees. The reason of Nietzsche's popularity, according to Eucken, is his strong individualism; for the Germans, in spite of governmental control and the Social Democracy, are pronounced individualists in character. The German will insist upon having his own house, his own seat, his own opinion."

"I think he sets a certain standard, let's say a standard of seriousness. (Q: Doesn't he seem intolerant to you, even merciless?) Sontag: He's very vehement, yes. Kafka too was very vehement, and he excluded a great deal, in his life and in his work. These are people whose lives I find exemplary in some respect-their thoughts, their ideas, their work, their seriousness."

"It is certainly not an overstatement to say that no one has ever spoken so greatly and so nobly of what a philosopher is as Nietzsche."

"Friedrich Nietzsche, the famous atheist and ardent enemy of religion and Christianity, knew more about the power the idea of God than many faithful Christians."

"Nietzsche knew of the ambiguity in all life. He knew of the creative and destructive elements which are always present in every life process. If you want to find out about his idea of God, do not look first to his statement that "God is dead." Read instead the last fragments of The Will to Power, which is a collection of fragments. It is not a book in itself. The last fragment describes the divine demonic character of life in formulations which show the ambiguity, the greatness, and the destructiveness of life. He asks us to affirm this life in its great ambiguity. Out of this he then has another kind of God, a God in which the demonic underground, the Dionysian underground, is clearly visible. The victory of the element of rationality or of meaning is not as clear as in other philosophers like Kant or Hegel, Hume or Locke, but there is an opening up of vitality, and its half-creative, half-destructive power."

"This divergence and perversion of the essential question is most striking in what goes today by the name of philosophy. There would seem to be only one question for philosophy to resolve: What must I do? Despite being combined with an enormous amount of unnecessary confusion, answers to the question have at any rate been given within the philosophical tradition on the Christian nations. For example, in Kant´s Critique of Practical Reason, or in Spinoza, Schopenhauer and specially Rousseau. But in more recent times, since Hegel´s assertion that all that exists is reasonable, the question of what one must do has been pushed to the background and philosophy has directed its whole attention to the investigation of things as they are, and to fitting them into a prearranged theory. This was the first step backwards. The second step, degrading human thought yet further, was the acceptance of the struggle for existence as a basic law, simply because that struggle can be observed among animals and plants. According to this theory the destruction of the weakest is a law which should not be opposed. And finally, the third step was taken when the childish originality of Nietzsche´s half-crazed thought, presenting nothing complete or coherent, but only various drafts of immoral and completely unsubstantiated ideas, was accepted by the leading figures as the final word in philosophical science. In reply to the question: what must we do? the answer is now put straightforwardly as: live as you like, without paying attention to the lives of others. If anyone doubted that the Christian world of today has reached a frightful state of torpor and brutalization (not forgeting the recent crimes committed in the Boers and in China, which were defended by the clergy and acclaimed as heroic feats by all the world powers), the extraordinary success of Nietzsche's works is enough to provide irrefutable proof of this. Some disjointed writings, striving after effect in a most sordid manner, appear, written by a daring, but limited and abnormal German, suffering from power mania. Neither in talent nor in their basic argument to these writings justify public attention. In the days of Kant, Leibniz, or Hume, or even fifty years ago, such writings would not only have received no attention, but they would not even have appeared. But today all the so called educated people are praising the ravings of Mr. N, arguing about him, elucidating him, and countless copies of his works are printed in all languages."

"The whole world knows that virtue consists in the subjugation of one's passions, or in self-renunciation. It is not just the Christian world, against whom Nietzsche howls, that knows this, but it is an eternal supreme law towards which all humanity has developed, including Brahmanism, Buddhism, Confucianism, and the ancient Persian religion. And suddenly a man appears who declares that he is convinced that self-renunciation, meekness, submissiveness and love are all vices that destroy humanity (he has in mind Christianity, ignoring all the other religions). One can understand why such a declaration baffled people at first. But after giving it a little thought and failing to find any proof of the strange propositions, any rational person ought to throw the books aside and wonder if there is any kind of rubbish that would not find a publisher today. But this has not happened with Nietzsche´s books. The majority of pseudo-enlightened people seriously look into the theory of the übermensch, and acknowledge its author to be a great philosopher, a descendant of Descartes, Leibniz and Kant. And all this has come about because the majority of pseudo-enlightened men of today object to any reminder of virtue, or to its chief premise: self-renunciation and love—virtues that restrain and condemn the animal side of their life. They gladly welcome a doctrine, however incoherently and disjointedly expressed, of egotism and cruelty, sanctioning the idea of personal happiness and superiority over the lives of others, by which they live."

"It would certainly not be difficult to unearth in Nietzsche’s voluminous works a few pages which, outside their context, might serve to illustrate any preconceived thesis, particularly within the framework of a global exegesis which, parenthetically, would be quite useful to the works of Nietzsche, which are more obscure than profound. This is what the anarchists of Western Europe did, who hastened to consider Nietzsche one of them and who received a cruel rebuff: the philosopher of the master’s morality rejected them with all the rudeness he was capable of. It is clear to the reader, we hope, that we find sterile such a literary and textual attitude towards the writings rich in paradoxes of the recently deceased German thinker, whose aphorisms are often contradictory and in general allow for dozens of interpretations. The natural road towards a correct clarification of Nietzschean philosophy is the analysis of the social base that gave birth to this complex product. The present article strove to carry out an analysis of this kind. The base revealed itself to be rotten, pernicious, and poisoned. From which this conclusion: let them invite us as much as they want to dive in all confidence into Nietzscheism, to breathe deeply in his works the fresh air of proud individualism. We will not answer these appeals and, without fearing facile reproaches of narrowness and exclusivism, will reply with skepticism the way Nathaniel did in the gospel: “Can anything good come out of Nazareth?”"

"Probably no one as skillfully as Nietzsche has managed to appeal to the wild instincts that are dormant in man, and on the other hand to outrage at himself all the lofty feelings that we owe to the higher element in us. This way of writing ensured Nietzsche a huge number of readers."

"Nietzsche does not favor reckless, anarchic action. The model of the artist, and more specifically the musician, is important. Rhythm is of the essence; timing of notes, of actions, allows for a style that is cohesive, even if not uniform. The music that emerges comes out over time, it becomes and develops slowly into a whole that is effective if timed well. Again Nietzsche sees that artists, especially musicians and poets, have such a talent. And to the extent that a writer writes poetically, he also shares in this talent."

""Regression testing"? What's that? If it compiles, it is good; if it boots up, it is perfect."

"In Nietzsche and [Jakob] Burckhardt the German language had its last great voices of the old Goethean individualism amid the triumphant Bismarck era of statism and mechanized material power. . . . Nietzsche remains unequaled in anticipating out ever-increasing need today for the full, unmechanized personality."

"The two leitmotifs of the present writer's Metapolitics: From the Romantics to Hitler, 1941, were the rival outlooks of Nietzsche, Wagner: Nietzsche as the voice warning Germany against nationalism, anti-Semitism, herd-collectivism; Wagner as the voice teaching Hitler his Aryan racism, anti-parliamentary leadership-cult, anti-aristocratic cult of the collective "folk." . . . Nietzsche's was the only voice in the 1880's to say that Richard Wagner's folk-romanticism and anti-Semitism would make his German nationalist disciples "the destroyers of both German and European culture.""

"Nietzsche, like other young men of great intellectual gifts, was debilitated by the effects of masturbation."

"In 1870 Nietzsche knew that nihilism stood at the door; now it is with us. Despair for mankind is nearly universal. What hope is there? The current protest of youth is basically a rebellion against a nihilistic society, but what comes next?"

"I don't see Nietzsche as the sort of philosopher whose views you just adopt: there are all sorts of problems with his positive views about the future, about politics, and so on. I see him in the same way that Foucault saw him, as a sort of resource. Foucault said that there isn't any one Nietzsche: everybody gets out of him what they find most helpful. I'm also convinced, from my own experience, that you get most out of him when you've got part of the way there on some path of your own. I think it's arriving at some thoughts of my own which turned out to be not dissimilar to things that Nietzsche had developed in greater depth that has greatly increased my interest in him. I do think that his genealogies are very remarkable constructions, and deserve our attention and respect. But of course they go beyond the metaphysical psychology of Kantian moralism. They also extend much more generally to the sources of our moral conceptions and their associated metaphysical models."

"Although Nietzsche was keenly alive to what concerns the deniers, he was an opponent of them. The indifference to truthfulness which they encourage would be for him merely an aspect of nihilism. When he discovered that the values of truth and truthfulness, such as the resistance to self-deception and to comforting mythologies, were not self-justifying and not given simply with the concept of truth—unless the concept of truth is itself inflated into providing some metaphysical teleology of human existence, of the kind that he rejected in Platonism—he did not settle for a demure civic conversation in the style of Richard Rorty's ironist, or saunter off with the smug nod that registers a deconstructive job neatly done. He was aware that his own criticisms and exposures owed both their motivation and their effect to the spirit of truthfulness. His aim was to see how far the values of truth could be revalued, how they might be understood in a perspective quite different from the Platonic and Christian metaphysics which had provided their principal source in the West up to now."

"Anyone who can understand that the Buddhist idea of Nirvana is not merely negative, and that the Buddha himself who (like the Superman) 'looks down on suffering humanity like a hillsman on the planes' is not an atheistic monster, will instantly see how this misses the point. Nietzsche was not an atheist, any more than the Buddha was. Anyone who reads the Night Song and the Dance Song in Zarathustra will recognize that they spring out of the same emotion as the Vedic or Gathic hymns or the Psalms of David. The idea of the Superman is a response to the need for salvation in precisely the same way that Buddhism was a response to the 'three signs'."

"Nietzsche's great concept of Yea-saying gave him a notion of purpose that is seen as positive. Nietzsche, in short, was a religious mystic."

"Nietzsche was used to being alone. He regarded it as being part of destiny of the man of genius. His hero, Schopenhauer, convinced him of it when he was barely twenty, and although he came later to reject Schopenhauer, he never rebelled against his destiny of aloneness."

"The rather more dubious side of Nietzsche's 'evolutionism' is his glorification of the warrior -- particularly when, as an exemplification of the warrior-hero, he chooses an archetypal 'spoilt brat' like cesare Borgia. Nietzsche's own physical weakness and consequent inability to escape the atmosphere of the study leads him to take a rather unrealistic view of the man of action."

"Nietzsche was not an atheist, any more than the Buddha was."

"Both Nietzsche and Marx did their greatest work seeking to explain the mystery. The term both used was "decadence." But if there was decadence, what was decaying? Religious faith and moral codes that had been in place since time was, said Nietzsche, who in 1882 made the most famous statement in modern philosophy — "God is dead" — and three startlingly accurate predictions for the twentieth century. He even estimated when they would begin to come true: about 1915. (1) The faith men formerly invested in God they would now invest in barbaric "brotherhoods with the aim of the robbery and exploitation of the non-brothers." Their names turned out, in due course, to be the German Nazis and the Russian Communists. (2) There would be "wars such as have never been waged on earth." Their names turned out to be World War I and World War II. (3) There no longer would be Truth but, rather, "truth" in quotation marks, depending upon which concoction of eternal verities the modem barbarian found most useful at any given moment. The result would be universal skepticism, cynicism, irony, and contempt. The First World War began in 1914 and ended in 1918. On cue, as if Nietzsche were still alive to direct the drama, an entirely new figure, with an entirely new name, arose in Europe: that embodiment of skepticism, cynicism, irony, and contempt, the Intellectual."

"In his book Modern Times, the historian Paul Johnson referred to Hitler, Stalin, and Mussolini as the three devils of the twentieth century. Interestingly, Nietzshean dogma influenced each of them."

"My name is Linus Torvalds and I am your god."

"The tragedy of Friedrich Nietzsche's life was that it happened to be a one-man show, a monodrama wherein no other actor entered upon the stage. As the acts of the play precipitate themselves like an avalanche before our eyes, the solitary fighter stands alone beneath the louring skies of destiny—not a soul is at his side to succour him; no woman is there to soften by her ever-present sympathy the stresses of the atmosphere. Every action takes its birth in him, and its repercussions are felt by him alone. The few figures which, at the outset, creep by in the shadow of his person, accompany his heroic enterprise with gestures of dumb astonishment and fear; soon they glide away and vanish as if faced by some danger. Not one person ventures to enter wholeheartedly into the innermost sanctum of Nietzsche's destiny; the poet-philosopher is doomed to speak, to struggle, to suffer alone. He converses with no one, and no one has anything to say to him. What is even more terrible is that none hearken to his voice."

"Nietzsche was not a poseur, nor was he represented as a hero during his lifetime. Since his death, many who claim to be his disciples have pictured him as an archetypal hero. Defiant carriage of the head; a lofty brow furrowed with sombre thoughts; thick, wavy hair, clustering down to the strong column of the neck; two falcon eyes beneath bushy eyebrows; every feature of this masterful countenance taut with willpower, health and strength—such is the portrait usually given of him. Like a second Vercingetorix, he is shown with a heavy moustache falling manfully over the hard-set lips which surmount a prominent chin, and involuntarily the image called up is that of the barbarian warrior, a Viking of the Teutonic north striding forward sword in hand to victory, his hunting horn slung over his shoulder and a spear within easy reach. It is thus that our sculptors and painters delight in portraying him, a Germanic superman, a Prometheus bound, hoping thereby to render this great recluse more accessible to men of little faith who, corrupted by school books and stage presentations, are incapable of detecting tragedy unless it is draped in theatrical trappings. But genuine tragedy is never theatrical, and the true portrait of Nietzsche is far less picturesque than busts and paintings of him would have us believe."

"To be incapable of taking one's enemies, one's accidents, even one's misdeeds seriously for very long—that is the sign of strong, full natures in whom there is an excess of the power to form, to mold, to recuperate and to forget[...] Such a man shakes off with a single shrug many vermin that eat deep into others; here alone genuine 'love of one's enemies' is possible—supposing it to be possible at all on earth. How much reverence has a noble man for his enemies!—and such reverence is a bridge to love.—For he desires his enemy for himself, as his mark of distinction; he can endure no other enemy than one in whom there is nothing to despise and very much to honor!"

"To ask strength not to express itself as strength, not to be a will to dominate, a will to subjugate, a will to become master, a thirst for enemies and obstacles and triumphant celebrations, is just as absurd as to ask weakness to express itself as strength."

"Whom do I hate most among the rabble of today? The socialist rabble, the chandala apostles, who undermine the instinct, the pleasure, the worker's sense of satisfaction with his small existence–who make him envious, who teach him revenge. The source of wrong is never unequal rights but the claim of “equal” rights."

"To demand of strength that it should not express itself as strength, that it should not be a desire to overcome, a desire to throw down, a desire to become master, a thirst for enemies and resistances and triumphs, is just as absurd as to demand of weakness that it should express itself as strength. A quantum of force is equivalent to a quantum of drive, will, effect—more, it is nothing other than precisely this very driving, willing, effecting, and only owing to the seduction of language (and of the fundamental errors of reason that are petrified in it) which conceives and misconceives all effects as conditioned by something that causes effects, by a “subject,” can it appear otherwise. For just as the popular mind separates the lightning from its flash and takes the latter for an action, for the operation of a subject called lightning, so popular morality also separates strength from expressions of strength, as if there were a neutral substratum behind the strong man, which was free to express strength or not to do so. But there is no such substratum; there is no “being” behind doing, effecting, becoming; “the doer” is merely a fiction added to the deed—the deed is everything. The popular mind in fact doubles the deed; when it sees the lightning flash, it is the deed of a deed: it posits the same event first as cause and then a second time as its effect. [..] [O]ur entire science still lies under the misleading influence of language and has not disposed of that little changeling, the “subject” (the atom, for example, is such a changeling, as is the Kantian “thing-in-itself”); no wonder if the submerged, darkly glowering emotions of vengefulness and hatred exploit this belief for their own ends and in fact maintain no belief more ardently than the belief that the strong man is free to be weak and the bird of prey to be a lamb—for thus they gain the right to make the bird of prey accountable for being a bird of prey."

"Without cruelty there is no festival: thus the longest and most ancient part of human history teaches — and in punishment there is so much that is festive!"

"To see others suffer does one good, to make others suffer even more: this is a hard saying but an ancient, mighty, human, all-too-human principle which even the apes might subscribe; for it has been said that in devising bizarre cruelties they anticipate man and are, as it were his "prelude.""

"Let me declare expressly that in the days when mankind was not yet ashamed of its cruelty, life on earth was more cheerful than it is now that pessimists exist."

"Now, when suffering is always the first of the arguments marshalled against life, as its most questionable feature, it is salutary to remember the times when people made the opposite assessment, because they could not do without making people suffer and saw first-rate magic in it, a veritable seductive lure to life. Perhaps pain - I say this to comfort the squeamish - did not hurt as much then as it does now; at least, a doctor would be justified in assuming this, if he had treated a Negro (taken as a representative for primeval man) for serious internal inflammations which would drive the European with the stoutest constitution to distraction; - they do not do that to Negroes. (The curve of human capacity for pain actually does seem to sink dramatically and almost precipitously beyond the first ten thousand or ten million of the cultural elite; and for myself, I do not doubt that in comparison with one night of pain endured by a single, hysterical blue stocking, the total suffering of all the animals who have been interrogated by the knife in scientific research is as nothing.)"

"What really raises one's indignation against suffering is not suffering intrinsically, but the senselessness of suffering."

"That every will must consider every other will its equal — would be a principle hostile to life, an agent of the dissolution and destruction of man, an attempt to assassinate the future of man, a sign of weariness, a secret path to nothingness."

"It is possible to imagine a society flushed with such a sense of power that it could afford to let its offenders go unpunished."

"Generally speaking, punishment makes men hard and cold; it concentrates; it sharpens the feeling of alienation; it strengthens the power of resistance."

"The broad effects which can be obtained by punishment in man and beast are the increase of fear, the sharpening of the sense of cunning, the mastery of the desires; so it is that punishment tames man, but does not make him "better.""

"All instincts that do not discharge themselves outwardly turn inward — this is what I call the internalization of man: thus it was that man first developed what was later called his "soul.""

"The advent of the Christian God, as the maximum god attained so far, was therefore accompanied by the maximum feeling of guilty indebtedness on earth."

"If a temple is to be erected, a temple must be destroyed."

"Is this even possible today?–But some day, in a stronger age than this decaying, self-doubting present, he must yet come to us, the redeeming man of great love and contempt, the creative spirit whose compeHing strength will not let him rest in any aloofness or any beyond, whose isolation is misunderstood by the people as if it were flight from reality-while it is only his absorption, immersion, penetration into reality, so that, when he one day emerges again into the light, he may bring home the redemption of this reality: its redemption from the curse that the hitherto reigning ideal has laid upon it. This man of the future, who will redeem us not only from the hitherto reigning ideal but also from that which was bound to grow out of it, the great nausea, the will to nothingness, nihilism; this bell-stroke of noon and of the great decision that liberates the will again and restores its goal to the earth and his hope to man; this Antichrist and antinihilist; this victor over God and nothingness–he must come one day."

"Whoever is completely and wholly an artist is to all eternity separated from the "real," the actual; on the other hand, one can understand how he may sometimes weary to the point of desperation of the eternal "unreality" and falsity of his innermost existence- and that then he may well attempt what ia most forbidden him, to lay hold of actuality, for once actually to be."

"Es sind im asketischen Ideale so viele Brücken zur Unabhängigkeit angezeigt, dass ein Philosoph nicht ohne ein innerliches Frohlocken und Händeklatschen die Geschichte aller jener Entschlossnen zu hören vermag, welche eines Tages Nein sagten zu aller Unfreiheit und in irgend eine Wüste giengen."

"That which Heraclitus avoided, however, is still the same at that which we shun today: the noise and democratic chatter of the Ephesians, their politics, their latest news of the “Empire,” ... their market business of “today”—for we philosophers need to be spared one thing above all: everything to do with “today.” We reverence what is still, cold, noble, distant, past, and in general everything in the face of which the soul does not have to defend itself and wrap itself up."