All Quotes

"One reason why it is as well not to give very much detail is that, no matter how much is given, the eye will always want more; it will know very well that it is not being paid in full. On the other hand, no matter how little one gives, the eye will generally compromise by wanting only a little more. In either case the eye will want more, so one may as well stop sooner or later. Sensible painting, like sensible law, sensible writing, or sensible anything else, consists as much in knowing what to omit as what to insist upon."

"Painters should remember that the eye, as a general rule, is a good, simple, credulous organ — very ready to take things on trust if it be told them with any confidence of assertion."

"After having spent years striving to be accurate, we must spend as many more in discovering when and how to be inaccurate."

"The composer is seldom a great theorist; the theorist is never a great composer. Each is equally fatal to and essential in the other."

"If a man has not studied painting, or at any rate black and white drawing, his eyes are wild; learning to draw tames them. The first step towards taming the eyes is to teach them not to see too much."

"Think of and look at your work as though it were done by your enemy. If you look at it to admire it you are lost."

"The youth of an art is, like the youth of anything else, its most interesting period. When it has come to the knowledge of good and evil it is stronger, but we care less about it."

"It is said of money that it is more easily made than kept and this is true of many things, such as friendship; and even life itself is more easily got than kept."

"Nothing is so cruel as to try and force a man beyond his natural pace."

"If I die prematurely, at any rate I shall be saved from being bored by my own success."

"I doubt whether any angel would find me very entertaining. As for myself, if ever I do entertain one it will have to be unawares. When people entertain others without an introduction they generally turn out more like devils than angels."

"People say that there are neither dragons to be killed nor distressed maidens to be rescued nowadays. I do not know, but I think I have dropped across one or two, nor do I feel sure whether the most mortal wounds have been inflicted by the dragons or by myself."

"There are some things which it is madness not to try to know but which it is almost as much madness to try to know."

"He who would propagate an opinion must begin by making sure of his ground and holding it firmly. There is as little use in trying to breed from weak opinion as from other weak stock."

"Ideas and opinions, like living organisms, have a normal rate of growth which cannot be either checked or forced beyond a certain point. They can be held in check more safely than they can be hurried. They can also be killed; and one of the surest ways to kill them is to try to hurry them."

"The more unpopular an opinion is, the more necessary is it that the holder should be somewhat punctilious in his observance of conventionalities generally, and that, if possible, he should get the reputation of being well-to-do in the world."

"Many, if not most, good ideas die young — mainly from neglect on the part of the parents, but sometimes from over-fondness. Once well started, an opinion had better be left to shift for itself."

"Argument is generally waste of time and trouble. It is better to present one's opinion and leave it to stick or no as it may happen. If sound, it will probably in the end stick, and the sticking is the main thing."

"He [the Philosopher] should have made many mistakes and been saved often by the skin of his teeth, for the skin of one's teeth is the most teaching thing about one. He should have been, or at any rate believed himself, a great fool and a great criminal. He should have cut himself adrift from society, and yet not be without society."

"Most artists, whether in religion, music, literature, painting, or what not, are shopkeepers in disguise. They hide their shop as much as they can, and keep pretending that it does not exist, but they are essentially shopkeepers and nothing else."

"It is curious that money, which is the most valuable thing in life, exceptis excipiendis, should be the most fatal corrupter of music, literature, painting and all the arts. As soon as any art is pursued with a view to money, then farewell, in ninety-nine cases out of a hundred, all hope of genuine good work."

"Genius...has been defined as a supreme capacity for taking trouble...It might be more fitly described as a supreme capacity for getting its possessors into trouble of all kinds and keeping them therein so long as the genius remains."

"Inspiration is never genuine if it is known as inspiration at the time. True inspiration always steals on a person; its importance not being fully recognised for some time."

"Dullness is so much stronger than genius because there is so much more of it, and it is better organised and more naturally cohesive."

"All men can do great things, if they know what great things are."

"Surely the glory of finally getting rid of and burying a long and troublesome matter should be as great as that of making an important discovery. The trouble is that the coverer is like Samson who perished in the wreck of what he had destroyed; if he gets rid of a thing effectually he gets rid of himself too."

"The supposition that the world is ever in league to put a man down is childish. Hardly less childish is it for an author to lay the blame on reviewers. A good sturdy author is a match for a hundred reviewers."

"I am the enfant terrible of literature and science."

"If people like being deceived — and this can hardly be doubted — there can rarely have been a time during which they can have had more of the wish than now. The literary, scientific and religious worlds vie with one another in trying to gratify the public."

"The greatest poets never write poetry. The Homers and Shakespeares are not the greatest — they are only the greatest that we can know. And so with Handel among musicians. For the highest poetry, whether in music or literature, is ineffable — it must be felt from one person to another, it cannot be articulated."

"If a person would understand either the Odyssey or any other ancient work, he must never look at the dead without seeing the living in them, nor at the living without thinking of the dead. We are too fond of seeing the ancients as one thing and the moderns as another."

"Nothing will ever die so long as it knows what to do under the circumstances, in other words so long as it knows its business."

"Italians, and perhaps Frenchmen, consider first whether they like or want to do a thing and then whether, on the whole, it will do them any harm. Englishmen, and perhaps Germans, consider first whether they ought to like a thing and often never reach the questions whether they do like it and whether it will hurt. There is much to be said for both systems, but I suppose it is best to combine them as far as possible."

"One can bring no greater reproach against a man than to say that he does not set sufficient value upon pleasure, and there is no greater sign of a fool than the thinking that he can tell at once and easily what it is that pleases him. To know this is not easy, and how to extend our knowledge of it is the highest and the most neglected of all arts and branches of education."

"I should like to like Schumann's music better than I do; I dare say I could make myself like it better if I tried; but I do not like having to try to make myself like things; I like things that make me like them at once and no trying at all."

"Every one should keep a mental waste-paper basket and the older he grows the more things he will consign to it — torn up to irrecoverable tatters."

"They [my thoughts] are like persons met upon a journey; I think them very agreeable at first but soon find, as a rule, that I am tired of them."

"An idea must not be condemned for being a little shy and incoherent; all new ideas are shy when introduced first among our old ones. We should have patience and see whether the incoherency is likely to wear off or to wear on, in which latter case the sooner we get rid of them the better."

"It must be remembered that we have only heard one side of the case. God has written all the books."

"It does not matter much what a man hates provided he hates something."

"The great characters of fiction live as truly as the memories of dead men. For the life after death it is not necessary that a man or woman should have lived."

"The evil that men do lives after them. Yes, and a good deal of the evil that they never did as well."

"There are two classes, those who want to know and do not care whether others think they know or not, and those who do not much care about knowing but care very greatly about being reputed as knowing."

"Everything matters more than we think it does, and, at the same time, nothing matters so much as we think it does. The merest spark may set all Europe in a blaze, but though all Europe be set in a blaze twenty times over, the world will wag itself right again."

"Time is the only true purgatory."

"He is greatest who is most often in men's good thoughts."

"The great pleasure of a dog is that you may make a fool of yourself with him and not only will he not scold you, but he will make a fool of himself too."

"The Will-be and the Has-been touch us more nearly than the Is. So we are more tender towards children and old people than to those who are in the prime of life."

"People are lucky and unlucky not according to what they get absolutely, but according to the ratio between what they get and what they have been led to expect."

"A definition is the enclosing a wilderness of idea within a wall of words."