1030568 quotes found
"Blush'd the first blush of coming day, Faded the fairy band away. They pass'd and only left behind A lingering fragrance on the wind, And on the lake, their haunted home, One long white wreath of silver foam."
"They see the mortal maiden ride In honour by the chieftan's side, So beautiful, so free from sin, Worthy was she such boon to win : The spirit race that floated round Were not more pure, more stainless found"
"There grew her father's cypress tree, No other monument had he. He bade that never funeral stone Should tell of glory overthrown,— What could it say, but foreign sky Had seen the exile pine and die?"
"Maiden, fling from thy braided hair The red rosebud that is wreathed there ; For he who planted the parent tree Is now what soon that blossom will be."
"One moment he is at her knee, “So, Leila, wouldst thou weep for me ?” Started she, as at lightning gleam,— “O, Mirza, this I did not dream! Moslem and Moor, may Spanish maid Hearken such words as thou hast said?”"
"When will my soul forget the look With which one single stem she took From out the wreath ?—a tulip flower; But, touch'd as by some withering power, The painted leaves were drooping round The rich but burning heart they bound."
"She fell as falls the rose in spring, The fairest are ever most perishing, Yet lingers that tale of sorrow and love, Of the Christian maid and her Moslem love ; A tale to be told in the twilight hour, For the beauty's tears in her lonely bower."
"O ! the heart has all too many tears ; But none are like those that wait On the blighted love, the loneliness Of the young orphan's fate."
"So much to win, so much to lose, No marvel that I fear to choose."
"There is an antique gem, on which her brow Retains its graven beauty even now."
"Childhood whose very happiness is love."
"Had my eye never on the beauty dwelt Of human face, and my ear never drank The music of a human voice; I feel My spirit would have pour'd itself in song, Have learn'd a language from the rustling leaves, The singing of the birds, and of the tide."
"How much I loved the painter's glorious art, which forms A world like, but more beautiful than this; Just catching nature in her happiest mood!"
"But music is a mystery, and viewless Even when present, and is less man's act, And less within his order; for the hand That can call forth the tones, yet cannot tell Whither they go, or if they live or die, When floated once beyond his feeble ear;"
"Music moves us, and we know not why; We feel the tears, but cannot trace their source. Is it the language of some other state, Born of its memory ? For what can wake The soul's strong instinct of another world, Like music?"
"Pride misers with enjoyment, when we have Delight in things that are but of the mind: But half humility when we partake Pleasures that are half wants, the spirit pines And struggles in its fetters, and disdains The low base clay to which it is allied."
"O dream of fame, what hast thou been to me But the destroyer of life's calm content!"
"Which is the best,— Beauty and glory, in a southern clime, Mingled with thunder, tempest ; or the calm Of skies that scarcely change, which, at the least, If much of shine they have not, have no storms?"
"The sunshine of the morning Is abroad upon the hills, With the singing of the green-wood leaves, And of a thousand rills."
"Oh, glory of the morning! Oh, ye gifted, young, and brave! What end have ye, but midnight; What find ye but the grave ?"
"Teach it me, if you can,—forgetfulness! I surely shall forget, if you can bid me;"
"Down she bent Her head upon an arm so white that tears Seem'd but the natural melting of its snow, Touch'd by the flush'd cheek's crimson."
"And had he not long read Her heart's hush'd secret in the soft dark eye Lighted at his approach, and on the cheek Colouring all crimson at his lightest look?"
"And here at length is somewhat of revenge: For man's most golden dreams of pride and power Are vain as any woman-dreams of love; Both end in weary brow and wither'd heart, And the grave closes over those whose hopes Have lain there long before."
"Deceit is this world's passport: who would dare, However pure the breast, to lay it bare?"
"Why should I love? flinging down pearl and gem To those who scorn, at least care not for them: Why should I hate? as blades in scabbards melt, I have no power to make my hatred felt;"
"How much we give to other hearts our tone, And judge of others' feelings by our own!"
"Her rival—hers—language has not a word By woman's ear so utterly abhorr'd. No marvel, for it robs her only part Of sweet dominion—empire o'er the heart."
"She sleeps!—so sleeps the wretch beside the stake: She sleeps!—how dreadful from such sleep to wake!"
"Who has not loathed that worst, that waking hour, When grief and consciousness assert their power; When misery has morn's freshness, yet we fain Would hold it as a dream, and sleep again;"
"There are remembrances that will not vanish,— Thoughts of the past we would but cannot banish: As if to show how impotent mere will, We loathe the pang, and yet must suffer still: For who is there can say they will forget? —It is a power no science teaches yet."
"Alas! alas! how plague-spot like will sin Spread over the wrung heart it enters in!"
"The sudden start, the rapid step once more,— As if it would annihilate the time:— But who may paint the solitude of crime?"
"A story from the stars; or rather one Of starry fable from the olden time, When young Imagination was as fresh As the fair world it peopled with itself."
"And all o'er heaven is that clear blue The stars so love to wander through. They're rising from the silent deep, Like bright eyes opening after sleep."
"The bard, the warrior, and the sage, What win they but one lying page, Where deeds and words, at hazard thrown, May be or may not be their own?"
"But o'er CYRENE'S cheek the rose, Like moon-touch'd water, ebbs and flows; And eyes that droop like Summer flowers Told they could change with shine and showers."
"Alas! vows are his after sign!— We prop the tree in its decline— The ghosts that haunt a parting hour, With all of grief, and nought of power; A chain half sunder'd in the making,— The plighted vow's already breaking."
"Sketches indeed, from that most passionate page, A woman's heart, of feelings, thoughts, that make The atmosphere in which her spirit moves;"
"When years have past Over the fallen arch, the ruin'd hall, It seems but course of time, the one great doom, Whose influence is alike upon us all;"
"—I never saw more perfect loveliness. It ask'd, it had no aid from dress: her robe Was white, and simply gather'd in such folds As suit a statue: neck and arms were bare; The black hair was unbound, and like a veil Hung even to her feet; she held a lute, And, as she paced the ancient gallery, waked A few wild chords, and murmur'd low sweet words, But scarcely audible, as if she thought Rather than spoke:—the night, the solitude, Fill'd the young Pythoness with poetry."
"'Tis this which makes The best assurance of our promised heaven: This triumph intellect has over death— Our words yet live on others' lips; our thoughts Actuate others. Can that man be dead Whose spiritual influence is upon his kind?"
"I am a woman:—tell me not of fame."
"I did not choose my gift:—too soon my heart, Watch-like, had pointed to a later hour Than time had reach'd: and as my years pass'd on, Shadows and floating visions grew to thoughts, And thoughts found words, the passionate words of song, And all to me was poetry."
"I speak of my own feelings—I can judge Of others but by outward show, and that Is falser than the actor's studied part. We dress our words and looks in borrow'd robes: The mind is as the face—for who goes forth In public walks without a veil at least?"
"I am vain—praise is opium, and the lip Cannot resist the fascinating draught, Though knowing its excitement is a fraud— Delirious—a mockery of fame."
"I may be kind, And meet with kindness, yet be lonely still; For gratitude is not companionship.—"
"How noble and ennobling!—but within How mean, how poor, how pitiful, how mix'd With base alloy; how Disappointment tracks The steps of Hope; how Envy dogs success; How every victor's crown is lined with thorns, And worn mid scoffs!"
"-- social life is fill'd With doubts and vain aspirings; solitude, When the imagination is dethroned, Is turned to weariness."
"Methinks we must have known some former state More glorious than our present, and the heart Is haunted with dim memories, shadows left By past magnificence; and hence we pine With vain aspirings, hopes that fill the eyes With bitter tears for their own vanity."
Young though he was, his radiant energy produced such an impression of absolute reliability that Hedgewar made him the first sarkaryavah, or general secretary, of the RSS.
- Gopal Mukund Huddar
Largely because of the influence of communists in London, Huddar's conversion into an enthusiastic supporter of the fight against fascism was quick and smooth. The ease with which he crossed from one worldview to another betrays the fact that he had not properly understood the world he had grown in.
Huddar would have been 101 now had he been alive. But then centenaries are not celebrated only to register how old so and so would have been and when. They are usually celebrated to explore how much poorer our lives are without them. Maharashtrian public life is poorer without him. It is poorer for not having made the effort to recall an extraordinary life.
I regret I was not there to listen to Balaji Huddar's speech [...] No matter how many times you listen to him, his speeches are so delightful that you feel like listening to them again and again.
By the time he came out of Franco's prison, Huddar had relinquished many of his old ideas. He displayed a worldview completely different from that of the RSS, even though he continued to remain deferential to Hedgewar and maintained a personal relationship with him.