All Quotes

"When I say that I can write nothing but weird fiction, I am not trying to exalt that medium but am merely confessing my own weakness. The reason I can't write other kinds is not that I don't value & respect them, but merely that my slender set of endowments does not enable me to extract a compellingly acute personal sense of interest & drama from the natural phenomena of life. I know that these natural phenomena are more important & significant than the special & tenuous moods which so absorb me, & that an art based on them is greater than any which fantasy could evoke—but I'm simply not big enough to react to them in the sensitive way necessary for artistic response & literary use. God in heaven! I'd certainly be glad enough to be a Shakespeare or Balzac or Turgeniev if I could! . . . I respect realism more than any other form of art—but must reluctantly concede that, through my own limitations, it does not form a medium which I can adequately use."

"However—the crucial thing is my lack of interest in ordinary life. No one ever wrote a story yet without some real emotional drive behind it—and I have not that drive except where violations of the natural order . . . defiances and evasions of time, space, and cosmic law . . . are concerned. Just why this is so I haven't the slightest idea—it simply is so. I am interested only in broad pageants—historic streams—orders of biological, chemical, physical, and astronomical organisation—and the only conflict which has any deep emotional significance to me is that of the principle of freedom or irregularity or adventurous opportunity against the eternal and maddening rigidity of cosmic law . . . especially the laws of time. . . . Hence the type of thing I try to write. Naturally, I am aware that this forms a very limited special field so far as mankind en masse is concerned; but I believe (as pointed out in that Recluse article) that the field is an authentic one despite its subordinate nature. This protest against natural law, and tendency to weave visions of escape from orderly nature, are characteristic and eternal factors in human psychology, even though very small ones. They exist as permanent realities, and have always expressed themselves in a typical form of art from the earliest fireside folk tales and ballads to the latest achievements of Blackwood and Machen or de la Mare or Dunsany. That art exists—whether the majority like it or not. It is small and limited, but real—and there is no reason why its practitioners should be ashamed of it. Naturally one would rather be a broad artist with power to evoke beauty from every phase of experience—but when one unmistakably isn't such an artist, there's no sense in bluffing and faking and pretending that one is."

"I endorse all that you say of the superior intelligence of the felidae. Never have I been able to associate the docile servility and satellitism of the canidae with mental power. Zoölogists seem to consider the cerebration of cats and dogs about 50-50—but my respect always goes to the cool, sure, impersonal, delicately poised feline who minds his business and never slobbers—the aristocratic, epicurean philosopher who knows what he wants and tells interlopers to go to hell. There is no credit in having a dog attached to one—for a dog can be conditioned to become anybody's slave and property. But a cat is nobody's slave. You do not own a cat. If one lives in your home, it is because he regards your way of life favourably, and accepts you as a friend, as one gentleman accepts another. He takes no kicks or insolence from anyone. If you are not worthy to associate with him, he will depart to seek an environment more suited to a gentleman's taste. Therefore he who retains the respect and companionship of a feline has proven himself to be essentially a superior citizen. For a human being, membership in the Kappa Alpha Tau forms a badge of distinction. Many are the eminent names on that member ship list—Mahomet himself, Richelieu, Poe, Baudelaire. . . one could catalogue them endlessly. Certainly, I ask no greater honour than to be accounted a citizen of Ulthar beyond the River Skai!"

"It is the night-black Massachusetts legendry which packs the really macabre 'kick', Here is the material for a really profound study in group neuroticism; for certainly, no one can deny the existence of a profoundly morbid streak in the Puritan imagination....The very pre-ponderance of passionately pious men in the colony was virtually an assurance of unnatural crime; insomuch as psychology now proves the religious instinct to be a form of transmuted eroticism precisely parallel to the transmutations in other directions which respectively produce such things as sadism, hallucination, melancholia, and other mental morbidities. Bunch together a group of people deliberately chosen for strong religious feelings, and you have a practical guarantee of dark morbidities expressed in crime, perversion, and insanity. This was aggravated, of course, by the Puritan policy of rigorously suppressing all the natural outlets of excuberant feeling--music, laughter, colour, pageantry, and so on. To observe Christmas Day was once a prison offence...."

"All my stories, unconnected as they may be, are based on the fundamental lore or legend that this world was inhabited at one time by another race who, in practising black magic, lost their foothold and were expelled, yet live on outside ever ready to take possession of this earth again."

"Lovecraft's Antarctica is the most truly terrible of all his landscapes. This bleak realm of ice and death, the place where came "both mist and snow" to the Ancient Mariner, is at once a heightened version of the real Antarctic; and a vision of the abhorrent plateau of Leng, the roof of the world; and the labyrinthine city of the Elder Beings. It is a symphonic structure of landscaping. According to de Quincy, Coleridge, before starting "The Rime of the Ancient Mariner," has planned "a poem on delirium, confounding its own dream scenery with external things and connected with the imagery of high latitudes." To some similar plan, Lovecraft brought his own fears; he had a horror of, and an allergy to, any temperature lower than twenty degrees and, frequently, in later life, below thirty degrees."

"He's incredibly imaginative. But also, the thing I've found, looking at his work, is that he's primarily a science fiction writer. And all the science stuff that's in his stories is fairly accurate - he did a lot of research. For example, in From Beyond, he did a lot of research into the pineal gland; in Reanimator, he almost gives you the formula for bringing the dead back to life. I think he was very interested in how things actually worked."

"In his books Lovecraft created a brilliantly conceived alternative pre-history of the Earth, built around alien gods of unremitting evil, buried in cities built according to the perverted rules of non-Euclidean geometry and still worshipped by individuals who see through the cant of contemporary morality and perceive the darkness at the heart of our wantonly unjust universe. You can see why he'd appeal to the French."

"Lovecraft's narrative is not only modern, it also emerged from an imagination that was deferential to no dogma that may be dated, one that assimilated what had come before and envisioned what might come to be in the evolution of human consciousness, deliberating with a fearsome honesty until it settled on a position it could hold in good faith and was ready to jettison as dictated by evidence or cerebration. Lovecraft drew upon and extended the most advanced thought of his time as well as all previous scientific and philosophical developments that tended to disenchant the human species with itself. In that sense, he really went the limit of disillusionment in assuming the meaningless, disordered, foundationless universe that became the starting point for later figures in science and philosophy....Although Lovecraft did have his earthbound illusions, at the end of the day he existed in no man's land of nihilism and disillusionment. As a fiction writer, he will ever be a contemporary of each new generation of mortals..."

"Lovecraft's writing is a kind of purple poetry, notoriously parody-able. Of course such language can be done badly, and is not a necessary corollary of Weird Fiction (see, for example, the more robust register of Hodgson in many of his short stories, or Blackwood's melancholy ruminations). However, at its best Lovecraft's (and others') writing achieves affect because of, not despite, its prose, a crime against a certain au courant middlebrow minimalism , that will in passing extol barer prose as "spare", as if logo-parsimoniousness were a self-evident virtue ; or, even more absurdly, as "precise", as if the word " table " is somehow more like a table than a prolix descriptive alternative."

"I'd first read Lovecraft when I was a young adolescent, which is perhaps the best time to read Lovecraft. Now, I admire him for his style, his monomaniacal precision, the 'weirdness' of his imagination, and the underlying, intransigent tragic vision that informs all of his work. He's an American original, whose influences on subsequent writers in the field (Stephen King, for instance) is all-pervasive."

"The Call of Cthulhu by H. P. Lovecraft. Preposterous, overblown, absurd in every way — yet with an originality that looks more powerful and convincing each time I dip into it."

"The view that human relations exist only as engulfment is a serious limitation on a narrative artist. Toward the end of his life Lovecraft seems to have been unhappily aware of this; unfortunately he also underrated his own work and died before it began to be popular. His originality and his undoubted talent (the eerily parodic autobiography of "The Outsider," details like the "gelatinous" voice in "Randolph Carter" or "a warmth that may have been sardonic" of Innsmouth) is best at its quietest, worst in its bravely direct but often inadequate attacks on a theme that requires (at the very least) poetic genius. The very rarity of literary treatments of Lovecraft's main theme give his work added interest, however, and his work will probably always appeal to readers who find his theme compelling. If he had not died young, he might have moved beyond the kind of horror story that says This is what it feels like to the kind that adds And this is what is really happening. The latter moves into tragedy and implied social criticism (as does, for example, Shirley Jackson's The Haunting of Hill House). Lovecraft concludes "the spectral in literature ... is ... a narrow though essential branch of human expression" (p. 106), a comment that might well describe his work: narrow, not appealing to wide tastes and even considerably flawed, yet authentic, and by those who find it congenial, securely loved."

"I must confess that my estimate of Lovecraft would not have pleased his most ardent admirers. The view I expressed in that book [i.e., The Strength to Dream: Literature and the Imagination (1961)] was that, while Lovecraft was distinctly a creative genius in his own way, his pessimism should not be taken too seriously: that it was the pessimism of a sick recluse and had about an element of ressentiment, a kind of desire to take revenge on a world that rejected him. In short, Lovecraft was a 19th century romantic, born in the wrong time. Most men of genius dislike their own age, but the really great ones impose their own vision on the age. The weak ones turn away into a world of gloomy fantasy."

"I suppose what makes Lovecraft both good and bad is the fact that he was an obsessed writer. And this is also the reason that so few of the works in the Lovecraft tradition have touched the same level of imaginative power. August Derleth or Robert Bloch can capture the Arkham atmosphere and style excellently, but it doesn't express their true centre of gravity as writers. [...] This explains why Lovecraft has remained unique, in spite of the number of writers who have been fascinated by his mythical world and by his style. He created the Cthulhu Mythos out of inner necessity."

"I've been stopped cold from eating another burger!"

"My reaction is that free speech not only lives, it rocks!"

"I will continue to use my voice. I believed from the beginning that [the lawsuit] was an attempt to muzzle my voice, and I come from a people who have struggled and died in order to have a voice in this country. And I refused to be muzzled."

"I'm still off hamburgers."

"I never think about what I want. It's about what you want to give to other people."

"It felt like a new day."

"I understand why people think we're gay. There isn't a definition in our culture for this kind of bond between women. So I get why people have to label it – how can you be this close without it being sexual?"

"What I learned at a very early age was that I was responsible for my life. And as I became more spiritually conscious, I learned that we all are responsible for ourselves, that you create your own reality by the way you think and therefore act. You cannot blame apartheid, your parents, your circumstances, because you are not your circumstances. You are your possibilities. If you know that, you can do anything."

"I think that, uh, you know, I'm really happy that the message, or at least some of the message of The Secret is reaching mass consciousness in a way that people realize that they can begin to, uh, positively affect their lives. That's why when I was on the show and said "I've lived this way my whole life", and people who watched our show for years know that I've been talking about how you take responsibility for your life and the choices that you make. Empower your life. And so, when I say that, you know, um, that's how I live my life, the message of The Secret, that's what I mean. I also believe, that, uh, medical healing or healing comes in lots of forms. You know that adage about the guy being lost and God sent him a boat and God sent him — then he gets to heaven and says "Why didn't you help me?" And God's, "I sent you the boat, fool!" So, that's the way I look at medical healing."

"What other people label or might try to call failure, I have learned is just God's way of pointing you in a new direction."

"I believe that every single event in life happens in an opportunity to choose love over fear."

"She's — her great strength, if anybody watches the show — and I think everybody does in Iowa; it's the number one show in Iowa — she's instructive. She's empowering. Every time you watch an Oprah broadcast, at the end of it, you know more than you started and you feel stronger. That's her strength."

"You want motivation? You still don't understand what our children are up against? Let me read you something that was posted on our message boards from someone who claims to be a member of a known pedophile network. He said this: he doesn't forgive, he does not forget, his group has over nine thousand penises and they're all raping children. So, I want you to know: they're organized, and they have systematic ways of hurting children and they use the internet to do it. These are the predators that are molesting and raping our children. They're trading the photos and videos online, and I want to stress again: this is not about politics, it's about giving the dedicated men and women of law enforcement who are trying to catch these predators the resources they need."

"All the energy that you spend, trying to hurt somebody else, that energy will turn around and slap you in the face. The same thing is true, Love, what I know is that the energy that put out everyday with the best of intentions that it would reach you where you really live in heart of yourself has come back to me from all of you in full force. So that what we've learnt on this show; You are responsible for your life and when you get that, everything changes, my friends. So don't wait for somebody else to fix you, to save you or complete you..."

"My own after-school routine included watching The Oprah Winfrey Show. As I've watched old episodes, I realize now that I wasn't ready for the topics, but I certainly needed to hear them. The Oprah show covered abuse, neglect, giveaways, celebrity interviews, and almost every other imaginable subject. Her show gave me the terminology to name things in my life and the lives of others."

"People often ask me: "What is the secret to the success of the show?" "How it lasted 25 years?" I none jokingly say: "My team and Jesus", because nothing but the Hand of God has made this possible for me. For all of you who get railed up when I mentioned God and you wanna know which God am I talking about, I am talking about the same one you talk about, I am talking about the Alpha and Omega, the Omniscience, the Unprecedented, the Ultimate Consciousness, the Source, the Force, the all of everything that is, The One and Only G-O-D, that's what I am talking about..."

"I won't say goodbye, I'll just say until we meet again. To God be the glory."

"Well, I don't call you an atheist then. I think if you believe in the awe and the wonder and the mystery, then that is what God is. That is what God is, not the bearded guy in the sky."

"I feel like my soul is aching for the country. … There's not a day that goes by where I'm not putting on my shoes, or brushing my teeth, where I just think about the ordinariness of, people who just went to a concert, or the ordinariness of the day from people from 9/11, who were just doing an ordinary thing, and then you never get home. … So, I would say that these days of crisis and tragedy are to remind us all to be present in the ordinariness of our lives, that actually turns out to be extraordinary, when the person you love doesn't come home at night. I pay attention to things, you know? … This is to make us all more awakened about our own life, and the fact that it shows up this way is a horror. But, as I heard someone say, seeing people coming together, helping each other — whether it's this crisis we're in or what we saw weeks ago in, in Houston, in Florida, and now in Puerto Rico — it shows the humanity of us all. So, it's an opportunity to show the best of ourselves, when the worst shows up."

"I would say, we can't allow ourselves to be frightened into not living our lives, and I think that we have to keep going and we have to keep going with the faith that thing will get better … And things will get better when we make them better."

"I had a lot of wealthy men calling, telling me that they would run my campaign and raise $1 billion for me. I am actually humbled by the fact that people think that I could be a leader of the free world, but it's just not in my spirit. . . it's not in my DNA"

"I know where my lane is, and I know how to stay in my lane. My lane is evolving the consciousness of people."

"The thing that I do best is "Be Here. Be Now"."

"Turn your wounds into wisdom."

"Trust your heart, and success will come to you."

"Surround yourself with people only who are going to take you higher"

"Your life is not static. Every decision, setback, or triumph is an opportunity to identify the seeds of truth that make you the wondrous human being that you are. I'm not talking just about what you do for a living. When you pay attention to what feeds your energy, you move in the direction of the life for which you were intended. Trust that the Universe has a bigger, wider, deeper dream for you than you could ever imagine for yourself."

"Growing up in the church, one of my favorite Bible parables was about the mustard seed: If you have faith, even if it's as little as a mustard seed, you can move mountains. Anything is possible. As a child, listening from my seat in church, this brought me so much comfort- just as it did when I was struggling as a reporter in Baltimore and as it still does today."

"As you begin to identify the seeds of knowing along your own path, the first question to ask yourself is, What do I believe? Do you believe that you are worthy of happiness, success, abundance, fulfillment, peace, joy, and love? What I know for sure is you become what you believe."

"Nourish what makes you feel confident, connected, contented. Opportunity will rise to meet you."

"We had a few high-profile moments of our own, including a series of rallies with Oprah Winfrey, who'd become a friend and supporter, and was as wise, funny, and gracious on the trail as she was in person"

"Years ago, I interviewed a grieving mother whose adult son had died after a long illness. You could have heard a pin drop in the studio when she so beautifully told the story of their final moment together. The mother had climbed into bed with her son. She could barely hear him, but her head was on his chest. As he took his last breath, he whispered, "Oh Mom, it is all so simple. It's so simple, Mom." He then closed his eyes and died. I got chills when I heard that. I realized then, just as it resonates with me now: We allow life to get so complicated- when it's really so very simple. From that day forward I resolved to continually ask myself, How am I making things more difficult than they need to be? Your answer to that same question is the next step in your path. It's that simple. Imagine what lies just around the bend. Can you see it? I can. Love, Oprah."

"[Contradicting an assertion from Angela Davis] Small steps lead to big accomplishments."

"[E]verything is always working out for you."

"[Winfrey attributes this aphorism to Jeff Weiner, founder of Linkedin] Failure is what’s going to humble you."