All Quotes

"Thank you! Thank you very much! I'm here 'til Thursday. Try the veal!"

"Okay, uh, ogres are like onions."

"Well, at least we know where the princess is, but where's the...?"

"[gets cornered by Dragon] Oh, what large teeth you have! [Dragon roars] I-I-I-I..."

"[atop the dragon after she swallows Farquaad] All right, nobody move! I've got a dragon and I'm not afraid to use it! I'm a donkey on the edge!"

"Hey, wait! What are you doing?"

"Stop it. Stop it, both of you! Y'know, you're just jealous that you could never measure up to a great ruler like Lord Farquaad."

"Yes. But, I don't understand. I'm supposed to be beautiful."

"[his first words] That's enough! He's ready to talk."

""Run, run, run as fast as you can! You can't catch me! I'm the Gingerbread Man!"."

"Evening. Mirror, mirror, on the wall, is this not the most perfect kingdom of them all?"

"Indeed. Knights, new plan! The one who kills the ogre will be named champion! Have at him!"

"[his last words] ...I'll have you locked back in that tower, FOR THE REST OF YOUR DAYS! I AM KING! [Shrek whistles for Dragon.] I WILL HAVE ORDER! I WILL HAVE PERFECTION! I WILL HAVE--!"

"Peter Pan: He can fly!"

"Big Bad Wolf: What?"

"Thelonious: Three! Pick number three, my lord!"

"Wrestling Fan: The chair! Give him the chair!"

"Monsieur Hood: Please, monster! Can't you see I'm a little busy?"

"The greatest fairy tale never told."

"The Prince isn't charming. The Princess isn't sleeping. The sidekick isn't helping. The ogre is the hero. Fairy tales will never be the same again."

"Mike Myers — Shrek, Blind Mouse #2"

"Eddie Murphy — Donkey"

"Cameron Diaz — Princess Fiona"

"Cody Cameron — Pinocchio, Three Little Pigs"

"Kathleen Freeman — Old Woman"

"Michael Galasso — Peter Pan"

"Christopher Knights — Blind Mouse #1, Thelonious"

"Simon J. Smith — Blind Mouse #3"

"Conrad Vernon — Gingerbread "Gingy" Man"

"Jacquie Barnbrook — Wrestling Fan"

"Guillaume Aretos John Bisom Matthew Gonder Calvin Remsberg Jean-Paul Vignon — Merry Men"

"Val Bettin — Bishop"

"Aron Warner — Big Bad Wolf (uncredited)"

"Frank Welker — Dragon (uncredited)"

"Andrew Adamson — Duloc Mascot, Ogre Hunter (uncredited)"

"Sim Evan-Jones — Ogre Hunter (uncredited)"

"Elisa Gabrielli — Additional Voices (uncredited)"

"The vision that impels feminists to action was the vision of the Grandmothers' society, the society that was captured in the words of the sixteenth-century explorer Peter Martyr nearly five hundred years ago. It is the same vision repeated over and over by radical thinkers of Europe and America, from François Villon to John Locke, from William Shakespeare to Thomas Jefferson, from Karl Marx to Friedrich Engels, from Benito Juarez to Martin Luther King, from Elizabeth Cady Stanton to Judy Grahn, from Harriet Tubman to Audre Lorde, from Emma Goldman to Bella Abzug, from Malinalli to Cherrie Moraga, and from Iyatiku to me. That vision as Martyr told it is of a country where there are "no soldiers, no gendarmes or police, no nobles, kings, regents, prefects, or judges, no prisons, no lawsuits... All are equal and free.""

"Emma was my education," Alix Kates Shulman said; "she connected me with a radical world." Goldman's conflicts over the problem of individualism, dissent, minority voice, authority, hierarchy, and her great issues-"the relation between the sexes, the organization of society, and most profoundly, the connection between the two"-paralleled Shulman's own, and Goldman's life immediately gave Shulman a context in which to understand the unfolding women's liberation movement. From Goldman, she learned that "an idea, a cause, a movement could give meaning to a life," a lesson she was beginning to draw from her own life and came to inspire several of her novels. Another parallel lay in their attitudes toward Judaism, which each discarded as a formal identity but remained connected to in characteristically Jewish ways. An atheist, Goldman never criticized Judaism as harshly as she did Christianity, and she considered Jews to be "the mainstay" of "every revolutionary endeavor." Her oratory often contained biblical references, and her radical style was rooted in the prophetic tradition."

"As activists and rebels, Jewish women like Emma Goldman, Maud Nathan, Rose Schneiderman, Bella Abzug, and Betty Friedan influenced many of the key social movements of their eras suffrage, trade unionism, international peace, and the contemporary women's rights movement."

"They were always busy, always thinking of America and their friends there, and longing for wider activity."

"The Eastern-European born revolutionaries Rosa Luxemburg and Emma Goldman, the most famous examples, marched onto the pages of radical history and represented a new kind of Jewish woman, at odds with the balebuste of old."

"Miss Goldman is a communist; I am an individualist. She wishes to destroy the right of property, I wish to assert it. I make my war upon privilege and authority, whereby the right of property, the true right in that which is proper to the individual, is annihilated. She believes that co-operation would entirely supplant competition; I hold that competition in one form or another will always exist, and that it is highly desirable it should. But whether she or I be right, or both of us be wrong, of one thing I am sure; the spirit which animates Emma Goldman is the only one which will emancipate the slave from his slavery, the tyrant from his tyranny — the spirit which is willing to dare and suffer."

"On April 10, 1904, we went to see and hear Emma Goldman for the first time. The event was to be held at the Odd Fellows Temple on Broad and Arch, not far from City Hall. When we came there, we saw a cordon of policemen encircling the entire building. The street was full of people who were forbidden from standing there. Mounted policemen drove the crowd from the sidewalks, like Cossacks had done in holy Russia. I stood there dumbfounded; at first I could not comprehend what was going on. That here, in America, in a free country, peaceful citizens should not be allowed to gather in a venue to hear a speaker—I simply could not believe my eyes!"

"Joseph Cohen "The Jewish Anarchist Movement in America" translated into English by Emil Kerenji"

"Although many social workers like Jane Addams, Florence Kelley, and Sophonisba P. Breckenridge, and socialists like Emma Goldman advocated the rights of immigrants and working women, in most instances during the 1890 to 1910 period their advocacy had little or no effect on the suffragist movement's attitude toward minority or working-class women"

"My interest in Magón led me to read Emma Goldman's autobiography. She told about meeting Magón in 1911: “I found California seething with discontent... The revolution in Mexico was the expression of a people awakened to the great economic and political wrongs in their land. The struggle inspired large numbers of militant workers in America, among them many anarchists and the I.W.W. [Industrial Workers of the World], to help their Mexican brothers across the border. Thoughtful persons on the Coast, intellectuals as well as proletarians, were imbued with the spirit behind the Mexican revolution.” Emma Goldman's autobiography contained another observation that impressed me: "However they may dislike the idea, professors are also proletarians; intellectual proletarians, to be sure, but even more dependent upon their employer than ordinary mechanics." Soon I began organizing graduate teaching assistants and professors into a faculty union."

"Mollie Steimer and Emma Goldman were deported to Russia. Many of these women, if not all, are now dead. But in a great crisis they stood staunch and true in defense of peace and democracy."

"The most interesting women in modern European history appear in the ranks of radical political movements. It is difficult to find conservative or traditional counterparts equal to Louise Michel, Emma Goldman, and Rosa Luxemburg. Even Isadora Duncan, creator of modern dance, flirted with communism. More thoughtful and articulate and certainly as politically active as any of these women is the lesser known Spanish anarchist, Federica Montseny. On asking what attracted these women to radical politics, one discovers in each a commitment to feminism. No person, not even Emma Goldman, explored this necessary relationship between feminist and socialist principles more provocatively than did Federica Montseny."

"The Spanish Civil War shaped the political consciousness of a whole generation, which overwhelmingly saw it as representing heroic resistance to Fascism. Goldman and J. C. Powys did not belong to that generation – they belonged to the generation of its parents or, even, grandparents. And rather than resistance to Fascism, it was the social achievements of the Spanish Revolution that inspired them. In that they stand alone, among figures of the front rank, with Read and Orwell..."