All Quotes

"I would go as far as to say (as my anger comes back) that any attempt to codify musical reality into a kind of imitation grammar (I refer mainly to the efforts associated with the Twelve-Tone System) is a brand of fetishism which shares with Fascism and racism the tendency to reduce live processes to immobile, labeled objects, the tendency to deal with formalities rather than substance. Claude Lévi-Strauss describes (though to illustrate a different point) a captain at sea, his ship reduced to a frail raft without sails, who, by enforcing a meticulous protocol on his crew, is able to distract them from nostalgia for a safe harbor and from the desire for a destination."

"The true meaning of myth, Lévi-Strauss held, lay below the narrative surface, and was to be detected by considering the changes apparent in different versions of the same legend. In his own metaphor, he studied the relationship between various narratives rather as a musician would seek to weave together different instrumental parts to form a symphony."

"Obituary, Daily Telegraph (4 November 2009)"

"He represents an extremely subversive vision with his interest in populations that were disdained. He paid careful attention, not touristically but profoundly, to the human beings on the earth who think differently from us. It’s a respect for others, which is very strong and very moving. He knew that cultural diversity is necessary for cultural creativity, for the future."

""The power men everywhere wield over women, power which has become a model for every other form of exploitation and illegitimate control." I wrote these words in 1978 at the end of an essay called "Compulsory Heterosexuality and Lesbian Existence." Patriarchy as the "model" for other forms of domination-this idea was not original with me. It has been put forward insistently by white Western feminists, and in 1972 I had quoted from Lévi-Strauss: I would go so far as to say that even before slavery or class domination existed, men built an approach to women that would serve one day to introduce differences among us all."

"In a period of growing anxieties regarding the globalization of a postcolonial world and the transformation of the moral order, Lévi-Strauss offered the reassuring image of a reclusive scholar occasionally leaving his study to deliver profound reflections on exotic beliefs and practices that elevated the debate on contemporary issues to the level of the history of humankind, with a zest of wistful conservatism. It was what the public, in France, expected from anthropology."

"Cage's Music of Changes was a further indication that the arts in general were beginning to consciously deal with the "given" material and, to varying degrees, liberating them from the inherited, functional concepts of control."

"One day I said to myself that it would be better to get rid of all that—melody, rhythm, harmony, etc. This was not a negative thought and did not mean that it was necessary to avoid them, but rather that, while doing something else, they would appear spontaneously. We had to liberate ourselves from the direct and peremptory consequence of intention and effect, because the intention would always be our own and would be circumscribed, when so many other forces are evidently in action in the final effect."

"Form is a theatrical event of a certain length, and the length itself may be unpredictable."

"We need to recognise that the entire information sector—from music to newspapers to telecoms to internet to semiconductors and anything in-between—has become subject to a gigantic market failure in slow motion. A market failure exists when market prices cannot reach a self-sustaining equilibrium. The market failure of the entire information sector is one of the fundamental trends of our time, with far-reaching long-term effects, and it is happening right in front of our eyes."

"We love drama. We love conflict. We need a devil or we'll create one."

"People have told me it's like Touched by an Angel on acid. I think that's a good description."

"Most reporters I've spoken with want very badly to understand what is happening to her, but the "why" is really very unimportant. That is just not the point of the show. The journey is how she will deal with this situation, and how it will change her life."

"I think they've always gone on. I've gotten some irate letters from oldsters saying "We did this in the 1930s. You didn't invent anything." And I'm like, "Gramps, you should have put a name on it and sold it, because that’s all I did.""

"I haven't had a TV in 10 years, and I really don't miss it. 'Cause it's always so much more fun to be with people than it ever was to be with a television."

"It's easy to attack and destroy an act of creation. It's a lot more difficult to perform one."

"Why have I sold out? You think I'm supposed to grow old, beating some trite old protest drum that people don't hear anymore? Please; protest is now just a backdrop for a Diesel clothing ad in a slick fashion magazine. My goal is to create a metaphor that changes our reality by charming people into considering their world in a different way. It's time — for me, at least — to be clever and seduce people by entertaining them. I'll never be heard if I'm always ranting and griping."

"How sweet! You still believe in death... that's just so... quaint. Well, sorry to pop your death bubble, but there's no such thing. So make the best of things. Any real belief in death is just wishful thinking. Don't waste good drugs on killing yourself. Share them with friends and have a party. Or send them to me."

"The first step — especially for young people with energy and drive and talent, but not money — the first step to controlling your world is to control your culture. To model and demonstrate the kind of world you demand to live in. To write the books. Make the music. Shoot the films. Paint the art."

"I love being with people. But I need a script, a role, something that will help me overcome my fears of rejection and shame. Most religions and belief systems provide a blueprint for some sort of community. And the religion's leaders model a way of being. For example, in my book Choke, a character enacts his own death and resurrection every night – as does the narrator in Fight Club. Here's Jesus, allowing himself to look terrible in front of his peers. That's the biggest purpose of religious gathering: permission to look terrible in public."

"All I do is track a profane route to something (I hope) profound. Like swimming a river of shit for a kiss."

"If we can forgive what's been done to us... If we can forgive what we've done to others... If we can leave our stories behind. Our being victims and villains. Only then can we maybe rescue the world."

"Going to spring break at Ft. Lauderdale, getting drunk and flashing your breasts isn't an act of personal empowerment. It's you, so fashioned and programmed by the construct of a patriarchal society that you no longer know what's best for yourself. A damsel too dumb to know she is even in distress."

"The things you own end up owning you. It's only after you lose everything that you're free to do anything."

"The problem with every story is you tell it after the fact. Every play-by-play description on the radio, the home runs and strikeouts, even that's delayed a few minutes. Even live television is postponed a couple seconds. Even Sound and light can only go so fast."

"The muffled thunder of dialogue comes through the walls, then a chorus of laughter. Then more thunder. Most of the laugh tracks on television were recorded in the early 1950s. These days, most of the people you hear laughing are dead."

"Telling a story is how we digest what happens to us," Mr Whittier says, "It's how we digest our lives. Our experiences."

"You turn up your music to hide the noise. Other people turn up their music to hide yours. You turn up yours again. Everyone buys a bigger stereo system. This is the arms race of sound You don't win with a lot of treble. This isn't about quality. It's about volume. This isn't about music. This is about winning. You stomp the competition with the bass line. You rattle windows. You drop the melody line, and shout the lyrics. You put in foul language and come down hard on each cussword. You dominate. This is really about power."

"These people so scared of silence. These are my neighbors. These sound-oholics. These quiet-ophobics."

"We come from a generation of people who need their TV or stereo playing all the time. These people so scared of silence. These soundaholics, these quietophobics."

"No one wants to admit we're addicted to music. That's just not possible. No one's addicted to music and television and radio. We just need more of it, more channels, a larger screen, more volume. We can't bear to be without it, but no, nobody's addicted. We could turn it off anytime we wanted. I fit a window frame into a brick wall. With a little brush, the size for fingernail polish, I glue it. The window is the size of a fingernail. The glue smells like hair spray. The smell tastes like oranges and gasoline"

"No detail is too minor to note."

"Anymore, no one's mind is their own. You can't concentrate. You can't think. There's always some noise worming in. Singers shouting. Dead people laughing. Actors crying. All these little doses of emotion. Someone's always spraying the air with their mood."

"There are worse things than finding your wife and child dead. You can watch the world do it. You can watch your wife get old and bored. You can watch your kids discover everything in the world you've tried to save them from. Drugs, divorce, conformity, disease. All the nice clean books, music, television. Distraction. These people with dead children, you want to tell them, go ahead. Blame yourself. There are worse things you can do to the people you love than kill them. The regular way is just to watch the world do it. Just read the newspaper."

"Old George Orwell got it backward. Big Brother isn't watching. He's singing and dancing. He's pulling rabbits out of a hat. Big Brother's busy holding your attention every moment you're awake. He's making sure you're always distracted. He's making sure you're fully absorbed. He's making sure your imagination withers. Until it's as useful as your appendix. He's making sure your attention is always filled. And this being fed, it's worse than being watched. With the world always filling you, no one has to worry about what's in your mind. With everyone's imagination atrophied, no one will ever be a threat to the world."

"When ancient Greeks had a thought, it occurred to them as a god or goddess giving an order. Apollo was telling them to be brave. Athena was telling them to fall in love. Now people hear a commercial for sour cream potato chips and rush out to buy them, but now they call this free will. At least the Greeks were being honest."

"The trick to forgetting the big picture is to look at everything close-up."

"In journalism school, what they want you to be is a camera. A trained, objective, detached professional. Accurate, polished, and observant. They want you to believe that the new and you are always two separate things. Killers and reporters are mutually exclusive. Whatever the story, this isn't about you."

"You don't become a journalist because you're good at keeping secrets. Being a Journalist is about telling. It's about bearing the bad news. Spreading the contagion. The biggest story in history. This could be the end of mass media. The Culling song would be a plague unique to the Information Age. Imagine a world where people shun the television, the radio, movies, the Internet, magazines, and newspapers. People have to wear earplugs the way they wear condoms and rubber gloves. In the past, nobody worried too much about sex with strangers. Or before that, bites from fleas. Or untreated drinking water. Mosquitoes. Asbestos."

"Imagine the books burning. And tapes and films and files, radios and televisions, will all go into that same bonfire. All those libraries and bookstores blazing away in the night. People will attack microwave relay stations. People with axes will chop every fiber-optic cable."

"Power corrupts. And absolute power corrupts absolutely. So just relax, Helen Boyle told me, and just enjoy the ride. She said, "Even absolute corruption has its perks."

"Our footsteps echo against the concrete floor. The steel roof hums with rain. And she says, 'Don't you feel, somehow, buried in history?'"

"These distraction-oholics. These focus-ophobics.""

"Sticks and stones may break your bones but words can hurt like hell."

"Here's Big Brother, singing and dancing, force-feeding you, so your mind never goes hungry enough to think."

"Until you deal with your real personal issues, you'll never be able to control yourself."

"Down through the ceiling comes a fire siren and people screaming that we're supposed to ignore. The gunshots and tires squeeling, sounds wee have to pretend are okay. They don't mean anything. It's just television. An explosion vibrates down from the upstairs. A woman begs someone not to rape her. It's not real. It's just a movie. We're the culture that cried wolf."

"When you think about it from a native plant perspective," Oyster says."Johnny Apple seed was a fucking biological terrorist."

"The way you can go to Paris or Beijing, Oyster says, and everywhere there's a McDonald's hamburger, this is the ecological equivalent of franchised life-forms. Every place is the same place. Kudzu. Zebra mussels. Water hyacinths. Starlings. Burger Kings. The local natives, anything unique gets squeezed out.. He says, "We're landscaping the whole world one stupid mistake at a time.""

"Sure, everybody wants to play God, but for me it's a full-time job."