All Quotes

"The Indians, whom we call barbarous, observe much more decency and civility in their discourses and conversation, giving one another a fair silent hearing till they have quite done; and then answering them calmly, and without noise or passion. And if it be not so in this civiliz'd part of the world, we must impute it to a neglect in education, which has not yet reform'd this antient piece of barbarity amongst us."

"He that thinks diversion may not lie in hard and painful labour, forgets the early rising, hard riding, heat, cold and hunger of huntsmen, which is yet known to be the constant recreation of men of the greatest condition."

"...when I had gone through the whole, and saw what a plain, simple, reason able thing Christianity was, suited to all conditions and capacities; and in the morality of it now, with divine authority, established into a legible law, so far surpassing all that philosophy and human reason had attained to, or could possibly make effectual to all degrees of man kind; I was flattered to think it might be of some use in the world; especially to those, who thought either that there was no need of revelation at all, or that the revelation of our Saviour required the belief of such articles for salvation, which the settled notions, and their way of reasoning in some, and want of understanding in others, made impossible to them. Upon these two topics the objections seemed to turn, which were with most assurance made by deists, against Christianity; but against Christianity misunderstood. It seemed to me, that there needed no more to show them the weakness of their exceptions, but to lay plainly before them the doctrine of our Saviour and his apostles, as delivered in the scriptures, and not as taught by the several sects of Christians."

"...faith and repentance, i. e. believing Jesus to be the Messiah, and a good life, are the indispensable conditions of the new covenant, to be performed by all those who would obtain eternal life. (The reasonableness, or rather necessity of which, that we may the better comprehend, we must a little look back to what was said in the beginning"

"He [Jesus] not only forbids actual uncleanness, but all irregular desires, upon pain of hell-fire; causeless divorces; swearing in conversation, as well as forswearing in judgment; revenge; retaliation; ostentation of charity, of devotion, and of fasting; repetitions in prayer, covetousness, worldly care, censoriousness: and on the other side commands loving our enemies, doing good to those that hate us, blessing those that curse us, praying for those that despitefully use us; patience and meekness under injuries, forgiveness, liberality, compassion: and closes all; his particular injunctions, with this general golden rule, Matt. VII. 12, "All things whatsoever ye would that men should do to you, do you even so to them, for this is the law and the prophets." And to show how much He is in earnest, and expects obedience to these laws, He tells them, Luke VI. 35, That if they obey, " great shall be their reward"."

"The law of faith, being a covenant of free grace, God alone can appoint what shall be necessarily believed by everyone whom He will justify. What is the faith which He will accept and account for righteousness, depends wholly on his good pleasure. For it is of grace, and not of right, that this faith is accepted. And therefore He alone can set the measures of it: and what he has so appointed and declared is alone necessary. No-body can add to these fundamental articles of faith; nor make any other necessary, but what God himself hath made, and declared to be so. And what these are which God requires of those who will enter into, and receive the benefits of the new covenant, has already been shown. An explicit belief of these is absolutely required of all those to whom the gospel of Jesus Christ is preached, and salvation through his name proposed."

"I am sure, zeal or love for truth can never permit falsehood to be used in the defence of it."

"As men, we have God for our King, and are under the law of reason: as Christians, we have Jesus the Messiah for our King, and are under the law revealed by him in the gospel. And though every Christian, both as a deist and a Christian, be obliged to study both the law of nature and the revealed law, that in them he may know the will of God, and of Jesus Christ, whom he hath sent; yet, in neither of these laws, is there to be found a select set of fundamentals, distinct from the rest, which are to make him a deist, or a Christian. But he that believes one eternal, invisible God, his Lord and King, ceases thereby to be an atheist; and he that believes Jesus to be the Messiah, his king, ordained by God, thereby becomes a Christian, is delivered from the power of darkness, and is translated into the kingdom of the Son of God; is actually within the covenant of grace, and has that faith, which shall be imputed to him for righteousness; and, if he continues in his allegiance to this his King, shall receive the reward: eternal life."

"He that denies any of the doctrines that Christ has delivered, to be true, denies him to be sent from God, and consequently to be the Messiah; and so ceases to be a Christian."

"Whoever has used what means he is capable of, for the informing of himself, with a readiness to believe and obey what shall be taught and prescribed by Jesus, his Lord and King, is a true and faithful subject of Christ's kingdom; and cannot be thought to fail in any thing necessary to salvation."

"The greatest part of mankind want leisure or capacity for demonstration, nor can carry a train of proofs, which in that way they must always depend upon for conviction, and cannot be required to assent to till they see the demonstration. Wherever they stick, the teachers are always put upon proof, and must clear the doubt by a thread of coherent deductions from the first principle, how long or how intricate soever that be. And you may as soon hope to leave all the day labourers and tradesmen, the spinsters and dairy-maids, perfect mathematicians, as to have them perfect in ethics this way: having plain commands is the sure and only course to bring them to obedience and practice: the greatest part cannot know, and therefore they must believe. And I ask, whether one coming from heaven in the power of God, in full and clear evidence and demonstration of miracles, giving plain and direct rules of morality and obedience, be not likelier to enlighten the bulk of mankind, and set them right in their duties, and bring them to do them, than by reasoning with them from general notions and principles of human reason?"

"...the church of England, when she baptizes any one, makes him not a Christian [...] the church of England is mistaken, and makes none but socinians Christians"

"That which is static and repetitive is boring. That which is dynamic and random is confusing. In between lies art."

"The people cannot delegate to government the power to do anything which would be unlawful for them to do themselves."

"We are like chameleons; we take our hue and the color of our moral character from those who are around us."

"It is hard on Locke to attribute his success so much to opportunity and current. In the history of thought, especially of thought bearing on action, he is, not the greatest certainly, but the largest of all Englishmen, looming tremendously, and filling an immense space. The Lettres sur les Anglais, which put England into continental circulation, deal most with him and Newton, and he is the master of Voltaire and Condillac. As the—unscientific—inventor of the division of power, he is the master of Montesquieu. By his theory of Education and the Social Contract, he is the master of Rousseau, the most powerful political writer that ever lived. By his political economy he is the master of Adam Smith, and, in a sense, of Turgot. He gave to Whiggism whatever general ideas it mixed with the specific national elements, and is the theorist of government by the great families. Lastly, in the Catena of tradition on Toleration, he is very nearly the principal classic."

"Newton and Locke are examples of the deep sagacity which may be acquired by long habits of thinking and study."

"The vision that impels feminists to action was the vision of the Grandmothers' society, the society that was captured in the words of the sixteenth-century explorer Peter Martyr nearly five hundred years ago. It is the same vision repeated over and over by radical thinkers of Europe and America, from François Villon to John Locke, from William Shakespeare to Thomas Jefferson, from Karl Marx to Friedrich Engels, from Benito Juarez to Martin Luther King, from Elizabeth Cady Stanton to Judy Grahn, from Harriet Tubman to Audre Lorde, from Emma Goldman to Bella Abzug, from Malinalli to Cherrie Moraga, and from Iyatiku to me. That vision as Martyr told it is of a country where there are "no soldiers, no gendarmes or police, no nobles, kings, regents, prefects, or judges, no prisons, no lawsuits... All are equal and free.""

"Locke had illegitimately selected those parts of man he needed for his social contract and suppressed all the rest, a theoretically unsatisfactory procedure and a practically costly one. The bourgeois is the measure of the price paid, he who most of all cannot afford to look to his real self, who denies the existence of the thinly boarded-over basement in him, who is most made over for the purposes of a society that does not even promise him perfection or salvation but merely buys him off."

"Locke was ascribing to men a kind of intrinsic equality that while clearly irrelevant to many situations should definitely be decisive for certain purposes, specifically for purposes of government."

"Locke's language in the Second Treatise is as categorical and universalistic as Rousseau's, if not more so. Yet his apparent assertion of an unqualified and categorical claim was limited both explicitly and implicitly by a requirement as to competence. ... Like Rousseau, Locke torpedoed his own view (if indeed it was his view) that every person subject to the laws made by the demos possesses a categorical and unqualified right to membership in the demos."

"But to return to the Newtonian Philosophy: Tho' its Truth is supported by Mathematicks, yet its Physical Discoveries may be communicated without. The great Mr. Locke was the first who became a Newtonian Philosopher without the help of Geometry; for having asked Mr. Huygens, whether all the mathematical Propositions in Sir Isaac's Principia were true, and being told he might depend upon their Certainty; he took them for granted, and carefully examined the Reasonings and Corollaries drawn from them, became Master of all the Physics, and was fully convinc'd of the great Discoveries contained in that Book."

"As random and as subjective as this award is, it means a great deal in a year of extraordinary, yet again, extraordinary performances by women ... And perhaps those of us in the industry who are still foolishly clinging to the idea that female films with women at the center are niche experiences. They are not. Audiences want to see them, and in fact, they earn money. The world is round, people."

"If I had my way, if I was lucky enough, if I could be on the brink my entire life — that great sense of expectation and excitement without the disappointment — that would be the perfect state."

"Thank you of course to Miss Hepburn. The longevity of her career I think is inspiring to everyone. But most importantly and on behalf of everyone I know in The Aviator, thank you to Martin Scorsese. I hope my son will marry your daughter."

"Well, I'm a product of the Australian film industry which by its very nature is independent, sometimes for better sometimes for worse. I suppose the collaborative nature of being independent is what feels natural to me, and when people talk about working in Hollywood I don't quite know what that means. Being part of the Indiana Jones franchise and The Lord of the Rings, that felt more like a departure for me. But in the end, I think the whole notion of the independent spirit is not just about the way a film is financed but about the creative thinking behind it, and sometimes that can exist in the mainstream; those sensibilities can cross over and audiences are interested in, not a homogenous way of storytelling but a diverse way of receiving a narrative."

"I think marriage is all about timing. Getting married is insanity; I mean, it's a risk – who knows if you're going to be together forever? But you both say, 'We're going to take this chance, in the same spirit."

"What interested me was how much of a departure this was in that you have three interesting, across the generations, female characters, literally riding alongside the male characters. Also the emotional and psychological depth of the characters was, for me, a lot richer than I've seen in a western. But never once did it sacrifice the thrill of the chase. So it was a journey into the unknown for me."

"I can be a real pessimist. You know that when you win an Oscar and you walk offstage and your first thought is: "Oh God, I've peaked.""

"It's been an enormous challenge and enormously gratifying. Andrew and I wanted to travel less and the opportunity of living and working in Sydney was irresistible, especially when it came to being able to give our children roots. I also felt drawn to the stimulating kind of environment that the theatre offers in a way that is completely different from film. To direct a company has its own challenges, and there's nothing like the terror and thrill that comes from performing live in front of an audience. So it's been a marvellous experience for both of us."

"I've done a lot of talking over the past six years. My husband and I have been running the Sydney Theatre Company and it's been magic – my kids have been able to see so many of those transient moments between acting and real life behind the scenes. But now that I've given it up I'm looking forward to being a bit quieter. I'm very conscious of that. There have been times when I've heard myself in the past and thought: "Aw, just shut up.""

"Of course one worries about getting older - we're all fearful of death, let's not kid ourselves. I'm simply not panicking as my laugh lines grow deeper. Who wants a face with no history, no sense of humor?"

"It's not just women in film, 18-year-old girls feel pressure to do preventative injecting. I see someone's face, someone's body who'd had children and I think they're the song lines of your experience, and why would you want to eradicate that? I look at people sort of entombing themselves and all you see is little pin holes of terror... and you think, just live your life, death is not going to be any easier just because your face can't move."

"I remember when I came out of drama school I'd seen a lot of actors, brilliant actors who didn't work very often. And when you're starting out, there's more rejection than there is acceptance, and I said to myself, “I’ll give it five years. I don’t think I have a strong enough mettle to deal with the rejections.""

"In my career, I thought I've never wanted to get anywhere in particular. I just wanted to work with interesting people on interesting projects."

"For me, the roles are the secondary part of the whole process to me strangely. It's about who you're being directed by and who the other actors are. Whenever I read a script, I think, 'wow, that's a great story,' and invariably I want to play one of the other characters, and the process of working out how to play the character you're offered is to work out why you aren't playing the other characters in a way. Maybe that's why I play roles of various different sizes. The challenge is not necessarily always the lead role, but in this case [Blue Jasmine] it was all those things combined."

"You know you've made it when you've been moulded in miniature plastic. But you know what children do with Barbie dolls - it's a bit scary, actually."

"No one is ever who they purport to be. And I suppose I'm most interested in the gap between who we project socially and who we really are."

"I'm not very cautious or careful. It's always been more about having a variety of experiences than any planned trajectory... I think that in a way, projects choose you."

"She has this incredible ability to transform herself. Sometimes you're not sure it's her on screen. It's always fascinating; this capacity of being a totally different person, and yet being yourself. She's very inventive; working with her, I can tell right away she's very free."

"I remember going to the Sunset 5 and just thinking, 'Who is that My goodness'. You just don't see people who have that kind of power and ability every day of the week."

"[She] elevated most of our performances. She's exquisite. She's a great friend. She can read a scene like few actors can. I find her to be grace incarnate. I liked that she was playing a dancer. It fit her because of who she is, because of her undeniable elegance."

"That Blanchett could appear in the same Toronto Film Festival playing Elizabeth and Bob Dylan, both splendidly, is a wonder of acting."

"Years from now, when cinephiles are asked to name the movies' golden age, they'll say it was when Cate Blanchett was in them."

"She has the most extraordinary access to her emotions that I've come across in an actor."

"As an actor, you either work off your own personality, and that's what you're peddling, or, like Cate, you draw out from the source material all the many dark, mysterious, and conflicting elements of the character that are going to make it engaging and trilling for the audience."

"When we came to work, I realized of course that Cate has a fierce intelligence, an unbelievable integrity. Her powers of concentration are phenomenal. Above all, she has a great sense of humour which I think is the most important thing to have and she is a phenomenal family person. The fact that she is working on something with an incredible intensity and at the same time can completely switch off and become a member of an incredibly close family with her children and her husband. When I saw her playing Elizabeth, it was one of those rare moments that I forgot I was watching an actress and I believed I was watching a real person who had actually lived and existed in history. I think Cate is the most extraordinary actress and I'm thrilled we did this movie together."

"I wanted to do the part because Cate was playing Sheba. And she knows, because I've said it out loud in front of a lot of people. My admiration for her is absolutely unbounded. And we had a lot of laughs, which is always good."

"I saw Cate in Streetcar Named Desire on Wednesday night. Liv Ullman directed it. I will say right here that it was perhaps the greatest stage performance I have ever seen ... She showed us the unraveling of a fragile woman right before our eyes and did it with not a false moment ... What I so love about both Cate and Andrew [Upton] is they haven't an ounce of pretense, divahood– just brilliant, hardworking, regular people with a growing family."

"That performance was as naked, as raw and extraordinary and astonishing and surprising and scary as anything I've ever seen, and it didn't have anything to do with what clothes she took off, you know what I mean? She took the layers of a person and just peeled them away. I thought I'd seen that play, I thought I knew all the lines by heart, because I've seen it so many times, but I'd never seen the play until I saw that performance."