All Quotes

"I want to write so that the reader in Des Moines, Iowa, in Kowloon, China, in Cape Town, South Africa, can say, "You know, that's the truth. I wasn't there, and wasn't a six-foot black girl, but that's the truth.""

"The needs of a society determine its ethics."

"You don't have to think about doing the right thing. If you're for the right thing, then you do it without thinking."

"At fifteen life had taught me undeniably that surrender, in its place, was as honorable as resistance, especially if one had no choice."

"I believe most plain girls are virtuous because of the scarcity of opportunity to be otherwise."

"Children's talent to endure stems from their ignorance of alternatives."

"Life is going to give you just what you put in it. Put your whole heart in everything you do, and pray, then you can wait."

"Many people wonder where my secret lies, I'm not cute or built to suit a fashion model size. When I try to show them they think I'm telling lies. I say, it's in the reach of my arms, the span of my hips, the stride of my step, the curl of my lips I'm Woman, Phenominally . I walk in a room just as cool as you please, And to a man the fellows stand, or fall down on their knees. And then they swarm around me; a hive of honey bees. I say, oh it's the fire in my eyes, the flash of my teeth, the swing in my waist, the joy in my feet. Men themselves have wondered what they see in me. They try so much but they can't touch my inner mystery. When I try to show them they say they still can't see. I say oh, it's in the arch of my back. And now you understand just why my head's not bowed. I don't shout or jump about, or have to talk too loud. When you see me walking out it ought to make you proud. I say it's in the click of my heels. The bend of my hair. The palm of my hands. The need for my care, because I'm a woman. Phenomenally. Phenomenal Woman. That's my mother, and all your mothers. And then my grandmothers. And all your grandmothers. And my great grandmothers, And all your great grandmothers. And my great great great, And all your great great... And all you women here, And me."

"You were a precious pearl How I loved to see you shine, You were the perfect girl. And you were mine. For a time. For a time. Just for a time."

"You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I'll rise."

"You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise."

"Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs?"

"Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide."

"Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise I rise I rise."

"I went to sleep last night And I arose with the dawn, I know that there are others Who're still sleeping on, They've gone away, You've let me stay, I want to thank You."

"You can’t use up creativity. The more you use, the more you have. (1982; quoted in the Introduction by Jeffrey M. Elliot)"

"I asked if she had any hard feelings about life. "No, I don't. There are many things I wish were better for a number of people for all of us really. We could have such a great time, sharing, laughing, growing, teaching, learning, dying. Coretta King said the greatest violence is seeing a child go to bed hungry. These are the great violences: assaults on the body and soul. Hunger, poverty, fear, dirt, and guilt and I will not have it. That is what my life is about highlighting these things and, hopefully, encouraging others to help make things better. But bitterness about life, no. Life is like electricity; it's just there. You can plug into that electricity and light up a synagogue, or a church, or keep a heart machine going; or you can electrocute a man. Life is the same way. It says, 'Okay, I'm going to be in your unit for a bit. Want to use me? Want to walk around drugged or sick? All right. It's your business. No value judgments! I'm here for you to use.' Life! When it's through with me, I hope to be through with it. I'll tip my hat, and split." (1974)"

"I think there is always a need in any struggle for sensationalists. They get the headlines, they get the ear of the public, they take the race horse chances. Ofttimes they are the martyrs, but often they're not even right. You hear them speaking in your behalf and you say, "Yuch. You're not qualified. You know the rhetoric, but you're unprepared." But I don't put them down-except to their faces. If we meet somewhere quietly, say in this room, I'm ruthless. I'll say, "How dare you not take four hours to read up on W.E.B. Du Bois? What makes you talk such bullshit?" But that's privately. If I'm asked publicly, I'll say, "God bless them in their struggle." (1975)"

"I can become quite angry and burning in anger, but I have never been bitter. Bitterness is a corrosive, terrible acid. It just eats you and makes you sick. (1977)"

"I tell you one of the most aggravating things of all is to pick up a review of a work of mine and have a reviewer say, "She is a natural writer." That sometimes will make me so angry that I will cry, really, because my intent is to write so it seems to flow. I think it's Alexander Pope who says, "Easy writing is damn hard reading," and vice versa, easy reading is damn hard writing. Sometimes I will stay up in my room for a day trying to get two sentences that will flow, that will just seem as if they were always there. (1977)"

"There were two men who probably formed my writing ambition more than any others. They were Paul Laurence Dunbar and William Shakespeare. I love them. I love the rhythm and sweetness of Dunbar's dialect verse. I love "Candle Lighting Time" and "Little Brown Baby." I also love James Weldon Johnson's "Creation." I am also impressed by living writers. I'm impressed with James Baldwin. I continue to see not only his craftsmanship but his courage. That means a lot to me. Courage may be the most important of all the virtues because without it one cannot practice any other virtue with consistency. I'm impressed by Toni Morrison a great deal. I long for her new works. I'm impressed by the growth of Rosa Guy. I'm impressed by Ann Petry. I'm impressed by the work of Joan Didion ... I would walk fifty blocks in high heels to buy the works of any of these writers. I'm a country girl, so that means a lot. (1983)"

"There are some young Black women, however, that I particularly want to talk about, younger than I in any case, young Black women who are writing, who are inspirational to me. For example, a group of young women in Atlanta have a magazine called Sage. I'm impressed with Gloria Naylor's continuing to work. I'm impressed certainly with Alice Walker. I was hopeful and am still hopeful of Ellease Southerland who wrote a book many years ago called Let the Lion Eat Straw. A wonderful book. Lucille Clifton and Carolyn Rodgers and those younger Black women who have not become well known. That they continue to struggle and write is inspirational."

"I started writing when I was mute. I always thought I could write because I loved to read so much. I loved the melody of Poe and I loved Paul Laurence Dunbar. I had memorized so much of Dunbar, Poe, Shakespeare, James Weldon Johnson, Longfellow. When my son was able to be quiet enough to listen, I taught him those poets. A few years ago he gave a reading of his poetry and he started the reading by saying "First, let me recite to you some of the poets my mother raised me on . . ." In the contemporary world, I confess to having been impressed by Ann Petry. I had The Street in my hand, I used to carry it around… (1988)"

"I still feel you should rock the boat. And if you're not in it, you should turn it over. But not unthinkingly. Protest without serious consideration is dangerous. You have to back up what you say. But once you find the truth, you ought to be prepared to stand on the street corner and use all your gifts to right the wrong. (1986)"

"Glory falls around us as we sob a dirge of desolation on the Cross and hatred is the ballast of the rock"

"We grow despite the horror that we feed upon our own tomorrow. We grow."

"Petulant priests, greedy centurions, and one million incensed gestures stand between your love and me."

"Visit us again, Savior.Your children, burdened with disbelief, blinded by a patina of wisdom, carom down this vale of fear. We cry for you although we have lost your name."

"I have need of a friend.There is one and only one who will give the air from his failing lungs for my body's mend.And that one is my love."

"Nathaniel Hawthorne says, "Easy reading is damn hard writing." I try to pull the language into such a sharpness that it jumps off the page. It must look easy, but it takes me forever to get it to look so easy."

"I know when it's the best I can do. It may not be the best there is. Another writer may do it much better. But I know when it’s the best I can do. I know that one of the great arts that the writer develops is the art of saying, No. No, I’m finished. Bye. And leaving it alone. I will not write it into the ground. I will not write the life out of it. I won’t do that."

"Years ago I read a man named Machado de Assis who wrote a book called Dom Casmurro. Machado de Assis is a South American writer — black father, Portuguese mother — writing in 1865, say. I thought the book was very nice. Then I went back and read the book and said, Hmm. I didn’t realize all that was in that book. Then I read it again, and again, and I came to the conclusion that what Machado de Assis had done for me was almost a trick: he had beckoned me onto the beach to watch a sunset. And I had watched the sunset with pleasure. When I turned around to come back in I found that the tide had come in over my head. That’s when I decided to write."

"Yes. When I’m writing, I am trying to find out who I am, who we are, what we’re capable of, how we feel, how we lose and stand up, and go on from darkness into darkness."

"We, unaccustomed to courage exiles from delight live coiled in shells of loneliness until love leaves its high holy temple and comes into our sight to liberate us into life."

"If we are bold, love strikes away the chains of fear from our souls."

"Love costs all we are and will ever be. Yet it is only love which sets us free. A Brave and Startling Truth."

"It is possible and imperative that we discover A brave and startling truth."

"When we come to it We, this people, on this wayward, floating body Created on this earth, of this earth Have the power to fashion for this earth A climate where every man and every woman Can live freely without sanctimonious piety And without crippling fear When we come to it We must confess that we are the possible We are the miraculous, the true wonders of this world That is when, and only when We come to it."

"Though we are many, each of us is achingly alone, piercingly alone. Only when we confess our confusion can we remember that he was a gift to us and we did have him. He came to us from the creator, trailing creativity in abundance. Despite the anguish, his life was sheathed in mother love, family love, and survived and did more than that. He thrived with passion and compassion, humor and style. We had him whether we know who he was or did not know, he was ours and we were his."

"We are missing Michael. But we do know we had him, and we are the world."

"A bird doesn't sing because it has an answer, it sings because it has a song"

"There is no greater agony than bearing an untold story inside you."

"Hate, it has caused a lot of problems in the world, but has not solved one yet."

"People will forget what you said. People will forget what you did. But people will never forget how you made them feel."

"silence can also enrich you very much. Maya Angelou talks about a long period in her childhood when she was silent, and during those years she turned evil into action. All the evil that had happened to her she was raped-was turned into a positive strength, into energy, because of those years of silence. She reinterpreted the world, recreated reality. In a way, I think, that happened to me, too. Not as dramatically as it happened to her, but those years of silence were very necessary."

"I remember a kind of paraphrase, a quote from Maya Angelou; I don't recall the exact words, but paraphrased it kind of goes like this: if you have to hang by your feet and smear honey on your legs to get yourself writing, then do it. You know whatever works."

"Angelou as a child...She'd often quote Shakespeare or Langston Hughes and now adds Gwendolyn Brooks, Mark Twain and Edna St. Vincent Millay to that list. But those writers, those dreamers, gave her a chance to develop Maya Angelou from Marguerite Johnson."

"To me, the great writers who come from ethnic minorities writing in English come from America. I think the deep, the real deep thinkers now writing in the English language are the black women, such as Toni Morrison, Gloria Naylor, Alice Walker, etc. (F.J.: Where they are using black English in a certain kind of way to signify their difference?) Emecheta: Exactly...Or Maya Angelou-she's another good writer, isn't she? You can understand what she is saying."

"In remembering Maya Angelou, it is important to recall her commitment to the struggle for equality, not just for herself, or for women, or for African Americans. She was committed to peace and justice for all."

"While some schools and libraries still censor her work for unflinchingly depicting the life she led, it was through my hometown library, while in my early teens, that I first saw Maya Angelou. The library invited her to speak, and speak she did—and danced, and sang, in a display of talent that made us laugh, cry and gasp as she moved her black and white audience of hundreds…together."