All Quotes

"A sort of gulpy, gurgly, plobby, squishy, wofflesome sound, like a thousand eager men drinking soup in a foreign restaurant."

"Into the face of the young man who sat on the terrace of the Hotel Magnifique at Cannes there had crept a look of furtive shame, the shifty, hangdog look which announces that an Englishman is about to talk French. One of the things which Gertrude Butterwick had impressed on Monty Bodkin when he left for his holiday on the Riviera was that he must be sure to practise his French, and Gertrude’s word was law. So now, though he knew that it was going to make his nose tickle, he said: ‘Er, garçon.’ ‘M’sieur?’ ‘Er, garçon, esker-vous avez un spot de l’encre et une piece de papier—note papier, vous savez—et une envelope et une plume.’ The strain was too great. Monty relapsed into his native tongue. ‘I want to write a letter,’ he said. And having, like all lovers, rather a tendency to share his romance with the world, he would probably have added ‘to the sweetest girl on earth’, had not the waiter already bounded off like a retriever, to return a few moments later with the fixings. ‘V’la, sir! Zere you are, sir,’ said the waiter. He was engaged to a girl in Paris who had told him that when on the Riviera he must be sure to practise his English. ‘Eenk—pin—pipper—enveloppe—and a liddle bit of bloddin-pipper.’ ‘Oh, merci,’ said Monty, well pleased at this efficiency. ‘Thanks. Right-ho.’ ‘Right-ho, m’sieur,’ said the waiter."

"He had never acted in his life, and couldn't play the pin in Pinafore."

"A young man with dark circles under his eyes was propping himself up against a penny-in-the-slot machine. An undertaker, passing at that moment, would have looked at this young man sharply, scenting business. So would a buzzard."

"'Didn't Frankenstein get married?' 'Did he?' said Eggy. 'I don't know. I never met him. Harrow man, I expect.'"

"If Eggy wanted to get spliced, let him, was the way I looked at it. Marriage might improve him. It was difficult to think of anything that wouldn’t."

"I shuddered from stem to stern, as stout barks do when buffeted by the waves."

"It was a harsh, rasping voice, in its timbre not unlike a sawmill."

"‘Do you know,’ said a thoughtful Bean, ‘I’ll bet that if all the girls Freddie Widgeon has loved were placed end to end—not that I suppose one could do it—they would reach half-way down Piccadilly.’ ‘Further than that,’ said the Egg. ‘Some of them were pretty tall.’"

"’You must remember, Father,’ said Mavis, in a voice which would have had an Eskimo slapping his ribs and calling for the steam-heat, ‘that this girl was probably very pretty. So many of these New York girls are. That would, of course, explain Frederick's behaviour.’"

"He then gave a hideous laugh and added that, if anybody was interested in his plans, he was going to join the Foreign Legion, that cohort of the damned in which broken men may toil and die and dying, forget. ‘Beau Widgeon?’ said the Egg, impressed. ‘What ho!’"

"‘Oh Brancepeth,’ said the girl, her voice trembling, ‘why haven’t you any money? If only you had the merest pittance - enough for a flat in Mayfair and a little weekend place in the country somewhere and a couple of good cars and a villa in the South of France and a bit of trout fishing on some decent river, I would risk all for love.’"

"I could see that, if not actually disgruntled, he was far from being gruntled."

"Aunt Agatha, who eats broken bottles and wears barbed wire next to the skin."

"[of Spode] He was, as I had already been able to perceive, a breath-taking cove. About seven feet in height, and swathed in a plaid ulster which made him look about six feet across, he caught the eye and arrested it. It was as if Nature had intended to make a gorilla and had changed its mind at the last moment."

"It is no use telling me there are bad aunts and good aunts. At the core, they are all alike. Sooner or later, out pops the cloven hoof."

"'Have you ever seen Spode eat asparagus?' 'No.' 'Revolting. It alters one's whole conception of Man as Nature's last word.'"

"Prismatic is the only word for those frightful tweeds and, oddly enough, the spectacle of them had the effect of steadying my nerves. They gave me the feeling that nothing mattered."

"The trouble with you, Spode, is that just because you have succeeded in inducing a handful of half-wits to disfigure the London scene by going about in black shorts, you think you're someone. You hear them shouting ‘Heil, Spode!’ and you imagine it is the Voice of the People. That is where you make your bloomer. What the Voice of the People is saying is: ‘Look at that frightful ass Spode swanking about in footer bags! Did you ever in your puff see such a perfect perisher?"

"'There are moments, Jeeves, when one asks oneself, "Do trousers matter?"' ‘The mood will pass, sir.’"

"Kurt really reminded me a lot of John [Lennon] in his writing, singing, and guitar playing. More attitude than technique, but he had incredibly strong rhythm and a great solo sense."

"Rage and aggression were elements for Kurt to play with as an artist, but he was profoundly gentle and intelligent."

"I went to see Nirvana at a small club called the Pyramid on Avenue A in New York City. It was hard to hear the guitar, but the guy playing and singing had a vibe; he hopped around like a muppet or an elf or something, hunched over his guitar, hop hop hop, hippety hippety hop. I loved that. When he sang, he put his voice in this really grating place, and it was kind of devilish sounding. At the end of the set he attacked the drum kit and threw the cymbals, other bits and finally himself into the audience. Later I saw the same guy passing the bar. He was little, with stringy blond hair and a Stooges T-shirt. I felt proud."

"[Cobain] was a revealing symbol. He called himself passive-aggressive. There was self-pity, whining. There was a diminishment, a diminution. He was sitting there in his sweater, hunched over his guitar, looking like a little lost boy. Compare that with the great figures of my generation: Jimi Hendrix. Pete Townshend. Keith Richards."

"Blown away by fame We could all feel the shotgun hit the floor."

"What of Kurt Cobain, will his presence still remain?"

"Kurt Cobain represents a very legit, realistic outlook. Before that, in my head, to be a white artist was to be privileged. You celebrated the glamor and you got respect. But here's someone that was really taking a hip-hop stance on all of that. Who doesn't play their hit single in concert? Are you crazy? He took that nihilistic Sonic Youth approach, that tortured-everyday-guy thing, to the hilt"

"Cobain changed the course of where the music went. There are certain people where you can see the axis of musical history twisting on them: Hendrix was pivotal, Prince was pivotal, Cobain was pivotal."

"In Kurt’s voice I could hear his love of bluegrass music, of Bill Monroe and Leadbelly. It’s in the twang of his voice."

"Yeah, he talked a lot about what direction he was heading in. I mean, I know what the next Nirvana recording was going to sound like. It was going to be very quiet and acoustic, with lots of stringed instruments. It was going to be an amazing fucking record, and I’m a little bit angry at him for killing himself. He and I were going to record a trial run of the album, a demo tape. It was all set up. He had a plane ticket. He had a car picking him up. And at the last minute he called and said, "I can't come.""

"I was in Pioneer Square - I went to see some band, I don't know if it was the the Melvins. Kurt was there - I think Kurt was by himself and I was by myself. I went over to tell him how much I loved Bleach. He was very quiet and subdued. He said, "Thanks - that means a lot coming from you. Consider yourself our biggest influence.""

"And like I said I love Kurt Cobain and Nirvana, the lyrics are so deep--stuff like "The animals I've trapped have now become my pets"."

"He's your archetypal small guy - wiry, defiantly working class and fiery."

"Kurt's wounds were so deep that when the music floated to the surface after being filtered through his soul, it was incorporeal."

"...With Kurt Cobain you felt you were connecting to the real person, not to a perception of who he was - you were not connecting to an image or a manufactured cut-out."

"You know, I always thought I'd go first. I don't know why I thought that, it just seemed like I would. I mean, I didn't know him on a daily basis - far from it. But, in a way, I don't even feel right being here without him. It's so difficult to really believe he's gone. I still talk about him like he's still here, you know. I can't figure it out. It doesn't make any sense."

"We came offstage and were about to go on for the encore, and I think the bass player of Tad came in and told us [about Cobain's death]. He just kind of barged in and was emotional, and started talking about the reports that they had found Kurt but they weren't sure if it was him or not, but it was. We all got very emotional; it was very surreal. We weren't home; we weren't around any people we knew. I guess, in a sense, we could all take solace in the fact that — especially Soundgarden — that we were born from this idea that we played kind of dark, moody music. Our identity … kind of was a band that created a soundtrack for that type of weird, awful scenario."

"I didn't really know Kurt that well, but there was a guy I always admired. We didn't spent much time together, but the few times we did spend together, you know, were times I'll always remember. You know, he was a really sweet guy, and a really genuine soul, you know, and an incredibly talented artist."

"He really, really inspired me. He was so great. Wonderful. One of the best, but more than that. Kurt was one of the absolute best of all time for me."

"Kurt Cobain, we was good friends Ozzy Osbourne too."

"Everything I love the most get taken away. My momma and music is next. And if that happens before I turn 28. Then I'm going out with Kurt Cobain."

"I think I'm Jimi Hendrix, I think I'm Kurt Cobain I think I'm John Lennon, gone insane Someone take this gun, before I blow out my brains (BANG)."

"And KDC you were much too young And you changed my life But I draw the line at suicide. Here's to Life!"

"Bloody ink on my pen spelled suicide Kurt Cobain even died cause you scrutinize"

"I remember doing nothing on the night Sinatra died And the night Jeff Buckley died And the night Kurt Cobain died And the night John Lennon died."

"You can hear them crying down the lane From Portland to Maryland From Greece to Spain."

"A transvestite in trouble, gee We can make a double CD People want to see blood, To see 'em messed up like a Kurt Cobain."

"I'll spend my days with J.F.K., Marvin Gaye, Martha Raye, and Lawrence Welk, And Kurt Cobain, Kojak, Mark Twain and Jimi Hendrix's poltergeist."

"And going for the clincher, a girl cries out in vain How Jesus lived 6 years longer than Kurt Cobain And Jesus' hair was longer, and Jesus' arms were stonger And Jesus's eyes were bluer, and Jesus' thoughts were truer."

"Thanks to Elvis and Kurt Cobain The world will never be the same."