All Quotes

"The basic mission of the rating system is a simple one: to offer to parents some advance information about movies so that parents can decide what movies they want their children to see or not to see. The entire rostrum of the rating program rests on the assumption of responsibility by parents."

"We count it crucial to make regular soundings to find out how the public perceives the rating program, and to measure the approval and disapproval of what we are doing... The rating system isn't perfect but, in an imperfect world, it seems each year to match the expectations of those whom it is designed to serve — parents of America."

"I invite all of you to work with me to strengthen our copyright laws in all of the ways available to us. As you know, there is also Jack Valenti's proposal for term to last forever less one day. Perhaps the Committee may look at that next Congress."

"Jack Valenti etched the letters G, PG and R into American cinema. That cultural legacy came early in his stewardship of Hollywood's top trade group, when he established the movie-ratings system still in place nearly 40 years later."

"Mostly, filmmakers complain that they must work against muddled or moving boundaries. And parents’ groups grouse about “ratings creep,” a perceived tendency for a category like PG-13 to permit ever more violence, sex and profanity over the years to reach impressionable youth. Yet it was Mr. Valenti’s genius to have devised an apparatus that is not bound by precedent, changes its definitions at will and, ultimately, serves the motion picture industry by becoming, at any given moment, as permissive or restrictive as the prevailing climate seems to demand... for nearly 40 years, Mr. Valenti’s raters have largely kept politicians and busybodies out of the film business, even if that meant playing somewhat unpredictable busybodies themselves. They haven’t always been fair, and not entirely pleasant to deal with. But in the end, theirs was no mean achievement."

"I thought Jack Valenti was wrong about most of the tech-policy issues that he spoke about, but I'm going to miss that guy... One of the lingering regrets of my career is showing up a few minutes late to a Post boardroom luncheon with Valenti that had started with him denouncing a column I'd written about the MPAA's "technological totalitarianism." When I sat down, then-managing editor Steve Coll leaned over to summarize Valenti's opening statement as "he took your name in vain"; I felt like I'd missed the whole show."

"In a sometimes unreasonable business, Jack Valenti was a giant voice of reason. He was the greatest ambassador Hollywood has ever known and I will value his wisdom and friendship for all time."

"Jack works across the aisle because he doesn't see an aisle. It is the root of his success and what others ought to emulate."

"Talking about Marlon is like dancing about architecture. When you tell the stories, the stories would be rich. And everybody would laugh a lot. And then say "where does it come from?""

"I like Brando's acting … and James Dean … and Richard Widmark. Quite a few of 'em I like."

"Conviction of the myth is everything. We need myths, we live by myths, we die for myths."

"Pallid as a mushroom, smooth-skinned and scarred, with curved feminine lips and silky hair, he seems as unhealthy as a lame duck. Yet his ram-like profile has the harsh strength of the gutter."

"This fear of the single man is seen most viscerally in Hollywood films, with their images of dangerous, potentially violent men. The most famous of these were stars such as James Dean, Montgomery Clift, Marlon Brando, and Anthony Perkins, each embodying a different type of moody, sensitive rebel."

"The movie may not contain Brando's greatest performance, but it certainly contains his most emotionally overwhelming scene... As he weeps, as he attempts to remove her cosmetic death mask ("Look at you! You're a monument to your mother! You never wore makeup, never wore false eyelashes!"), he makes it absolutely clear why he is the best film actor of all time. He may be a bore, he may be a creep, he may act childish about the Academy Awards -- but there is no one else who could have played that scene flat-out, no holds barred, the way he did, and make it work triumphantly."

"People like Brando are just kindergarten compared to Kinski."

"Simply put, in film acting, there is before Brando, and there is after Brando. And they are like different worlds."

"Mr. Brando can chew on a matchstick with more skill than many actors can summon up to create a whole character, and simply watching him work is a lesson in the art of acting."

"No figure of his influence has so precariously balanced a handful of unforgettable achievements against a brimming barrelful of embarrassments. And yet the reverence in which he is held by his profession is unshakable. His sometime friend and co-star Jack Nicholson said it simply and best: "He gave us our freedom." By which he meant that Brando's example permitted actors to go beyond characterizations that were merely well made, beautifully spoken and seemly in demeanor; allowed them to play not just a script's polished text but its rough, conflicting subtext as well."

"I realized there was a part of him always churning with something, some problem he was dealing with. I got the impression of a man who was trying to solve the pain of something – perhaps he was gifted with or burdened with – that he didn't really want, or he didn't want so long as he didn't understand it. It kept him, whether he liked it or not, continually alert, seeking for a solution and continually alive, and connected with all of us who have things inside of us going on all the time, and we became fascinated, unconsciously, and watched his turmoil. And that's the word. Turmoil. It was a continuing deep and personal problem."

"Brando used to go cha-cha dancing with us. He could dance his ass off. He was the most charming motherfucker you ever met. He’d fuck anything. Anything! He’d fuck a mailbox. James Baldwin. Richard Pryor. Marvin Gaye. [He slept with them? How do you know that?] Come on, man. He did not give a fuck!"

"Conscience... that stuff can drive you nuts!"

"[to Johnny Friendly] You think you're God Almighty, but you know what you are? You're a cheap, lousy, dirty, stinkin' mug! And I'm glad what I done to you, ya hear that? I'm glad what I done!"

"But Pop, I've seen things that I know are so wrong. Now how can I go back to school and keep my mind on... on things that are just in books, that-that-that aren't people living?"

"[to the dockworkers] Isn't it simple as one, two, three? One, the working conditions are bad. Two, they're bad because the mob does the hiring. And three, the only way we can break the mob is to stop letting them get away with murder."

"There's one thing we've got in this country and that's ways of fightin' back. Gettin' the facts to the public. Testifyin' for what you know is right against what you know is wrong. Now what's ratting to them is telling the truth for you. Now can't you see that? Can't you see that?"

"Some people think the Crucifixion only took place on Calvary. They better wise up! Taking Joey Doyle's life to stop him from testifying is a crucifixion. And dropping a sling on Kayo Dugan because he was ready to spill his guts tomorrow, that's a crucifixion. And every time the Mob puts the pressure on a good man, tries to stop him from doing his duty as a citizen, it's a crucifixion. And anybody who sits around and lets it happen, keeps silent about something he knows that happened, shares the guilt of it just as much as the Roman soldier who pierced the flesh of our Lord to see if he was dead...Boys, this is my church! And if you don't think Christ is down here on the waterfront, you've got another guess coming!"

"Every morning when the hiring boss blows his whistle, Jesus stands alongside you in the shape-up. He sees why some of you get picked and some of you get passed over. He sees the family men worrying about getting the rent and getting food in the house for the wife and the kids. He sees you selling your souls to the mob for a day's pay...And what does Christ think of the easy-money boys who do none of the work and take all of the gravy? And how does he feel about the fellows who wear hundred-and-fifty dollar suits and diamond rings, on your union dues and your kickback money? And how does He, who spoke up without fear against every evil, feel about your silence? You want to know what's wrong with our waterfront? It's the love of a lousy buck. It's making the love of the lousy buck - the cushy job - more important than the love of man! It's forgettin' that every fellow down here is your brother in Christ! But remember, Christ is always with you - Christ is in the shape up. He's in the hatch. He's in the union hall. He's kneeling right here beside Dugan. And He's saying with all of you, if you do it to the least of mine, you do it to me! And what they did to Joey, and what they did to Dugan, they're doing to you. And you. You. ALL OF YOU. And only you, only you with God's help, have the power to knock 'em out for good."

"[to Terry] You'd better get rid of that gun, unless you haven't got the guts. And if you don't, you'd better hang on to it!"

"Marlon Brando - Terry Malloy"

"Eva Marie Saint - Edie Doyle"

"Karl Malden - Father Barry"

"Lee J. Cobb - Michael J. Skelly aka "Big" John "Johnny" Friendly"

"Rod Steiger - Charley "The Gent" Malloy"

"Pat Henning - Timothy J. "Kayo" Dugan"

"Ben Wager - Joey Doyle"

"Fred Gwynne - Slim (uncredited)"

"Martin Balsam - Gillette (uncredited)"

"Pat Hingle - Bartender (uncredited)"

"And in the end, the love you take is equal to the love you make."

"Hey Jude, don't make it bad Take a sad song and make it better. Remember to let her into your heart Then you can start to make it better."

"She's lovely, great. She was very friendly. She was just like a mum to us."

"I really wish the people that look sort of in anger at the 'weirdos,' at the happenings, at the psychedelic freak-out, would instead of just looking with anger, just look with nothing; with no feeling; be unbiased about it. They really don't realize that what these people are talking about is something that they really want themselves. It's something that everyone wants. You know, it's personal freedom to be able to talk and be able to say things And it's dead straight! It's a real sort of basic pleasure for everyone. But it looks weird from the outside."

"Some fella said to me, "Have you had LSD, Paul?" And I said "Yes." And it was only 'cuz I was going to just be honest with him. There's no other reason. I didn't want to spread it or anything, you know. I'm not trying to do anything except answer his question. But he happened to be a reporter, and I happened to be a Beatle."

"Personally, I think you can put any interpretation you want on anything, but when someone suggests that Can't Buy Me Love is about a prostitute, I draw the line. That's going too far."

"We probably seem to be anti-religious...none of us believes in God."

"I wasn't really dead."

"“You’re up on your beautiful Appaloosa stallion. It’s a fine spring day. We’re riding through the woods. The bluebells are all out, and the sky is a clear blue." I had barely got to the end of the sentence when she closed her eyes and gently slipped away. She was unique, and the world is a better place for having known her. I love you, Linda."

"When I see bacon, I see a pig, I see a little friend, and that's why I can't eat it. Simple as that. But I'll eat Linda's veggie bacon. All her food was so good."

"Steve Martin came around for a barbecue once. I was grilling and he said, “Oh, no, I can’t have any of that.” I asked why not and he said, “Sorry, I’m vegetarian.” I said, “You didn’t know we are?! Everything on the grill is veggie!” He said, “Ahhh” and ate three veggie burgers and then asked where he could buy them."

"Criticism didn't really stop us and it shouldn't ever stop anyone, because critics are only the people who can't get a record deal themselves."