All Quotes

"All my life, I've always wanted to be somebody, but I see now I should have been more specific."

"If I had known what it would be like to have it all... I might have been willing to settle for less."

"Sometimes I feel like a figment of my own imagination."

"No matter how cynical you become, it's never enough to keep up."

"I bet the worst part about dying is the part where your whole life passes before you."

"Your problem is your role models were models."

"I swear people don't want sex so much as they want somebody who'll listen to 'em … the first thing you learn after fellatio is how to listen."

"Remember we're all in this alone."

"Don't be afraid of missing opportunities. Behind every failure is an opportunity somebody wishes they had missed."

"For fast acting relief, try slowing down."

"If love is the answer, could you please rephrase the question?"

"If the formula for water is H2O, is the formula for an ice cube H2O squared?"

"If truth is beauty, how come no one has their hair done in the library?"

"If you read a lot of books, you're considered well-read. But if you watch a lot of TV, you're not considered well-viewed."

"Sometimes I worry about being a success in a mediocre world."

"The best mind-altering drug is truth."

"The trouble with the rat race is that even if you win, you're still a rat."

"Why is it when we talk to God we're said to be praying — but when God talks to us, we're said to be schizophrenic?"

"Interviewer: You once said you had a drug problem... Lily: Yeah, I still do. It's so hard to find good grass these days."

"I don't think anybody should write his autobiography until after he's dead."

"Unnamed director: [The script is] too caustic. Goldwyn: To hell with the cost. If it's a good picture, we'll make it."

"A verbal contract isn't worth the paper it's written on."

"Our comedies are not to be laughed at."

"I can answer you in two words: im-possible!"

"Gentlemen, include me out. (or just "Include me out.")"

"We have that Indian scene. We can get the Indians from the reservoir."

"The next time I send a damn fool for something, I go myself."

"I read part of it all the way through."

"Anyone who would go to a psychiatrist ought to have his head examined!"

"If you have a message, call Western Union."

"When Sam Goldwyn can with great conviction instruct Anna Sten in diction, then Anna shows, Anything goes!"

"If I shout: Ideal, Ideal, Ideal Knowledge, Knowledge, Knowledge, Boomboom, Boomboom, Boomboom I have recorded fairly accurately Progress, Law, Morals, and all the other magnificent qualities that various very intelligent people have discussed in so many books."

"There is a literature that does not reach the voracious mass. It is the work of creators.. .Every page must explode, either by profound heavy seriousness, the whirlwind, poetic frenzy, the new, the eternal, the crushing joke, enthusiasm for principles, or by the way in which it is printed. On the one hand a tottering world in flight, betrothed to the glockenspiel of hell, on the other hand: new men. Rough, bouncing, riding on hiccups. Behind them a crippled world and literary quacks with a mania for improvement."

"Dada is the signboard of abstraction; advertising and business are also elements of poetry.. .I destroy the drawers of the brain and of social organization: spread demoralization wherever I go and cast my hand from heaven to hell, my eyes from hell to heaven, restore the fecund wheel of a universal circus to objective forces and the imagination of every individual."

"Some people think they can explain rationally, by thought, what they think. But that is extremely relative... There is no ultimate Truth. The dialectic is an amusing mechanism which guides us / in a banal kind of way / to the opinions we had in the first place. Does anyone think that, by a minute refinement of logic, he has demonstrated the truth and established the correctness of these opinions? Logic imprisoned by the senses is an organic disease"

"Experience is also a product of chance and individual faculties... I detest greasy objectivity, and harmony, the science that finds everything in order. Carry on, my children, humanity... Science says we are the servants of nature: everything is in order, make love and bash your brains in. Carry on, my children, humanity, kind bourgeois and journalist virgins... I am against systems, the most acceptable system is on principle to have none."

"Dada; knowledge of all the means rejected up until now.. . Dada; abolition of logic, which is the dance of those impotent to create: Dada; of every social hierarchy and equation set up for the sake of values by our valets: Dada; every object, all objects, sentiments, obscurities, apparitions and the precise clash of parallel lines are weapons for the fight: Dada; abolition of memory: Dada; abolition of archaeology: Dada; abolition of prophets: Dada; abolition of the future: Dada; absolute and unquestionable faith in every god that is the immediate product of spontaneity:* Dada; elegant and unprejudiced leap from a harmony to the other sphere... Freedom: Dada Dada Dada, a roaring of tense colors, and interlacing of opposites and of all contradictions, grotesques, inconsistencies: LIFE."

"To make a Dadaist Poem (1920) Take a newspaper. Take some scissors. Choose from this paper an article the length you want to make your poem. Cut out the article. Next carefully cut out each of the words that make up this article and put them all in a bag. Shake gently. Next take out each cutting one after the other. Copy conscientiously in the order in which they left the bag. The poem will resemble you. And there you are—an infinitely original author of charming sensibility, even though unappreciated by the vulgar herd."

"A manifesto is a communication made to the whole world, whose only pretensions is to the discovery of an instant cure for political, astronomical, artistic, parliamentary, agronomical and literary syphilis. It may be pleasant, and good-natured, it's always right, it's strong, vigorous and logical. Apropos of logic, I consider myself very likeable."

"Dada belongs to everybody."

"I know that you have come here today to hear explanations. Well, don't expect to hear any explanations about Dada. You explain to me why you exist. You haven't the faintest idea. You will say: I exist to make my children happy. But in your hearts you know that isn't so. You will say: I exist to guard my country, against barbarian invasions. That's a fine reason. You will say: I exist because God wills. That's a fairy tale for children."

"Dada is not at all modern. It is more in the nature of a return to an almost Buddhist religion of indifference. Dada covers things with an artificial gentleness, a snow of butterflies released from the head of a prestidigitator. Dada is immobility and does not comprehend the passions."

"Nothing is more delightful than to confuse and upset people. People one doesn't like. What's the use of giving them explanations that are merely food for curiosity? The truth is that people love nothing but themselves and their little possessions, their income, their dog. This state of affairs derives from a false conception of property. If one is poor in spirit, one possesses a sure and indomitable intelligence, a savage logic, a point of view that can not be shaken. Try to be empty and fill your brain cells with a petty happiness. Always destroy what you have in you. On random walks.."

"Men are different. It is diversity that makes life interesting. There is no common basis in mens minds. The unconscious is inexhaustible and uncontrollable. Its force surpasses us. It is as mysterious as the last particle of a brain cell. Even if we knew it, we could not reconstruct it."

"Art has not the celestial and universal value that people like to attribute to it. Life is far more interesting. Dada knows the correct measure that should be given to art: with subtle, perfidious methods, Dada introduces it into daily life. And vice versa. In art, Dada reduces everything to an initial simplicity, growing always more relative. It mingles its caprices with the chaotic wind of creation and the barbaric dances of savage tribes. It wants logic reduced to a personal minimum."

"You will often hear that Dada is a state of mind. You may be gay, sad, afflicted, joyous, melancholy or Dada. Without being literary, you can be romantic, you can be dreamy, weary, eccentric, a businessman, skinny, transfigured, vain, amiable or Dada... Dada is here, there and a little everywhere, such as it is, with its faults, with its personal differences and distinctions which it accepts and views with indifference."

"We Dadaists are often told that we are incoherent, but into this word people try to put an insult that it is rather hard for me to fathom. Everything is incoherent... There is no logic... The acts of life have no beginning and no end. Everything happens in a completely idiotic way. That is why everything is alike. Simplicity is called Dada. Any attempt to conciliate an inexplicable momentary state with logic strikes me as a boring kind of game... Like everything in life, Dada is useless... Perhaps you will understand me better when I tell you that Dada is a virgin microbe that penetrates with the insistence of air into all of the spaces that reason has not been able to fill with words or conventions."

"Perhaps we'll be able to do beautiful things, since I have a stellar, insane desire to assassinate beauty."

"Splendid, it has done me enormous good to finally see and read something in Switzerland that isn't bullshit. All of it is very nice, it is really something; your manifesto expresses every philosophy seeking truth, when there is no truth, only convention."

"Dada was founded in Zurich in the spring of 1916 by Hugo Ball, Tristan Tzara, Jean Arp, w:Marcel Janco and w:Richard Huelsenbeck at the w:Cabaret Voltaire [in Zurich, Switzerland]... Through Tzara we were also in relation with the Futurist movement and carried on a correspondence with Marinetti. By that time Boccioni had been killed, but all of us knew his thick book, Pittura e scultuptura Futuriste. We regarded Marinetti's position as realistic, and were opposed to it, although we were glad to take over the concept of 'spontaneity', of which he made so much use. Tzara for the first time had poems recited simultaneously on the stage, and these performances were a great success, although the 'poeme simultane' had already been introduced in France by Dereme and others."