All Quotes

"History teaches, but it has no pupils."

"The history of education shows that every class which has sought to take power has prepared itself for power by an autonomous education. The first step in emancipating oneself from political and social slavery is that of freeing the mind. I put forward this new idea: popular schooling should be placed under the control of the great workers’ unions. The problem of education is the most important class problem."

"It is all a matter of comparing one’s own life with something worse and consoling oneself with the relativity of human fortunes. When I was eight or nine I had an experience which came clearly to mind when I read your advice. I used to know a family in a little village near mine: father, mother and sons: they were small landowners and had an inn. Very energetic people, especially the woman. I knew (I had heard) that besides the sons we knew, this woman had another son nobody had seen, who was spoken of in whispers, as if he were a great disgrace for the mother, an idiot, a monster or worse. I remember that my mother referred to this woman often as a martyr, who made great sacrifices for this son, and put up with great sorrows. One Sunday morning about ten, I was sent to this woman’s: I had to deliver some crocheting and get the money. I found her shutting the door, dressed up to go out to mass, she had a hamper under her arm. On seeing me she hesitated then decided. She told me to accompany her to a certain place, and that she would take delivery and give me the money on our return. She took me out of the village, into an orchard filled with rubbish and plaster; in one corner there was a sort of pig sty, about four feet high, and windowless, with only a strong door. She opened the door and I could hear an animal-like howling. Inside was her son, a robust boy of 18, who couldn’t stand up and hence scraped along on his seat to the door, as far as he was permitted to move by a chain linked to his waist and attached to the ring in the wall. He was covered with filth, and his eyes shone red, like those of a nocturnal animal. His mother dumped the contents of her basket – a mixed mess of household leftovers – into a stone trough. She filled another trough with water, and we left. I said nothing to my mother about what I had seen, so great an impression it had made on me, and so convinced was I that nobody would believe me. Nor when I later heard of the misery which had befallen that poor mother, did I interrupt to talk of the misery of the poor human wreck who had such a mother."

"When I was a child the boys of the town never came near me except to make fun of me. I was almost always alone. Sometimes, finding me by chance among them, they hurled themselves against me, and not only with words. One day – and while he told me this his great eyes shone with an inner light - … they started to throw stones at me with more violence than usual, with the evilness which is found among children and the weak. I lost patience, and grabbing stones I too started to defend myself with such energy that my attackers were put to flight. Mario, I succeeded in beating them: I terrified them to such an extent that from that day they respected me and no longer annoyed me. I ran to my mother … and told her of my first victorious battle: she kissed me tenderly and it was the best prize that I could have wanted."

"Gramsci deviated from the Marxist belief that the inherent contradictions of capitalism would of themselves usher in socialism. He was opposed to the iron control of a Leninist revolutionary vanguard. Revolution, he wrote, would only be achieved when the masses had gained enough consciousness to exert personal autonomy and see through the mores, stereotypes and narratives disseminated by the dominant culture. Revolutionary change required the intellectual ability to understand reality."

"Antonio Gramsci wisely wrote: "When a politician puts pressure on the art of his time to express a particular cultural world, his activity is one of politics, not of artistic criticism. If the cultural world for which one is fighting is a living and necessary fact, its expansiveness will be irresistible and it will find its artists.""

"I can’t think why Delio [son] has not been told that I’m in prison, and why no one reflected that he might then find out about it indirectly, that is, in the most disagreeable way for a child, who then begins to doubt the truthfulness of those educating him, to think about it on his own account and draw apart. At least, that was my experience as a child: I remember it perfectly . . . I believe in treating children as rational creatures with whom it is possible to discuss even the most serious matters. This makes a very profound impression on them, it strengthens their character and above all it avoids leaving their development at the mercy of random environmental pressures and casual, impersonal encounters. It really is very strange how grown-ups forget they were children themselves, and make no use of their own experiences. For my part, I recall vividly how offended I was at every discovery of a subterfuge, even if it was meant to keep painful facts from me, and how this shut me up within myself and made me withdraw."

"For two years I have lived outside the world: in a dream world. One by one, I let each strand tying me to the world and to my fellow men be cut. I live entirely for the mind, for the heart not at all …. I turned myself into a bear, inside and outside … other people did not exist for me. For perhaps two years, I didn’t laugh once and I didn’t cry … but I never hurt anyone but myself."

"I’m a pessimist because of intelligence, but an optimist because of will."

"La crisi consiste appunto nel fatto che il vecchio muore e il nuovo non può nascere: in questo interregno si verificano i fenomeni morbosi piú svariati."

"My practicality consists in this: in the knowledge that if you beat your head against the wall it is your head which breaks and not the wall … that is my strength, my only strength."

"All men are intellectuals: but not all men have in society the function of intellectuals."

"Economy and ideology. The claim (presented as an essential postulate of historical materialism) that every fluctuation of politics and ideology can be presented and expounded as an immediate expression of the structure, must be contested in theory as primitive infantilism, and combated in practice with the authentic testimony of Marx, the author of concrete political and historical works."

"History is at once freedom and necessity."

"We can see that in putting the question "what is man?" what we mean is: what can man become? That is, can man dominate his own destiny, can he "make himself," can he create his own life? We maintain therefore that man is a process and, more exactly, the process of his actions. If you think about it, the question itself "what is man?" is not an abstract or "objective" question. It is born of our reflection about ourselves and about others, and we want to know, in relation to what we have thought and seen, what we are and what we can become; whether we really are, and if so to what extent, "makers of our own selves," of our life and of our destiny. And we want to know this "today," in the given conditions of today, the conditions of our daily life, not of any life or any man"

"Revolutionaries see history as a creation of their own spirit, as being made up of a continuous series of violent tugs at the other forces of society - both active and passive, and they prepare the maximum of favourable conditions for the definitive tug (revolution)."

"Every social stratum has its own "common sense" which is ultimately the most widespread conception of life and morals. Every philosophical current leaves a sedimentation of "common sense": this is the document of its historical reality. Common sense is not something rigid and static; rather, it changes continuously, enriched by scientific notions and philosophical opinions which have entered common usage. "Common sense" is the folklore of philosophy and stands midway between "folklore" proper (that is, as it is understood) and the philosophy, the science, the economics of the scholars. "Common sense" creates the folklore of the future, that is a more or less rigidified phase of popular knowledge a certain time and place."

"To tell the truth is revolutionary."

"The long march through the institutions."

"The old world is dying, and the new world struggles to be born: now is the time of monsters."

"The international disputes which united and divided Luxemburg, Lenin, Lukács, Gramsci, Bordiga or Trotsky on these issues represent the last great strategic debate in the European workers’ movement. Since then, there has been little significant theoretical development of the political problems of revolutionary strategy in metropolitan capitalism that has had any direct contact with the masses. The structural divorce between original Marxist theory and the main organizations of the working class in Europe has yet to be historically resolved. The May-June revolt in France, the upheaval in Portugal, the approaching dénouement in Spain, presage the end of this long divorce, but have not accomplished it. The classical debates, therefore, still remain in many respects the most advanced limit of reference we possess today. It is thus not mere archaism to recall the strategic confrontations which occurred four or five decades ago. To reappropriate them, on the contrary, is a step towards a Marxist discussion that has the—necessarily modest—hope of assuming an ‘initial shape’ of correct theory today. Régis Debray has spoken, in a famous paragraph, of the constant difficulty of being contemporary with our present. In Europe at least, we have yet to be sufficiently contemporary with our past."

"We must prevent this brain from functioning for twenty years."

"oftentimes prison writing is described as that which is produced in prison or by prisoners, and certainly Gramsci's prison notebooks provide the most interesting example."

"I always think of a line from Gramsci, "living in the interregnum.""

"Antonio Gramsci wrote of the culture of the future that "new" individual artists can't be manufactured: art is a part of society-but that to imagine a new socialist society is to imagine a new kind of art that we can't foresee from where we now stand. "One must speak," Gramsci wrote, "of a struggle for a new culture, that is, for a new moral life that cannot but be intimately connected to a new intuition of life, until it becomes a new way of feeling and seeing reality and, therefore, a world intimately ingrained in 'possible artists' and 'possible works of art.""

"I never actually said "Ooh, you dirty rat.""

"You don't psych yourself up for these things, you do them... I'm acting for the audience, not for myself, and I do it as directly as I can."

"He can do nothing which is not worth watching. On his light hoofer's feet, with his quick nervous hands and his magnificent unconsciousness of the camera, he can pluck distinction from the least promising part."

"He can't even put a telephone receiver back on the hook without giving the action some special spark of life."

"The most likely reason for the adoption of a relatively small number of discrete intervals as the tonal material for music is that discretization or categorization is a typical, if not universal, strategy used by animals in order to reduce information overload and facilitate processing when subjected to the high-information-conetent signals and/or high information rates from a highly developed sensory system (e.g., Estes, 1972; Terhardt, 1991). An obvious example is the processing of speech information by humans, wherein each language selects a relatively small portion of the available timbral-differences that can be produced by the vocal tract as information-carrying units (phonemes) in the language. A related reason for discrete scales, and another obvious analogy with speech perception, lies in the social aspect of music. Music first developed as, and still largely remains, a social phenomenon associated with religious or other rituals that, like language, necessitated an easily remembered common framework."

"That man was so much larger than life that there's no scale by which to measure him. Most of Wilson's dialogue, if put down on paper, seems either vulgar or obscene."

"Sometimes I think it sounds like I walked out of the room and left the typewriter running."

"What is success? It is a toy balloon among children armed with pins."

"A book is never finished; it's abandoned."

"Men are not against you, they are merely for themselves."

"Everyone needs a warm personal enemy or two to keep him free of rust in the movable parts of the mind."

"Writing is easy. All you do is stare at a blank sheet of paper until drops of blood form on your forehead."

"The best way to become a successful writer is to read good writing, remember it, and then forget where you remember it from."

"He has a profound respect for old age. Especially when it's bottled."

"Never grow weary of protesting. In this sensitive business of dealing with the public which depends on faith and good will, protest is a most effective weapon. Therefore protest."

"The failure of a free press in most countries is usually blamed on the readers. Every nation gets the government—and the press—it deserves. This is too facile a remark. The people deserve better in most governments and press. Readers, in millions of cases, have no way of finding out whether their newspapers are fair or not, honest or distorted, truthful or colored...."

"There are less than a dozen independent newspapers in the whole country, and even that small number is dependent on advertisers and other things, and all these other things which revolve around money and profit make real independence impossible. No newspaper which is supporting one class of society is independent."

"One of the biggest pieces of bunkum shoved down the American throat was the story of the 1929 Italian election. For this I cannot blame my colleagues."

"Forbidden to write anything critical of the Fascist regime, they could only report what the hierarchy wanted them to report. The clever and honest American and British journalists, however, did insinuate startling facts in their stories; these insinuations, unfortunately, were between the lines and not for those who read as they run, and the American public is mostly a running reading public."

"Of course there are boob and bad reporters who bring in boob and bad items which are printed, and which make so many papers what they are. But there are more intelligent men who try to bring in intelligent items, only to see them changed into imbecile items, with the result that they may easily give up trying, and accustom themselves instead to the spirit of the office...."

"We scent the air of the office. We realize that certain things are wanted, certain things unwanted. There is an atmosphere favorable to Fascism. We find that out when some little pro-Mussolini item is played up, some big item, not so pleasant to the hero of our era, played down, or left out. In the future we send pro-Mussolini stuff only. We get a cable of congratulations."

"I am merely trying to illustrate one of the fundamental facts about American journalism today, the fact that the servants of the press lords are slaves very much as they have always been, and that any attempt at revolt is immediately punished with the economic weapon."

"But much more vicious than these cases is the majority of foreign correspondents who never have to be placed against the wall, who are never told what to write and how to write it, but who know from contact with the great minds of the press lords or from the simple deduction that the bosses are in big business and the news must be slanted accordingly, or from the general intangible atmosphere which prevails everywhere, what they can do and what they must never do. The most stupid boast in the history of present-day journalism is that of the writer who says, "I have never been given orders; I am free to do as I like.""

"Only in democratic countries is there the beginning of a suspicion that the old axioms about the press being the bulwark of liberty is something that affects the daily life of the people—that it is a living warning rather than an ancient wisecrack. A people that wants to be free must arm itself with a free press."

"The White Knight must not have whiskers; he must not be made to look old."