All Quotes

"The relationship of Israel with the Palestinian territories vividly illustrates how the capitalist wealth of developed nations is built on the subjugation of weaker economies. Some mechanisms of this subjugation appear impersonal, like the imposition of free market policies or fiscal austerity; others are overtly personal, like the colonial confiscation of land. Historically, the two have gone hand in hand. In the case of Israel, the inherent violence of capital accumulation has morphed into something extreme."

"“So what’s wrong with capitalism?” He sighs. For a minute I wonder if maybe he’s a capitalist. But then he says, “It’s not a fair system.” “That’s stupid,” I say. “Things aren’t fair. Only little kids expect things to be fair.”"

"So he starts by asking me what I know about capitalism. “People were rich and there was a lot of corruption and a lot of crime,” I say. “And now we have socialism and people are poor and there’s a lot of corruption and a lot of crime.” He laughs. Anything I say about politics makes him laugh."

"In the absence of Marxism, there is now no critique being carried out of the capitalist enterprise, and it'll peel your skin off and peddle it back to you. It is doing that. Capitalism in principle is not, I think, a bad thing, but it requires endlessly-exploitable natural resources. And since the exploration of space has been taken off the agenda, there is no endlessly-exploitable frontier. So capitalism is going to deal itself out of existence, but before it does that, you're gonna pay $50 for a latte, because inflation is going impoverish all of us before people get pissed off enough to realize that all of the last hundred years of economic progress was actually a shell game to create billionaires, while the great masses of people saw their standard of living eroded and destroyed. You don't have to take psilocybin to figure this stuff out."

"Capitalism has really been responsible for all the progress of the modern age. Better than any other system ever devised, it provides leisure for large numbers of superior men, and so fosters the arts and sciences. No other system ever heard of is so beneficial to invention. Its fundamental desire for gain may be far from glorious per se, but it at least furthers improvement in all the departments of life. We owe to it every innovation that makes life secure and comfortable. Unfortunately, like any other human institution (for example, Holy Church), capitalism tends to run amuck when it is not restrained, and democracy provides inadequate means of keeping it in order. There is never any surety that democracy will throw up leaders competent to discern the true dangers of capitalism and able to remedy them in a prudent and rational manner. Thus we have vacillated between letting it run wild and trying to ruin it. Both courses are hazardous and ineffective, and it is hard to say which is more so.”"

"It is true that the materialistic society, the so-called culture that has evolved under the tender mercies of capitalism, has produced what seems to be the ultimate limit of this worldliness. And nowhere, except perhaps in the analogous society of pagan Rome, has there ever been such a flowering of cheap and petty and disgusting lusts and vanities as in the world of capitalism, where there is no evil that is not fostered and encouraged for the sake of making money. We live in a society whose whole policy is to excite every nerve in the human body and keep it at the highest pitch of artificial tension, to strain every human desire to the limit and to create as many new desires and synthetic passions as possible, in order to cater to them with the products of our factories and printing presses and movie studios and all the rest."

"Whereas many in the global and now movements focus on corporations as key, anarchists see these entities as only one piece of capitalism, and a piece that if removed, wouldn't destroy capitalism—bad as corporations may be. One can have capitalism without corporations. Capitalism's essence—ensuring that society is forged around compulsory social relations along with inequities in power and material conditions—would remain in place. And given capitalism's grow-or-die logic, small-scale capitalism would by definition unfold into a larger scale again. Or as contemporary networked and informational capitalistic structures indicate, allegedly localized capitalism can be a way to hide an increasing concentration of social control and injustice. Capitalism itself, in its totality, and because it strives toward totality, is the root problem. Anarchists, then, look to wholly undo the hegemony of capitalist economic structures and values, or the many components that mark capitalism as a system—from corporations, banks, and private property, to profit, bosses, and wage labor, to alienation and commodification."

"As Endgames Largo, having discovered a go-kart: "Wow, we don't even have to worry about fuel! It runs on fruit!""

"When first started to emerge in the early nineteenth century, its machinations were relatively visible. Take, for instance, the enclosures. Pasturelands that had been used in common for centuries to provide villages with their very sustenance were systematically fenced off—enclosed—in order to graze sheep, whose wool was needed for the burgeoning textile industry. Communal life was briskly thrust aside in favor of privatization, forcing people into harsh factories and crowded cities. , as it pushes past the fetters of even nation-states in its insatiable quest for growth, encloses life in a much more expansive yet generally invisible way: fences are replaced by consumer culture. We are raised in an almost totally commodified world where nothing comes for free, even futile attempts to remove oneself from the market economy. This commodification seeps into not only what we eat, wear, or do for fun but also into our language, relationships, and even our very biology and minds. We have lost not only our communities and public spaces but control over our own lives; we have lost the ability to define ourselves outside capitalism’s grip, and thus genuine meaning itself begins to dissolve."

"The German and the Russian systems of socialism have in common the fact that the government has full control of the means of production. It decides what shall be produced and how. It allots to each individual a share of consumer's goods for his consumption….The German pattern differs from the Russian one in that it (seemingly and nominally) maintains private ownership of the means of production and keeps the appearance of ordinary prices, wages, and markets. There are, however, no longer entrepreneurs but only shop managers (Betriebsführer)….The government, not the consumers, directs production. This is socialism in the outward guise of capitalism. Some labels of capitalistic market economy are retained but they mean something entirely different from what they mean in a genuine market economy."

"The first condition for the establishment of perpetual peace is the general adoption of the principles of laissez-faire capitalism."

"All people, however fanatical they may be in their zeal to disparage and to fight capitalism, implicitly pay homage to it by passionately clamoring for the products it turns out."

"The gold standard was the world standard of the age of capitalism, increasing welfare, liberty, and democracy, both political and economic. In the eyes of the free traders its main eminence was precisely the fact that it was an international standard as required by international trade and the transactions of the international money and capital market. It was the medium of exchange by means of which Western industrialism and Western capital had borne Western civilization into the remotest parts of the earth's surface, everywhere destroying the fetters of age-old prejudices and superstitions, sowing the seeds of new life and new well-being, freeing minds and souls, and creating riches unheard of before."

"Pareto, Georges Sorel, Lenin, Hitler, and Mussolini were right in denouncing democracy as a capitalist method. Every step which leads from capitalism toward planning is necessarily a step nearer to absolutism and dictatorship."

"It's quite obvious that when the was still there, it was a bustle between capitalism and communism. Once communism was defeated, then capitalism could expand and show its true self. It's no longer constrained by the need to be nice, so that people will choose their so-called free-market system as opposed to the centrally planned system. So because of that, nowadays there is nothing to restrain capital, and capital is demanding that it should be able to go anywhere and do whatever it likes."

"Capitalism collapses without growth, yet perpetual growth on a finite planet leads inexorably to environmental calamity."

"Bail out the people, not the corporations. Bail out the living world, not its destroyers. Let’s not waste our second chance."

"It is time to say enough, and to rebel and keep rebelling against the innate evil of capitalism, that suffocates the majority and brutally enriches a few."

"Capitalism is a lot more important than democracy. I'm not even a big believer in democracy."

"If we want to save the planet earth, to save life and humanity, we have a duty to put an end to the capitalist system. Unless we put an end to the capitalist system, it is impossible to imagine that there will be equality and justice on this planet earth. This is why I believe that it is important to put an end to the exploitation of human beings and to the pillage of natural resources, to put an end to destructive wars for markets and raw materials, to the plundering of energy, particularly fossil fuels, to the excessive consumption of goods and to the accumulation of waste. The capitalist system only allows us to heap up waste. I would like to propose that the trillions of money earmarked for war should be channelled to make good the damage to the environment, to make reparations to the earth."

"The most obvious negative feature of capitalism is that it can produce private monopolies that restrict output and thereby harm consumers."

"Western society is relapsing at critical points into precivilized modes of thought, feeling, and action because it has acquiesced too easily in the dehumanization of society through capitalist exploitation."

"I have no doubt that the revolution will triumph. The people of the world will prevail, seize power, seize the means of production, wipe out racism, capitalism."

"The capitalist system was and is not a benevolent social force created to best serve the needs of humans through the "marketplace," contrary to the propagandizing that has inundated at least the citizens in the West for a century and a half and that continues in educational systems and mass media today. Indeed, it would be impossible for an egalitarian, beneficial political-economic system to emerge from thousands of years of hypermasculine, violent, oppressive, and war-torn reality. In truth, capitalism, which morphed from the highly oppressive systems of "economic development" of the Eurasian past, simply represents a more sophisticated form of social relations in which the accumulation of wealth continues to result from exploitation, predation and violence."

"What I really believe in, first and foremost, isn't capitalism or globalization. It isn't the systems or regulatory codes that achieve all we see around us in the way of prosperity, innovation, community, and culture. Those things are created by people. What I believe in is man's capacity for achieving great things, and the combined force that results from our interactions and exchanges. I plead for greater liberty and a more open world, not because I believe on system happens to be more efficient than another, but because those things provide a setting that unleashes individual creativity as no other system can. They spur the dynamism that has led to human, economic, scientific, and technical advances. Believing in capitalism does not mean believing in growth, the economy, or efficiency. Desirable as they may be, those are only the results. At its core, belief in capitalism is belief in mankind."

"My life may not be something special But it's never been lived before."

"Republicans campaign like Libertarians and govern like Democrats."

"Structures of lines, surfaces, forms, colours. They try to approach the eternal, the inexpressible above men. They are a denial of human egotism. They are the hatred of human immodesty, the hatred of images, of paintings.. Wisdom [is] the feeling for the coming reality, the mystical, the definite indefinite, the greatest definite."

"I met Sophie Taeuber in Zurich in 1915. Even then she already knew how to give direct and palpable shape to her inner reality. In those days this kind of art was called 'abstract art'. Now it is known as 'concrete art,' for nothing is more concrete than the psychic reality it expresses. Like music this art is tangible inner reality she was already dividing the surface of a watercolor into squares and rectangles which she juxtaposed horizontally and perpendicularly. She constructed her painting like a work of masonry. The colors are luminous, going from rawest yellow to deep red or.. ..blue."

"We [Hans Arp and Sophie Taeuber ] painted embroidered and made collages. All these works were drawn from the simplest forms and were probably the first examples of concrete art. These works are realities pure and independent with no meaning or cerebral intention. We rejected all mimesis and description, giving free reign to the elementary and spontaneous."

"the streams buck like rams in a tent whips crack and from the hills come the crookedly combed shadows of the shepherds. black eggs and fools' bells fall from the trees. thunder drums and kettledrums beat upon the ears of the donkeys. wings brush against flowers. fountains spring up in the eyes of the wild boar."

"I hereby declare that on February 8th, 1916, Tristan Tzara discovered the word DADA. I was present with my twelve children when Tzara pronounced for the first time this word which has aroused in us such legitimate enthusiasm. This took place at the Café Terrasse in Zurich, and I wore a brioche in my left nostril. I am convinced that this word has no importance and that only imbeciles and Spanish professors can be interested in dates. What interests us is the Dada spirit and we were all Dada before the existence of Dada. The first Holy Virgins I painted date from 1886, when I was a few months old and amused myself by pissing graphic impressions. The morality of idiots and their belief in geniuses makes me shit."

"Dadaism has launched an attack on the fine arts. It has declared art to be a magic opening of the bowels, administered an enema to the Venus of Milo, and finally enabled 'Laocoon and Sons' to ease themselves after a thousand-year struggle with the rattlesnake. Dadaism has reduced positive and negative to utter nonsense. It has been destructive in order to achieve indifference."

"In recent times, Surrealist painters have used descriptive illusionistic academic methods."

"Concretion signifies the material process of condensation, hardening, coagulating, thickening, growing together. Concretion designates the solidification of a mass. Concretion designates curdling, the curdling of the earth and the heavenly bodies. Concretion designates solidification, the mass of the stone, the plant, the animal, the man. Concretion is something that has grown. I want my work to find it."

"A painting or sculpture not modeled on any real object is every bit as concrete and sensuous as a leaf or a stone.. ..[but] it is an incomplete art which privileges the intellect to the detriment of the senses.. .[art must be like..] fruit that grows in man, like a fruit on a plant or a child in it's mother's womb."

"art is fruit growing out of man like the fruit out of a plant like the child out of the mother. While the fruit of the plant grows independent forms and never resembles a balloon or a president in a cutaway suit the artistic fruit of man shows for the most part a ridiculous resemblance to the appearance of other things. Reason tells man to stand above nature and to be the measure of all things. thus man thinks he is able to live and to create against the laws of nature and he creates abortions. through reason man became a tragic and ugly figure. i dare say he would create even his children in the form of vases with umbilical cords if he could do so. reason has cut man off from nature."

"Revolted by the butchery of the 1914 World War, we in Zurich devoted ourselves to the arts. While guns rumbled in the distance, we sang, painted, made collages and wrote poems with all our might. We were seeking an art based on fundamentals, to cure the madness of the age, and find a new order of things that would restore the balance between heaven and hell. We had a dim premonition that power-mad gangsters would one day use art itself as a way of deadening men's minds."

"As the thought comes to me to exorcise and transform this black with a white drawing, it has already become a surface.. .Now I have lost all fear, and begin to draw on the black surface."

"These paintings, these sculptures – these objects – should remain anonymous, in the great workshop of nature, like the clouds, the mountains, the seas, the animals, and man himself. Yes! Man should go back to nature! Artists should work together like the artists of the Middle Ages."

"[art] urges man to identify himself with nature."

"Automatic poetry comes straight out of the poet's bowels or out of any other of his organs that has accumulated reserves.. .He crows, swears, moans, stammers, yodels, according to his mood.. .His poems are like nature; they stink, laugh, and rhyme like nature. Foolishness, or at least what men calls foolishness is as precious to him as a sublime piece of rhetoric. For in nature a broken twig is equal in beauty and importance to the clouds and the stars."

"Whatever became of Kurt Schwitters' novel 'Franz Müllers Drahtfrühling' [Franz Müller's Wire Spring] several chapters of which we composed together? Is it buried under the bomb ruins of his house on Waldhausenstrasse in Hannover? For hours, Schwitters and I sat together and spun dialogue, in rhapsody. He took these writings and channeled them into his novel...We sat together again, writing 'Franz Müllers Drahtfrühling':"

"Then we went down to his work room, in the horrible beautiful Merz grotto [the 'Merz-Haus', built by Kurt Schwitters, where broken wheels paired with matchboxes, wire lattices with brushes without bristles, rusted wheels with curious Merz cucumbers.. .How often did we 'p-lay' in this room! Schwitters called playing, considering the sweat, working. There we glued together our paper pictures, and as I tossed away one of my glued-together works one morning, Schwitters asked, 'You don't like it? Can I have it?' – 'What do you want with this failed piece of toast?' Schwitters took a good look at it and said, 'I'll put what's on top on the bottom, I'll stick a little Merz nose in this corner and I'll sign the bottom Kurt Schwitters.' And, yes indeed, this collage became a wonderful picture by Kurt Schwitters. Schwitters was a wizard, just as Hokusai was a wizard."

"Sculpture should walk on the tips of its toes, unostentatious, unpretentious, and light as the spoor of an animal in snow. Art should melt into and even merge with nature itself. This is obviously contrary to painting and sculpture based on nature. By so doing, art will rid itself more and more of self-centredness, virtuosity and absurdity."

"The man who speaks and writes about art should refrain from censuring or pontificating. He will thus avoid doing anything foolish, for in the presence of primordial depth all art is but dream and nature."

"A deep and serene silence filled her structures composed of colors and surfaces. The exclusive use of horizontal and vertical rectangular planes in the work of art, the extreme simplification, exerted a decisive influence on my work. Here I found, stripped down to the limit, the essential elements of all earthly constructions: the bursting, upward surge of the lines and the planes toward the sky, the verticality of pure life, and the vast equilibrium, the sheer horizontality and expansiveness of dreamlike peace. Her work was for me a symbol of a divinely built 'house' which man in his vanity has ravaged and sullied."

"In 1915 Sophie Taeuber and I carried out our first works in the simplest forms, using painting, embroidery and pasted paper [without using oil colors to avoid any reference with usual painting]. These were probably the first manifestations of their kind, pictures that were their own reality, without meaning or cerebral intention. We rejected everything in the nature of a copy or a description, in order to give free flow to what was elemental and spontaneous."

"It was Sophie [Taeuber] who, by the example of her work and her life, both of them bathed in clarity, showed me the right way. In her world, the high and the low, the light and the dark, the eternal and the ephemeral, are balanced in prefect equilibrium."

"By the time I was 16, the everlasting copying of stuffed birds and withered flowers at the Strasbourg School of Applied Art not only poisoned drawing for me but destroyed my taste for all artistic activity. I took refuge in poetry."