All Quotes

"— Adam Pinborough"

"It's not Ben anymore."

"Dangerously close to human."

"Something's wrong with Ben."

"They thought he was family."

"— Lucy Pinborough"

"Actions have consequences, Andrew."

"I've got a really good feeling about this, Millie."

"I need a fucking sandwich."

"When would you like me to start?"

"Having teeth is a privilege!"

"[to Nina on Millie torturing him] You KNEW She'd do this to me!"

"Sydney Sweeney as Millie Calloway"

"Amanda Seyfried as Nina Winchester"

"Peter Colandro as Cashier"

"Don DiPetta as Officer Jenkins"

"Lamar Baucom-Slaughter as Officer Stanley (as Lamar B. Slaughter)"

"Michele Morrone as Enzo"

"Brandon Sklenar as Andrew Winchester"

"Indiana Elle as Cece Winchester"

"Sarah Cooper as Pam"

"Kathy Costa McKeown as Ballet Instructor"

"Ellen Tamaki as Patrice"

"Elizabeth Perkins as Mrs. Winchester"

"Megan Ferguson as Jilianne"

"Amanda Joy Erickson as Suzanne"

"Alaina Surgener as Amanda"

"i not done with this fight yet."

"The fact that they are always surrounded by people may have benefited them somehow."

"I am motivated by the ability to build technical solutions for problems people face."

"I am of the opinion that startup CEOs in Africa should use social media to amplify their brands and reach a wide audience."

"I observed that travel was also going to be the next big thing. I compared the Brazil and Indian hotel experience and travel tech space and I figured that it should be possible to replicate the model in Nigeria, as both countries bore similarities to Nigeria at that growth phase."

"“Because that’s the way""

"I give you meaning, and he gives you money."

"It's every man for himself where I come from. That's just how I grew up."

"Discos are little nirvanas where the solemn roar of rock music allows the son of Siddhartha to savor the little nothingness. To not be for a little while is all that is asked. Little ‘nothings’ that the life of today's individual needs in order to be reborn and live another week."

"In ‘industrial’ music, the irreversibility of time is immanent. It is entropic music, music that destroys itself. Pop music is the epitome of the self-dissolution of music. And yet it is the only form of music that makes sense to everyone. On the edge of the abyss, Mahler composes ‘The Song of the Earth’ but hums a Neapolitan song."

"The light emanating from Spinoza, Colerus explained, was no less than sunlight. I suspected that heaven and earth had conspired to create this simile. Yet there is a less fortuitous reason why I will never fail to mention Spinoza's name. By disappearing before his own work, he bound himself to it forever. Where, in fact, are the traces of a living being in the ‘’Ethica‘’? Can anyone point out a place where even his shadow is present? But doesn't this little bit of reality seem to be his greatest attribute? This, then, is what Spinoza did, and the reason why we must remember him. He managed not to be the ‘author’ of the ‘'Ethica’'. (p. 100)"

"Someone said that only God could have written the ‘Ethica’. Believe me, he was wrong. Not even God. In fact, the impossibility of the Ethica being written is nothing other than the impossibility of the world being created, which the Ethica demonstrates perfectly. (p. 100)"

"As Spinoza gradually got rid of himself, the ‘’Ethica‘’ was born. This is the opposite of being its author. In order to write the ‘'Ethica’', he had to cease to exist. To be more precise, we should say that a certain Baruch Spinoza, who did not exist, wrote the ‘'Ethica’'. (p. 101)"

"You agree, however, that when everyone begins: Baruch Spinoza was born here or there, on such and such a day and year, and only then do they talk about the ‘’Ethica‘’, you agree, admit it, that these are only rumors. If anything, we should start with his death, or when it began, and work backwards. We should say how it was that this man began to disappear on a given day. (p. 101)"

"It is this unchanging world within a changing society that philosophy, without excessive amazement, must reflect."

"The beautiful lies in the very moment when one senses that beauty is no longer. Forever now, perhaps."

"The truth, the task of those who deal with philosophy, is not the dialogue between two people who philosophize, but a silent nod that is addressed to the designated victim."

"One cannot be reactionary because there is nowhere to return to; one cannot be progressive because there is nowhere to go."

"For physics, the meaning of the world lies in its end. The gaze that relies on physics sees things from the point of view of their end. This reverses the fundamental attitude of the individual. In the light of physics, it is not the origin but the end that is the goal. To see everything in the light of this, with life already destroyed, everything in eternal stillness, is to see it as it will one day appear. But it already appears today to those who can discern its morphological contemporaneity with us. It is a matter of already seeing the world in the light of this final catastrophe and referring to it as contemporaries from now on."

"Theology is not the science of salvation, but of perdition."

"Here we see an attempt to construct a public theology—or rather, if we may borrow a stylistic feature from a great memory, a European public theology. If the age of theology appears to be over, or if only its shadow remains, it is because the dull intellects that have dealt with it (with a few exceptions) carry within them the worm that has gnawed away at the discipline. As if it had to follow the fate of the religion to which it was subjugated. The very fall of religion, now only an object of faith and hope – squalid supports of our uncertain destiny – was to favor it and clear the field of any misunderstanding. That God exists is just a sinister little fact. Nothing more. (Given the way things are going, it was to be expected)."

"Natural theology, as a “natural disposition,” belongs to blind spontaneity, to brute human nature. But at the same time, it reminds us that here there is only the lowest being. The same thing implies the blind formality of the disjunctive syllogism which, if we want to tell it like it is, leads us obtusely to conceive the outrageous idea of God. With this impiety, natural theology begins and ends."

"We know the ‘reductio’ of all things in God by another name. In those who die, the infernal force, or, let's put it this way, the dear old essence of the world, is revealed ‘eo ipso’."