"There is a wretched unbelief abroad which seems to contain much healing power. It deems such a connection accidental, and sees in it only a lucky conjunction of the different forces in the game of life. It thinks it an accident that the lovers win one another, accidental that they love one another; there are a hundred other women with whom the hero would have been equally happy, and whom he could have loved as deeply. It thinks that there has been many a poet who might have become as immortal as Homer, if this splendid subject had not already been appropriated by him; many a composer who might have made himself as immortal as Mozart, had the opportunity offered. … The accidental has but one factor; it is accidental that Homer found in the Trojan War the most distinguished epic subject conceivable. The fortunate has two factors: it is fortunate that the most distinguished epic subject fell to the lot of Homer; here the accent falls as much on Homer as on the material. It is this profound harmony which reverberates through every work of art we call classic. And so it is with Mozart; it is fortunate that the subject, which is perhaps the only strictly musical subject, in the deeper sense, that life affords, fell to — Mozart."