"About staying in the south, even if it's more expensive — Look, we love Japanese painting, we've experienced its influence — all the Impressionists have that in common — and we wouldn't go to Japan, in other words, to what is the equivalent of Japan, the south? So I believe that the future of the new art still lies in the south after all. But it's bad policy to live there alone when two or three could help each other to live on little."
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