"To some people, new wave was the music made by bands who were too traditionally melodic to be classed as punk; bands that believed in good ol’ songwriting, in craft and – shock horror – quite liked the idea of having a hit (step forward The Pretenders, Elvis Costello, The Police etc). To others, new wave music was the futuristic, keyboard-based music made by people inspired as much by Berlin-era Bowie and Kraftwerk’s Trans-Europe Express as by punk itself (Human League, Cabaret Voltaire, Ultravox, Gary Numan et al). Then there’s the ‘art-punks’ – Wire, Gang Of Four, Pere Ubu, Delta 5, The Raincoats – bands obsessed with the form of their music, of avoiding ‘rockist' clichés and aiming for something more avant-garde and challenging. If these three camps are distinct enough, then consider that ska-punks like The Specials, The Beat and The Selecter are also considered part of the same movement/phenomenon and suddenly you’re faced with a musical genre that is futuristic-yet-retro, avant-garde-yet-traditional, populist-yet-obscure, solipsistic on one hand, political on the other."