"Behind them still throbbed the tradition of nineteenth-century American radicalism, the un-ambiguous nay-saying of Thoreau and the Abolitionists. This tradition implied that the individual person was still able to square off against the authority of the state; it signified a stance-one could not quite speak of it as a politics-of individual defiance and rectitude, little concerned because little involved with the complexities of society. The radicalism of nineteenth-century New England had been a radicalism of individual declaration far more than of collective action; and while Eastman and his friends were indeed connected with a movement, the Socialist party of Debs, in essential spirit they were intellectual freebooters, more concerned with speaking out than speaking to. They swore by Marx, but behind them could still be heard the voices of Thoreau and Wendell Phillips-and it was a good thing."
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The Masses
' was a graphically innovative magazine of left politics published monthly from 1911 until 1917, when federal prosecutors brought charges against its editors for conspiring to obstruct conscription in the United States during World War I. It was succeeded by The Liberator and then later New Masses. It published reportage, fiction, poetry and art by the leading radicals of the time such as Max Eastman, Floyd Dell, Louise Bryant, Dorothy Day, John Reed, Mary Heaton Vorse, and Art Young.
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