"It may be reasonable enough that he should say the Spaniards were sinful, but why in the world should he say that the South Americans were sinless? Why should he have supposed that continent to be exclusively populated by archangels or saints perfect in heaven? It would be a strong thing to say of the most respectable neighbourhood; but when we come to think of what we really do know of that society the remark is rather funny. We know that the sinless priests of this sinless people worshipped sinless gods, who accepted as the nectar and ambrosia of their sunny paradise nothing but incessant human sacrifice accompanied by horrible torments. We may note also in the mythology of this American civilisation that element of reversal or violence against instinct of which Dante wrote; which runs backwards everywhere through the unnatural religion of the demons. It is notable not only in ethics but in aesthetics. A South American idol was made as ugly as possible, as a Greek image was made as beautiful as possible. They were seeking the secret of power, by working backwards against their own nature and the nature of things. There was always a sort of yearning to carve at last, in gold or granite or the dark red timber of the forests, a face at which the sky itself would break like a cracked mirror."