"The social scene, shabby and sordid, and lost in the scale of space as the quotable line is lost in a dull epic or the needed name in an ageing memory, would have been as interesting, probably, as a "short story" in one of the slangy dialects promoted by the illustrated monthly magazines; but it affected me above all, and almost each time, I seem to remember, as speaking of the number of things not cared for. There were some presumably, though not at all discernibly, that were — enough to beget the loose human cohesion, the scant consistency of parts and pieces, to which the array by the railway platform testified; but questions came up, plentifully, in respect to the whole picture, and if the mass of interests that were absent was so remarkably large, this would be certainly because such interests were ruled out. The grimness with which, as by a hard inexorable fate, so many things were ruled out, fixed itself most perhaps as the impression of the spectator enjoying from his supreme seat of ease his extraordinary, his awful modern privilege of this detached yet concentrated stare at the misery of subject populations. (Subject, I mean, to this superiority of his bought convenience — subject even as never, of old, to the sway of satraps or proconsuls.)"