"Speaking of [TH.] Rousseau, do you know Richard Wallace's Rousseau ['The forest of Fontainebleau': Morning', c. 1850 An edge of a wood in the autumn after rain, with a vista of meadows stretching away endlessly, marshy, with cows in them, the foreground rich in tone. To me that's one of the finest — is very like the one with the red sun in The Luxembourg ['The edge of the forest of Fontainebleau, at sunset', c. 1849. The dramatic effect of these paintings is something that helps us to understand 'a corner of nature seen through a temperament'."
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the idea of 'a corner of nature seen through a temperament' accords with the naturalistic approach to art as formulated by the French writer Zola
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Théodore Rousseau
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