"“Heroic fantasy” is the name of a class of stories laid, not in the world as it is or was or will be, but as it ought to have been to make a good story. The tales collected under this name are adventure-fantasies, laid in imaginary prehistoric or medieval worlds, when (it’s fun to imagine) all men were mighty, all women were beautiful, all problems were simple, and all life was adventurous. In such a world, gleaming cities raise their shining spires against the stars; sorcerers cast sinister spells from subterranean lairs; baleful spirits stalk crumbling ruins; primeval monsters crash through jungle thickets; and the fate of kingdoms is balanced on the bloody blades of broadswords brandished by heroes of preternatural might and valor. The purpose of these stories is neither to teach the problems of the steel industry, nor to expose the defects in our foreign-aid program, nor yet to air the problems of the housewife. It is to entertain. These stories combine the color, gore, and action of the costume novel with the atavistic terrors and delights of the fairy tale. They furnish the purest fun to be found in fiction today. Heroic fantasy is escape reading in which you escape clear out of the real universe. But, come to think of it, these tales are not a bit more “unreal” than any of the hundreds of whodunnits wherein, after the stupid cops have fallen over their own big feet, the brilliant amateur—a private detective, a newspaper reporter, or a little old lady—steps in and solves the crime."
— Storytelling

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L. Sprague de Camp, Swords & Sorcery (1963), Pyramid Books R-950, first printing, Introduction (p. 7)

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