"What is striking in Prokofiev’s playing is the outstandingly convincing expression and uncommon rhythmic plasticity.... One should especially note a very original use of accents. There is an endless range of them: from hardly audible and scarcely noticeable pushes to pricks and passing by stresses to temperamental and powerful strokes. The accent in Prokof iev’s performance becomes the most valuable shaping element, bringing sharpness, capriciousness, and a special dry spark to his playing. Regular metric stresses disappear behind rhythmically refined and dynamically rich accents. This makes the phrasing especially clear and intensely vital. . . . [Prokofiev’s] reserve does not imply dryness or indifference: Prokofiev knows how to control his emotions, but does not shy away from the touch ing, gentle lyricism. He is not interested in pompous pathos. He found something better: simplicity and naturalness...."
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Igor Glebov, “Prokofiev—ispolnitel’” [Prokofiev the Performer], in Shlifshtein, S. S. Prokofiev: Materialy.
https://en.wikiquote.org/wiki/Sergei_Prokofiev
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Sergei Prokofiev
Sergei Sergeyevich Prokofiev (1891-04-27 N.S. or 1891-04-15 O.S. – 1953-03-05) was a Russian composer, pianist, and conductor who later worked in the Soviet Union. As the creator of acknowledged masterpieces across numerous music genres, he is regarded as one of the major composers of the 20th century.
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