"[A]lthough Tartakovsky is a good storyteller, in a silent film sort of way—expressing what’s happening moment-to-moment through picture and sound rather than in dialogue—I never watched either of these programs for their plots, and I don’t re-watch them for narrative, either. I re-watch them for the same reason that I visit art museums, attend live concerts, and pause during journeys from point A to point B in New York to watch dancers, acrobats, or street musicians: because I appreciate virtuosity for its own sake. And that’s what Tartakovsky’s Clone Wars and Samurai Jack give you, scene for scene and shot for shot .... [T]he plot was never the point. It was always about the visual music that Tartakovsky, his designers, and his animators created onscreen."