"...the theatre is a better school of moral sentiments than churches, where the feelings of humanity are thus outraged. Poets who have to deal with an audience not yet graduated in the school of the rights of men and who must apply themselves to the moral constitution of the heart would not dare to produce such a triumph as a matter of exultation. ... No theatric audience in Athens would bear what has been borne in the midst of the real tragedy of this triumphal day. ... They would not bear to see the crimes of new democracy posted as in a ledger against the crimes of old despotism, and the book-keepers of politics finding democracy still in debt, but by no means unable or unwilling to pay the balance. ... They would soon see that criminal means once tolerated are soon preferred. They present a shorter cut to the object than through the highway of the moral virtues. Justifying perfidy and murder for public benefit, public benefit would soon become the pretext, and perfidy and murder the end, until rapacity, malice, revenge, and fear more dreadful than revenge could satiate their insatiable appetites. Such must be the consequences of losing, in the splendour of these triumphs of the rights of men, all natural sense of wrong and right."